To further explore a list I made in Bricker’s thread on the top 10 classical composers of all time, I wondered if the board members here had a list of top 10 FILM composers? Here is the one I made:
1: Jerry Goldsmith
2: John Williams (it could easily be the other way around with him and J.G.)
3: Bernard Herrmann
4: Henry Mancini
5: Erich Von Korngold
6: Miklos Rosza
7. Enrico Morricone
8. Danny Elfman
9. Hans Zimmer
10. Camille Saint-Saens (though I suppose that’s more of a "lifetime achievement award for pioneering the genre)
If you saw my post in the other thread, I deliberately omitted him, admittedly because of my own intense dislike for his work. Ditto for Michael Giacchino.
John Williams immeaditly came to mind and he as probably written the most memorable movie scores of all time. Danny Elfman is probably my favorite though so I would put him higher on my list then you have him. After that I start to lose track of who wrote what so I couldn’t do a full list but those are my favorites.
I love too many of them. My top has to go to Bernard Hermann. Henry Mancini was great at getting multi-track recording paid for the right way (if you played on two tracks, you got two paychecks). Michael Giocchino is one of my newer favorites, Elliot Goldenthal, etc.
As far as John Williams is concerned, his motifs are great, but his orchestrator John Neufield (?), does his magic. You ever notice that The “Indy” theme is “Tiny Bubbles” in reverse? It’s okay, John. You may have had a long night before that deadline.
Do we have to limit this to those who composed for feature-length films? The golden-era Warner Brothers cartoons wouldn’t be the same without the music. The technical precision to match the music and the action at such a breakneck pace was amazing. If there’s a reason to exclude him, it’s that he borrowed so heavily from other works, especially Raymond Scott. (On the other hand, I could defend him by saying he invented sampling.)
This Slate piecemakes the case that the best film-composer of them all is Toru Takemitsu. I have only seen one of his films: Kurosawa’s Ran which does indeed have a wonderful score.
Here is the waltzmentioned in the piece and as it says it does sweep you off your feet.
Many good names in this thread. Hard to make a Top 10 when there should be a Top 100.
But one name stands out to me…John Williams. Not an innovator, just a copier of obsolete styles (semi-classical, forgettable). This is in extreme contrast to Henry Mancini, who broke ground with jazz and jazz influences in a medium where it was rarely used.
Randy Newman (although I’d classify him as a songwriter, not a composer) used an old genre, but he brought new and clever angles to it. IMHO, John Williams just retreaded the field and collected an obscenely large paycheck. (And I speak as one who received part of his paycheck from Williams’ coattails.)