FCM- “Woman, o-oh woomaaan, have you got Puckett on your mi-i-i-ind, on your mind?”
Ender - your analysis may be relevant to radio formats that play songs that have just been released. However, we’re talking Classic Rock here; they’ll only play new music if it’s by a band that’s been around for 20+ years (Stones, Petty, U2), and even that’s not to be expected.
Revtim - who knows what the deal is with “Live and Let Die”? Alien Brainwashing HQ must’ve sent the message to all Classic Rock stations, because lately I’ve heard it a bunch of times locally (I listen to the same CR station Neurotik mentioned), after having not heard it in years. Once or twice was OK, but after that…sheesh.
Yeah, with 40 years of rock n’ roll history to mine, they’ll move songs into heavy rotation that they haven’t played in forever, and last month’s heavy-rotation song will drop out. Go figure.
Of course, there are many things I can’t figure out about the Classic Rock format. For instance, why isn’t Elvis a classic-rock artist? Why is Hendrix pretty much the only black artist/group from the 1960s that is ‘classic’ - what happened to James Brown, Aretha Franklin, Smokey Robinson, the Temptations, et al.? How (and why) do they decide a certain version of a song is the canonical classic-rock version, refusing to play all others, even for variety? (E.g. “Heard It Through the Grapevine” by Gladys Knight and the Pips, rather than CCR; the version of “For What It’s Worth” from Four-Way Street (where it’s called “America’s Children,” but it’s the same basic song, just done live and up-tempo) rather than the standard one; even BS&T’s version of “Sympathy for the Devil” as an occasional alternative to Mick Jagger’s. (David Clayton-Thomas is a much more convincing Satan than Mick Jagger is, anyway.))
Classic rock: it’s the revolutionary spirit of the 1960s, dried up and mummified.