Fair Notice: Spoilers on the newest Star Trek reboot as well as other Star Trek films and t.v. episodes will abound in this thread !!!
Okay, then. If you read this thread, you will be reading spoiler information on the new film. In case the warning above wasn’t enough.
A bit of background. I’m almost 51. Got bit hard by Star Trek TOS in the early 1970’s when it first hit syndication. Attended a few Star Trek Conventions in Philly and one in NYC. By perhaps 1976 or so I was burning out a bit but those glory years had several lasting effects
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I grew to love the process of filmmaking because of behind-the-scenes books such as The Making of Star Trek by Stephen E. Whitfield and The Trouble With Tribbles by David Gerrold. I’ve been a professional cinematographer for 33 years partially due to the interest fostered in this arena.
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I appreciate TOS for what it was and have enjoyed to some degree all of the iterations. Even The Motion Picture ( yes, it is to gag, but it sure was a milestone ).
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The level of intellectual rigor applied to this particular fantasy universe was already fully fleshed when, for example, Star Wars debuted.
Just saw Star Trek: Into Darkness. I know there are threads discussing this film and it’s reboot predecessor. I’d like to dig into the most pivotal character to emerge from the entire Star Trek ouvre. Spock. Back in the day, Leonard Nimoy’s portrayal earned him bags and bags full of fan mail. Everyone was drawn to and dare I say fascinated by this character.
Well, bless JJ Abrams and Co. In the crafting of the first reboot, they created a time schism. This has allowed for Spock from two times to co-exist. I do love me some time travel tales, always have. But for this character in particular, the framework being developed adds layers upon layers to what this creature is and may become.
Let’s touch upon the Freudian for a moment. In this current reboot, Spock has lost his mother. She died in the first film. While his father lives and continues to be a guiding force in his life as he matures as a Vulcan/ Human male, it is fair to say that Original Spock ( portrayed, thank god, By Nimoy who did not make good on his announcement of retirement. ) has become what few of us could have foreseen: a parental figure that is one’s self from a future time that in fact will never come to pass.
I grok this ( ). It’s a compelling method by which the current Spock can nuance his way through difficulties big and small. Inner voice no more- now ( as we saw late in the most recent offering ) Spock can literally call himself up for advice on how he did / will handle an adversary.
I’ve been thinking about this since I saw it a few days ago. This could rapidly become a dumb ploy. Spock gets stuck? He calls himself up for help. I’m giving the writers more credit for that. This trick- and it was a good trick- should be used so rarely that once a film would be too much.
As many of us do, we relate fictitious characters to our own experiences. My daughter graduates from college tomorrow, and is full of piss and vinegar towards me. ( for some good as well as inane reasons !).
Spock’s strength is his filo dough-like layering. Would I wish to know now what I knew 21 years ago when The FemBot™ first entered my life as a wee baby daughter? Yeah sure. But process is everything, n’est pas? My process of life- like all of ours: messy, glorious, humbling, invigorating, shitty, elating and all else - is mine to track. Would I benefit from short-cuts? From my older Cartooniverse strolling into my life at the age of 24? I dunno. I’m not sure I’d want to have known.
But since this is artifice and no animals were harmed in the creation of this cinematic play, it’s all fair game. I admire the device. To advance the filo dough analogy a few more sticky tasty layers, you can layer up pretty nicely with sweet sickly honey and a few handfuls of crushed nuts :eek: and find yourself looking at a tasty morsel. Or you can leave out the layering of sweetness and crushing hardness and have just dry layers with no binder.
Spock is his own binder, it seems to me looking back to TOS that he always has embodied balance and conflict. Firmly in the Less Is More school ( thank god ), Nimoy made us think about him. The writers ran with this subtlety and gave some of the most solid and interesting stories back in the day. Surely fair to say that Nicholas Meyer’s Star Trek II: The Wrath of Khan piled layers upon layers more. Life. Death. Rebirth.
I’m hoping for restraint with this new franchise. I’m hoping that Paramount holds its juice and allows for breathing room here. For there to be enough time and layers applied and examined and enjoyed for this new reboot not to jump the shark by the end of the third installation.
I’m hoping that this remarkably flexible artifice of two Spocks existing in the same universe isn’t beaten to death but simply becomes an acknowledged part of Spock’s reality.