The Dead Summer Tour - anyone going?

The Dead, formerly The Grateful Dead, are touring again, their first tour under this name. They’re about midway through the tour, which began June 17 in Virginia Beach.

I went Saturday night to the Tweeter Center in lovely downtown Camden, New Jersey. It’s an outdoor venue, and I’d never seen them outside before.

So first, is anyone else going to any of the Dead shows this summer? (A list of dates and venues is here.)

And second, let me tell ya about the Camden show!

I went with my little brother, who’s all of 17 and 99/100ths old. We went to a show last fall, when they were “The Other Ones.” It’s always so fun to break people in! After all, these shows really are unique experiences. I’d call them snowflake concerts, as no two are alike.

With the Tweeter, most people have lawn seating. We got there very early and paid the ungodly sum of $15 to park … three blocks away. Hey, traffic was shuttled thataway.

We went into the Center early, too, not hanging out too much outside. Found a prime spot on the lawn. Watched people rent chairs - expensive, I’m guessing.

Willie Nelson opened, going on around 6 pm, and played for about 90 minutes. Some songs I actually recognized, and he sounded good.

The band came onstage around 7:30 or so. Here’s the first set:

Alabama was a great start, sounded just like the album. Bobby was in form on vocals, although Jerry always sang it.

Bobby, in fact, sang nearly every song, but they have a new vocalist for this tour: Joan Osbourne. You might remember her from the song “One of Us.” She was absolutely outstanding. After Bobby did Alabama, Mama Tried, and Little Red Rooster (the latter two are Bobby staples, really), Joan joined him in The Race Is On, and I gotta tell you - they sounded perfect.

Next up was a sprightly Truckin’, which is aging but still a definite crowd pleaser. I always love stamping the ground when they get to “Set up like a bowling pin, Knocked down, it gets to wearing thin, they just won’t let you be…”

Joan sang “Built to Last” from the album of the same name. Wasn’t a tune I’m familiar with, but she did a great job with it.

Let’s also note that it’s often pretty tough for any musician or vocalist, no matter how talented, to simply slide into the band’s fold. There are so many nuances to their style of play, and it takes no small amount of skill to know when to jump into a song, when to finish one, and so forth, as these guys usually don’t pause much between songs, opting instead to let one flow into the other.

The final song of the first set was a traditional show stopper: One More Saturday Night. I’m sure they play it any night, but it always feels good to have them play it on a Saturday. I’ve always felt that this song is one that could be played for anyone, anywhere, as it feels the most like a traditional rock song. You could play it at a wedding reception and let people dance to it.

The band broke after this seven-song set. The intermission was about 30 minutes.

[Second set in next post; wise not to make OP any more unwieldy than is necessary.]

Whoa! Long-ass set.

They came out of the break into Drumz and Space and into Playin’, which they’ve done many times. It was a spirited Playin’. Bobby had a full beard and mustache and, quite frankly, looked ancient. He sounded damn young, though.

Then they moved into a gorgeous Eyes. I’m not used to Jerry not singing this, but again Bobby was excellent. Greg Osby was sitting in on sax, and he was a perfect complement. The song winded and weaved, juked and jived, but never got so far away from them as to be free form. It’s a beautiful song.

Eyes morphed into Mason’s Children, with Osby again helping out with sax. I’m not familiar with the song, but according to Deadbase VI, the latest issue I have, it was played mostly in 1969-1970. It’s a Hunter/Garcia tune.

China Doll was next. A song I’m not too fond of, but it was mesmerizing to hear Joan Osborne do it.

And then a bit of a surprise - Phil goes into Unbroken Chain. Very nice!

And then a bigger surprise! They go into Saint Stephen! I’ve never heard this live, and according to the abovementioned DeadBase (out of date, of course), they stopped playing it in 1983 or so. It was fantastic!

This led to a sequence with which I’m not familiar - High Green, The Eleven Jam, and Love Supreme Jam. Not bad; I didn’t lose any interest.

And then another surprise (for me)! They went into Ripple, which - like St. Stephen - I’d never heard live. This tune is usually identified with Jerry (or vice versa), but again Bobby acquitted himself. However, he and Joan seemed to have trouble with the lyrics, as each stepped over the other’s lines a couple of times.

Ripple flowed into another show staple, Sugar Magnolia. After the slow pace of Ripple, Sugar Mag got EVERYONE up and jumping, stamping, dancing, twirling, what have you.

Lights off. Lighters on. They come back out.

Time for another concert staple - Aiko Aiko! It’s a song everyone can get into. High energy, and the lyrics are easy - well, the chorus is:

The Creole patois in the song makes it tough to figure out what the hell it’s about, but who cares? Gives us a chance to yell the lyrics, since we damn well can’t be wrong. Right? :smiley:

Time for one final encore, and it was a low-key, heartfelt And We Bid You Goodnight, with Joan supplying the vocals a cappella (IIRC, although perhaps the band was quietly playing in the background). She was fanfrickintastic. I definitely got misty.

A splendid night!

Thanks dantheman! Sounds like a great time. Gonna have to search for some MP3s of Joan Osborne with the band. I’ve liked her since her “Right Hand Man” video.

Unfortunately, the closest the tour gets here is to Colorado. Guess the desert doesn’t set well with them. As it was, the two Furthur Fests that hit Phoenix had a smaller turnout than the Dead concerts I’ve attended there. Had to go to San Diego for my last viewing of the Other Ones, back in 2000, I think. Had a run in with security at the gate, they stopped short of strip searching me.

Hadn’t been to a concert in some time especially a Californian one. Had a lot of stuff in my pockets, though no contraband. After about five minutes of convincing the guard I was clean, I moved on to the ticket takers only to find that my date had already gotten into the venue without her ticket! When I handed them her ticket, the ticket takers were surprised to find that she just slipped past. I said that we were even after the third degree I went through.

Worth the problems though, it was a great time. And I know what you mean about introducing newbies to the Dead, I enjoyed my girlfriend’s reaction to the music. Danced every number.

Only makes sense that they call themselves “The Dead,” everyone else did. Hopefully they’ll have a second leg this fall for us westerners.

I have a special dance for it, mimicked by many. I call it the Dumpy White Guy Dance. It rocks!

I am going to the Columbus, OH show! I wish they were coming to Michigan, but they are not so Columbus is the closest one for me.

Not only will the Dead be playing at this one, but also Robert Hunter and Bob Dylan!!!

I think that “High Green” may be the coda at the end of St. Stephen…did it start with the lyrics “high green chilly winds…” It usually but not always comes after St. Stephen, and I always thought it was actually part of St. Stephen. They sometimes do the same thing with “Sugar Magnolia” and the “Sunshine Daydream” part at the end of Sugar Mag…list it as two different songs.

Btw, The Crunchy Frog, they frisked us there, too, but it turned out you could at least bring a blanket in. What you couldn’t do was bring an unsealed liquid container; that is, it had to be never opened.

But hey, with Snapple at $5 for a 12-oz. bottle and beer at 7.50…

Jerrybear, I heard Hunter during the fall tour, and I was very unimpressed. Great writing, though.

Oh, by the by…

Ever listen to the shows at Dead.net? Awesome stuff, unreleased, released, live, studio.

Also, if you go to http://www3.clearlight.com/~acsa/intro.htm, they ordinarily list the albums/CDs on which each song appeared. But they’ve added something new and exciting - they have the times the song was performed by The Dead, including the most, most recent shows! The day after the show I went to, the songs were on this site. Very nicely done.

Hmm, well to each their own I guess…but I really like Robert Hunter’s solo act. Sure, he cannot exactly do the kind of way-out jamming that an entire band can do, but I still like his solo acoustic takes on the Dead’s songs as well as the occasional non-Dead song.

A couple of tours ago he was doing a rendition of “The Crucifixion,” which is one of my favorite songs by the late great Phil Ochs. I am hoping that Hunter breaks this one out again.

I agree that the venue rules and regs have gotten to be quite ridiculous. If I did not enjoy the music so much, I probably would never go to any of the major venues. It is mostly about greed…they want us to buy the overpriced food and drink inside the venue. Thank goodness that there are still Deadheads who deal “kind veggie burritos” and the like in the parking lot, for much less than the official concessions. And, it is often better food and drink to boot. At Pine Knob in Michigan (now officially “DTE (Detroit Edison) Music Theatre”) they were selling plastic (???) bottles of crappy domestic beer (Bud, Miller) for seven dollars a bottle! In the lot you can get a really good bottle of brew for about half the price.

His playing was fine; his singing was not. Like the proverbial nails on a chalkboard. I’m glad I was in the concourse - with about 10,000 other people - and heard him only at a muted level.

The Crunchy Frog
[sup]Member

Registered: Jun 2003
Location: Sonoran Desert
Posts: 5[/sup]
:eek: !
Damn newbies (grumble grumble grumble)

I’m curious about the crowd–one of the things I really liked about the earlier Dead Shows I went to was the mellow vibe. Most times, you could dance right up into the front rows, hang out, and move on. Later, as more yuppies started ‘discovering’ the Dead, the whole atmosphere seemed to change…everyone had their own spot, and moving thru the crowd became impossible. What’s it like nowadays?

Funny you should mention this. I saw the boys at Willie Nelson’s 4th of July picnic. It was a weird vibe, and I don’t know if you can make any judgements about the rest of the tour based on this show. Besides the Dead, Merle Haggard, Ray Price, and Leon Russell played before them. Toby Keith and Willie were scheduled to play after them. Toby Keith, IIRC, is the guy who criticized the Dixie Chicks, and sort of plays up that “proud to be American” vibe. So the Dead come on, and there’s the usual assortment of freaks. Really beautiful, man. But then there’s quite a few people that looked to be there to see Toby Keith. They sat on the ground while the rest of the venue was up and dancing their asses off. I was standing behind a couple of (presumably, by their haircuts) military guys. They kept making comments about the hippies. As a girl walked by, one guy pulled the knot of her bikini top and she lost her top. Real classy. There were also some teenagers who kept calling Joan Osbourne a bitch, and some other childish things. There were several groups of people sitting on the ground trying to stick it out to see Toby Keith. Finding out there was a second set to the Dead did not go over well. All in all, a kind of strange vibe.

To answer the OP, everyone who came to see the Dead specifically appeared to be sincerely interested in the band and the music. Good ol’ deadheads.

Things have undoubtedly changed over the years.

When In the Dark came out, I suspect there was this sudden influx of younger people at the shows, simply because a couple of the songs off the album were bona fide hits. In one sense, this wasn’t good - the aging hippies probably felt a little invaded, “their” music being taken away by an underappreciating crowd that didn’t know much about the history of the band.

But you know what? Those kids from 1987 have grown up, and they’re still at the shows.

At the Camden show, there was quite a mix, but I saw more people under 30 than over 30. I don’t know if it had anything to do with the venue, though.

There were a lot of young people - high schoolers, in fact. But the thing was, there were no unruly people. There was no disdain. People were having a rockin’ good time, regardless of their age.

I wanted to add that you can buy the CD (three for each show, actually) of any of the shows in this current summer tour. They can be found online at http://dead.munckmix.com.

As soon as the 6/28 show is available, I’m getting it. It’s $20 for three CDs - not bad!