THE KILL COLLORARY
If the word “Kill” (or some variant) appears in the title, chances are a substantial portion of the movie is set in the southern part of some nation or city and/or will deal with ethnic/racial tensions.
Examples: TO KILL A MOCKINGBIRD, A TIME TO KILL, KILLING FIELDS
SOUTHERN (DIS)COMFORT RULE
Any film set in the South has to show how unbearably hot it is, even in an air-conditioned building, by having all actors covered in a sheen of perspiration – regardless of the time of year, time of day or the person’s age – or whether the person’s physical activity produces sweat or even if they are lifelong natives or visitors to the area.
Sightings: Hmmm. A bunch. TO KILL A MOCKINGBIRD and A TIME TO KILL leap to mind, as well as several Joel Schumacher films.
CHAWM, DIME SHORE
Many Southern films present a bizarre array of colorful Southern accents obviously spoken by non-Southern actors, yet purportedly from the same region and weirdly enough, the same family.
Sightings: STEEL MAGNOLIAS, SWEET HOME ALABAMA, O BROTHER, WHERE ART THOU?
GOD BLESS HER HEART, SHE AIN’T GOT THE GOOD SENSE GOD GAVE A ONE-ARMED JUNEBUG
More eccentric characters who spout bizarre homilies are present in films set in the South than any other region.
AND YET, YOU NEVER SEE THEM DRYING ON A CLOTHESLINE
Somehow, you never see a dirty Klan uniform.
Exception: Richard Pryor’s BUSTIN’ LOOSE