Roadrunner – Jonathan Richman and the Modern Lovers, two chords all the way through with a third thrown in for the final cadence.
Leave Me Alone Lou Reed one (1) chord. I’ve only heard a Soft Boys cover of this and IIRC they just play a G all the way through, maybe Mr Reed makes it more complicated?
Anyone know of any songs to rival these?
I was also thinking of Oh, Superman but it’s so long since I’ve heard it I can’t remember if it has some structure or just goes Ah, ah, ah. . . all the way through.
There’s a great band called Oneida (think Can crossed with Spacemen 3 crossed with the MC5) who do a song called Sheets of Easter on their album Each One Teach One. It starts with the line “You’ve got to look into the light”. On the word “light”, they play one loud, crunching, half-second riff, that then repeats, without change, for the next fourteen minutes.
At the risk of angering fans of The Boss, *Born in the USA * is about as simple as it gets. It repeats the basic tune of the refrain, essentially three notes, throughout the entire song.
I once heard a Muzak-y version of it sans lyrics. It was the same “DAAAAAh, dah dah Dah dah Dahhhhhhhhh” note sequence repeated, and repeated, and repeated, for 3 minutes. I like the original song, but as elevator music it simply did not work.
[nitpick]
Of course, it is a bit more complicated than that. If you’re going to do it in the key of ‘C’, you have a C, and then really an Fsus2 for the verses, which end with a G and then an F going into the chorus, which operates chordally like the chorus.
There’s also a bridge that goes A minor, G, F, C, A minor, G, F (IIRC… I don’t have a piano/guitar handy).
So, the verses/chorus fit reasonably well within the ‘only got three chords’ rock song simplicity, but sticking a bridge with a different chord progression might disqualify this one.
[/nitpick]
I hate the song, but only because we’re supposed to accept it from the same guy who gave us the infinitely more creative and musically superior *Born To Run * album. BitUSA offends my musical senses because of its simplicity, and because Bruce made a mint from the album despite the fact that it’s crap. [end of rant]
There are plenty of one-chord blues songs out there - it was a major part of John Lee Hooker’s style, and Howlin’ Wolf did his share of them as well - and plenty of rock musicians imitated them.
Why Don’t We Do It in the Road? is a twelve-bar blues, so it has three chords, but it also has only 14 distinct words by my count. I think it belongs on this list.