The Guardian's Top 100 Works of Literature

Yet another book list has emerged, and while reading it I thought, instead of bitching and moaning about what’s excluded, or talking about how many we’ve read, how about calling out a few delightful surprises? There were two on this list that were obscure enough that I didn’t really expect to see them:

The Go-Between, by LP Hartley. “When a repressed middle-aged man discovers a journal from his childhood, he has little idea that within those pages lies a heart-wrenching story of love and its destruction – as well as the key to his arrested development. In his most famous work, author and critic Hartley brilliantly renders a child’s-eye view of adult affairs.” I only read this maybe five years ago, I’m not even sure how I came across it, but it’s pretty remarkable…Hartley definitely had that knack of writing a narrator who, because he’s a kid, is unwittingly unreliable.

Transit of Venus, Shirley Hazzard. This one is about two Australian orphan girls who end up in England, and well, the paths their lives take. Hazzard is terrific at planting seeds early in the narrative and having them grow with the characters. I’d recommend this slightly ahead of The Go-Between.

The 100 best novels of all time | Fiction | The Guardian

Full list:

Summary
  1. Middlemarch - George Eliot
  2. Beloved - Toni Morrison
  3. Ulysses - James Joyce
  4. To the Lighthouse - Virginia Woolf
  5. In Search of Lost Time - Marcel Proust
  6. Anna Karenina - Leo Tolstoy
  7. War and Peace - Leo Tolstoy
  8. Jane Eyre - Charlotte Brontë
  9. Pride and Prejudice - Jane Austen
  10. Madame Bovary - Gustave Flaubert
  11. The Great Gatsby - F. Scott Fitzgerald
  12. Bleak House - Charles Dickens
  13. Emma - Jane Austen
  14. Mrs Dalloway - Virginia Woolf
  15. Moby-Dick - Herman Melville
  16. Nineteen Eighty-Four - George Orwell
  17. One Hundred Years of Solitude - Gabriel García Márquez
  18. Persuasion - Jane Austen
  19. Tristram Shandy - Laurence Sterne
  20. Wuthering Heights - Emily Brontë
  21. The Portrait of a Lady - Henry James
  22. Things Fall Apart - Chinua Achebe
  23. Midnight’s Children - Salman Rushdie
  24. The Remains of the Day - Kazuo Ishiguro
  25. Lolita - Vladimir Nabokov
  26. Don Quixote - Miguel de Cervantes
  27. The Trial - Franz Kafka
  28. The Brothers Karamazov - Fyodor Dostoyevsky
  29. Pale Fire - Vladimir Nabokov
  30. Frankenstein - Mary Shelley
  31. The Prime of Miss Jean Brodie - Muriel Spark
  32. The God of Small Things - Arundhati Roy
  33. David Copperfield - Charles Dickens
  34. Wolf Hall - Hilary Mantel
  35. Great Expectations - Charles Dickens
  36. The Handmaid’s Tale - Margaret Atwood
  37. Invisible Man - Ralph Ellison
  38. The Age of Innocence - Edith Wharton
  39. Their Eyes Were Watching God - Zora Neale Hurston
  40. Song of Solomon - Toni Morrison
  41. Heart of Darkness - Joseph Conrad
  42. The Magic Mountain - Thomas Mann
  43. Housekeeping - Marilynne Robinson
  44. Giovanni’s Room - James Baldwin
  45. The Golden Notebook - Doris Lessing
  46. The Leopard - Giuseppe Tomasi di Lampedusa
  47. Vanity Fair - William Makepeace Thackeray
  48. The Metamorphosis - Franz Kafka
  49. A Fine Balance - Rohinton Mistry
  50. Wide Sargasso Sea - Jean Rhys
  51. My Brilliant Friend - Elena Ferrante
  52. The Golden Bowl - Henry James
  53. The Transit of Venus - Shirley Hazzard
  54. Orlando - Virginia Woolf
  55. The Waves - Virginia Woolf
  56. Mansfield Park - Jane Austen
  57. The Sound and the Fury - William Faulkner
  58. Disgrace - J. M. Coetzee
  59. Never Let Me Go - Kazuo Ishiguro
  60. Howards End - E.M. Forster
  61. The Rings of Saturn - W.G. Sebald
  62. Half of a Yellow Sun - Chimamanda Ngozi Adichie
  63. White Teeth - Zadie Smith
  64. The Good Soldier - Ford Madox Ford
  65. The Color Purple - Alice Walker
  66. The Master and Margarita - Mikhail Bulgakov
  67. The Man Without Qualities - Rubert Musil
  68. Blood Meridian - Cormac McCarthy
  69. Crime and Punishment - Fyodor Dostoevsky
  70. Jude the Obscure - Thomas Hardy
  71. Kindred - Octavia E. Butler
  72. Our Mutual Friend - Charles Dickens
  73. Austerlitz - W.G. Sebald
  74. Nervous Conditions - Tsitsi Dangarembga
  75. The Bluest Eye - Toni Morrison
  76. Dracula - Bram Stoker
  77. The Rainbow - DH Lawrence
  78. A House for Mr Biswas - V.S. Naipaul
  79. Go Tell It on the Mountain - James Baldwin
  80. Rebecca - Daphne du Maurier
  81. Buddenbrooks - Thomas Mann
  82. The End of the Affair - Graham Greene
  83. A Farewell to Arms - Ernest Hemingway
  84. The Talented Mr Ripley - Patricia Highsmith
  85. The Vegetarian - Han Kang
  86. The Turn of the Screw - Henry James
  87. The Line of Beauty - Alan Hollinghurst
  88. Ragtime - E.L. Doctorow
  89. The Left Hand of Darkness - Ursula K. Le Guin
  90. Jacob’s Room - Virginia Woolf
  91. Life and Fate - Vasily Grossman
  92. Sentimental Education - Gustave Flaubert
  93. Invisible Cities - Italo Calvino
  94. The Known World - Edward P. Jones
  95. The Return of the Native - Thomas Hardy
  96. Pedro Páramo - Juan Rulfo
  97. Catch-22 - Joseph Heller
  98. The Road - Cormac McCarthy
  99. The Go-Between - L.P. Hartley
  100. My Ántonia - Willa Cather

I’ve read ten books on the list, and of those, four of them I remember absolutely nothing about them. That doesn’t bode well for their greatness.

These lists don’t usually include science fiction, so it’s a nice surprise to see “The Left Hand of Darkness”,

It really is a wonderful book.

Looks like a remix of a lot of similar “best novel” lists, with a bit more diversity and a few newer titles.

I like Charles Dickens, but I thought Our Mutual Friend kind of sucked.

Thank you for reading the prompt. :slight_smile:

Never Let me Go is also science fiction, and it wasn’t bad, but it wasn’t one I’d pick for a list like this.

But it’s also the sort of science fiction where non-science-fiction fans will go “What? But of course that’s not science fiction; I wouldn’t include it if it were!”.

Two by Leo Tolstoy, with Anna Karenina one ahead of War and Peace.

Two by Dostoevsky.

(eta)
FOUR Dickens

FOUR Jane Austen

FIVE Virginia Woolf

THREE Henry James

And to complete the list of repeat offenders: Two for Thomas Hardy

No Huckleberry Finn? I dismiss this list.

Don’t think you’re going to have much luck with that idea.

I’ve only read about four and a half of these, and I don’t know enough about the others to express surprise at their inclusion.

J.R.R Tolkien wrote what he often considered one work. Dunno about “delightful surprise”

Even so, if War came out first, and Peace was volume two, does that knock one from Tolstoy?

Maybe if I could make claim to having read more than half of them, esp. the first two, something might be delightful.

Also three for Toni Morrison.

So it seems…

I’ve read parts of 11, and half of those I had to read for school, and all of those could barely finish due to boredom, or didn’t even finish.

The ones that I read on my own I universally liked and finished, with two exceptions to both. I do remember parts of The Invisible Man which I had to read in school, but I skipped ahead at the end. And I tried to read Midnight’s Children which my brother recommended but could not finish it. But as for school books, I remember a lot more about Moby-Dick and The Great Gatsby from what I heard about them second hand than what I remember from actually reading them.

My brother also recommended In Search of Lost Time, which I also couldn’t finish, but I don’t really count that since it is so long and I made it through the first volume. I don’t remember any of it though, which probably has something to do with why I didn’t finish.

On the other hand, I’ve read all of War and Peace three times, so it’s not like I can never complete a long book.

And A Tale of Two Cities, his best work, wasn’t even one of them.

To the Lighthouse by Virginia Wolff clocks in at number 4? Good news for me: I rather enjoyed it in college. Brothers Karamazov: Well deserved. Frankenstein :snort. Ragtime was fun. Not sure why Bram Stoker’s Dracula made the list.

I like the list: lots of promising entries for this board member who doesn’t read many novels.

Do the colors mean anything?

I can find none. Every theory I try to apply…

  • country
  • era
  • genre
  • language

…quickly fall apart.

If you look a the HTML, it’s all inline so it could be chosen seemingly at random on the server side, perhaps by some mysterious function.

But from the HTML alone: no obvious meaningful pattern; probably just Guardian pastel confetti. :person_shrugging:

James Joyce famously said he planted “literary landmines” in Ulysses so his spectre may have returned for just gettng 3rd place. So even the Guardian doesn’t know how the colors got that way.

ETA: They do change on refresh. I haven’t checked to see if every pastel blue or any set of books change together. I think it’s James Joyce doing it. :ghost:

Nitpick: the one on the list is Invisible Man, no “The.” (Ellison, not Wells.)

It’s a good list IMHO, which is not especially informed. It represents the consensus of mainstream literati. So what does that say?

Speculative fiction in underrated, notwithstanding its single entry. Probably underrated categories are science fiction, fantasy, historical fiction, thrillers, comedy, mystery, and horror. Possibly underrated fiction is philosophical, Westerns, spy, and romance. I don’t begrudge the selections; I merely observe and opine.

Massively underrated are certain works from foreign lands that I have never heard of and neither has their panel.

There’s at least five science fiction and two fantasy on the list.

Even speculative fiction that can’t be counted as sci-fi or fantasy, I still count 4 at least entries, unless you don’t count dystopian fiction as speculative. If you do count alternative history as speculative then I’d say you’d have to count dystopias as well since they’re alternative history in reverse.

Also at least 2 in the horror genre. I should have been more careful. Or more widely read.