In a recent column: http://www.straightdope.com/columns/010406.html
Cecil mentions a sound level of 200 Decibels. Here’s a pointless question. Why would this not me stated as 20 Bels? Does the ‘Deci’ part of the term not mean .1 of a Bel?
I’m guessing it’s just common usage, like why are capcitors microfarad and picofarad, but never - to my observation - nanofarad…
I recall an article in a Popular Mechanics a few years back that showed different technologies the military was considering for simulating nuclear blast damage to structures. One of the options was a HUGE array of HUGE speakers, bigger than anything in existence, that could send out pulses of pressure to blast houses & such. I figure, if it can blow apart a house, YES, it can blow YOU away.
A decibel is an odd measurement, not like a foot or meter, it is a relationship between 2 values of power. In this instance 0db would be just below what a human could hear. So no the deci part isn’t able to be replaced by pico, or kilo etc. I believe the formula for dB is dB=20Log(PowerLow/PowerHigh). If I remember correctly a 3dB gain requires twice the power.
It would be technically correct to say 20 bels instead of 200 decibels, but the habit is to use decibels. In the same way, instead of saying 200 metres, one could say 20 dam (dekametres) or 2 hm (2 hectometres) but in common parlance dekametres and hectometres are almost never used.
Popular Mechanics is behind the times! Famous scientist Tryphon Tournesol made a sound-based weapon in the Tintin adventure “L’affaire Tournesol” in 1956. Fortunately for humanity, he realized that his work could be used for evil ends, and the microfilm containing the details of his work was destroyed.
Yep it’s 10, I got 20 from my audio days for Sound Pressure level. And further I’m no longer sure about 3dB being a doubleing of power, rather that it’s the smallest decernable difference in sound.
I remember a comment in the Borland Turbo C++ that was in their sound() example. The comment was
True story: 7 Hz is the resonant
frequency of a chicken’s skull cavity.
This was determined empirically in
Australia, where a new factory
generating 7-Hz tones was located too
close to a chicken ranch: When the
factory started up, all the chickens
died
I got to believe this is an urban legend, but the theory seems sound. Does the human skull cavity have a resonant frequency? If so what is it? I would not want to be the guinnea pig on this one.
And in 1986 Kate Bush reported on the secret military efforts to create sonic weapons in her single “Experiment IV.” Military sources denied this, claiming it was a gimmick to get longtime fans to purchase a greatest hits CD by putting one new track on it.
On an old (obviously) “Outerlimits” the aliens kill the Earthings with a sound wave. I have perfected this technique and can now kill with a thought wave! But seriously, what about other uses of sound…I use the http://www.centerpointe.com holosync method for meditaton. It’s technology allows me to achieve desired brain waves through sound. Also, subliminal sound waves have been used by our military (and others?) for crowd control etc. Anyone have further thoughts on this subliminal stuff?
A chicken’s skull is far too small to resonate at 7 Hz. For example, if you’ve ever blown across a jug to produce a tone, you were vibrating the jug at it’s resonant frequency. A jug the size of a chicken’s head would be in the hundreds of Hertz.
It would be interesting to hear more about the effects of certain specific sounds and frequencies on the human body. I’m thinking in particular of Survival Research Laboratories, a group of artists/anarchists/brats based in San Francisco (natch) who stage “performances” in which various skillfully-designed robots and assorted machines attack; drill; crush; shoot fire, sparks, and metal balls; and generally whale on each other (and audience members who’ve foolishly opted for the front row).
SRL got into trouble with the local officials once (not the only time, the others involving fake bombs, etc.) for dicking around with a modified jet engine that spewed out apocalyptic amounts of acoustic power in the extremely-low-frequency (into the subsonic) range. Not only did this scare the living crap out of people for miles around (EARTHQUAKE!!), but evidently (surprise!) seriously fucked with the inner ears of those in the vicinity. Mark Pauline (head brat of SRL, in a very entertaining documentary called The Pleasures of Uninhibited Excess) claimed that he lost almost all equilibrium and basically couldn’t stand up for several hours afterward. Naturally, this didn’t stop them from using the damn thing in their upcoming performance… seasoned SRL fans generally wear earplugs (not to mention protective gear) anyway.
So (apart from the fact that everybody reading this should rush right out and try to find an SRL video - it’s no fun 'till something burns to the ground!), any further fascinating insights?
I don’t know enough about this to know whether this is true. Will 4-5 Hz “rip mesenteries”?
(Interesting to note that a Google search for “Australian chicken factory” turned up, among other things, “The History of Female Prostitution in Australia”.
I’m looking for the “14 Hz causes vomiting in humans” factoid. Can’t find it anywhere. I’m having trouble with the difference between decibels and frequencies and resonance and ultrasound and infrasound and hertz. (Hertzes?) Google “effects sound frequencies humans vomiting” brings up this–
[using three terms in the same sentence…] :rolleyes:
“Hz” means “pitch”, like on a piano? So it’s conceivable that if you played a really, really low note for chickens, they would die? Or would they just not be able to hear it in the first place?
Google. “acoustic weapon vomiting”. All these websites agree that certain frequencies (or is it decibels?) can make you vomit, or kill you, but so far I don’t see any actual numbers. Is this Classified Information?
Frequency is measured in hertz (a hertz is just one over a second), and is what is commonly called pitch. Wavelength is related to frequency, in that the frequency times the wavelength is the speed of sound in that medium. Decibles measure the intensity of a sound, or the loudness, in other words. Resonant frequencies are specific, so if something resonates at 7 Hz, it probably won’t resonate at 6 Hz or 8 Hz. Even then, if a sound is too quiet, it won’t do anything, so there’s a minimum intensity for a hypothetical sonic weapon to be of any use. Here, the exact value doesn’t matter, as long as it’s above some certain threashold, so if a 150 decibel sound is effective at something-or-another, then a 160 decible sound will also be effective.
Thank you. I think I’ve got it now–if I want to make a chicken’s head explode, not only do I have to find a way to generate a sound that resonates at the frequency of 7 Hz, I also have to find a way to make it a certain loudness, too.
My next question is, if I invented a Chicken Exploder Acoustic Weapon, would there be a market for it? Besides the U.S. Armed Forces, I mean?