I’ll recognize, without a doubt, that the three main Marx Bros. had a lot more talent than any of the Three Stooges, but one of the base assumptions of this thread–which I deny–is that the Marx Bros. are mind-blowingly funny and great and so are at least some of their movies. I don’t think they are. The early movies have their moments, some of them quite brilliant, while the later ones are crap.
On the other hand, at their best the Stooges created some brilliant shorts. At the end of the day, talent be damned, the actual output is what counts. I can get full enjoyment out of a select group of Stooges shorts; I cannot get full enjoyment out of Marx Bros. features.
The Stones versus Archies analogy is interesting, too, because I really hate the Stones but I recognize that some of their tunes are great, and I recognize that they were a much more talented band than the Archies, which wasn’t even a real band. I don’t care much for the Archies, either, so I’ll give the trophy to the Stones. But that doesn’t mean that I agree the Stones are good (in an objective sense, yes, but not something I enjoy).
Being as objective as possible, I think the Marx Bros. are sometimes brilliant but often their humor falls flat, their skits or songs go on to long, and they don’t, as I said, interact with realistic people in a realistic world. They are not something I feel a personal antipathy to; rather, I think their humor has serious limitations.
Their humor might have been the best in vaudville, but that doesn’t mean that vaudville-style humor holds up well today. I found Fields’ silent work to be boring, and a lot of his sound work isn’t good either. But the Bank Dick is still to me one of the funniest movies ever made, and Never Give a Sucker is pretty good (but flawed) too.
Hmm, then why don’t their feature films work as feature films? We’re talking the early 1930s, when the average quality of Hollywood films was better than that of any other period IMO.
Their best shorts are brilliant. They may have been accidentally brilliant, but they were.
By saying that they are “thinking person’s comedy,” I don’t mean that they were trying to be cerebral. I mean that, in their best work, the comedy is, in its own way, pretty sophisticated and thus pleasing to a thinking person–despite the veneer of slapstick and stupidity.
There can only be reverse snobbishness if a base assumption is in place that the Marx Bros. are “great.” I’m denying that assumption, claiming that they are OK and that in a comparison of the best work of both the Stooges come out ahead. I am not, in turn, claiming that the Stooges are the greatest comedy force in history or some kind of cultural height for the Western World.
My favorite comedians are actually Buster Keaton and Harold Lloyd (and I like the sound work of both, too).