Weekly Comic Book Discussion 2/16/2006

Here we go. Decent week. New JSA Classified wrapping up the Wildcat/Flash story; Birds of Prey was solid as usual; She-Hulk was excellent. New Avengers gives us what may be the final appearance of Alpha Flight - but I wouldn’t bet on it.

Alex Ross’s Justice maxiseries releases #4 this week. Big things happen over in Nightwing - which I should’ve gotten last week. Action #836 continues the blending of the lives of the two Superman, and we see how Kal-L would have done things a bit differently in Kal-El’s life. Ultimate Fantastic Four - the team tampers with time, and an alternate reality results. X-Statix Presents : Deadgirl #2 came out. Manhunter #19 deals with Kate’s dad, in an apparently permanent fashion.

Firestorm… is interesting. It’s a sort of unique internal view of the character as Professor Stein helps reconstruct Firestorm from the ground up.

X-Factor #3: This series is looking like a lot of fun, and I’m really starting to like this Layla Miller character. “I know stuff.” Woot!

Runaways #13: Mollymollymollymollymolly… Rocks.

Action Comics 836: Sigh.

Yeah, okay. I think I finally get it now, thank you. The Pre-Crisis Superman was a stupid character, and he’s never coming back. “An imaginary story… about a perfect man who came from the stars and did only good.” And this was a stupid idea, because nobody is *really * perfect; nobody ever really does only good. So, yes, in hindsight, all those decades of stories where Superman just went ahead and did the right thing every time were laughably naive and idiotic. Sometimes the writers of those stories would even play around with the idea just a bit, by setting up a situation where Superman seemed to be doing wrong, like robbing banks while wearing Napoleon’s hat or something equally goofy, and everybody else in the comic would be like, “Great Caesar’s ghost! Has Superman turned Super-criminal?” But of course, in the end it always turned out to be some sort of elaborate plot to fool some real criminals; Superman wouldn’t ever *really * turn evil. And this was a patently ridiculous premise, because in the real world power corrupts, and people are fallible. A character with no serious flaws makes for boring storytelling, unless you’re writing for an audience of five-year olds.

So the current crossover storyline boils down to a duel between the Post-Crisis Superman–he of the modernized sensibilities-- fallible, conflicted, but who’s still idealistic enough to only kill powerless criminals very rarely-- and a turgid, self-righteous, entirely inauthentic caricature of the Pre-Crisis Earth-2 Superman. I admit that they totally faked me out at first, with the first couple issues of Infinite Crisis; I was genuinely interested to see how the writers would address the Golden Age Superman’s take on the current DC continuity. But it seems fairly obvious now that this “Kal-L” has as much to do with the original Earth-2 Superman as Roland Emmerlich’s 1998 movie had to do with Godzilla, or Verhoeven’s **Starship Troopers ** movie had to do with Heinlein’s novel.

[spoiler]“This is how we DEAL with monsters. We do not debate their rights. We don’t consider their rehabilitation. We STOP their reign of terror, DECISIVELY, without compromise.”

Yeah, that sounds like something Superman would think. That sounds like the moral code of a guy who went out of his way to repeatedly defeat and re-incarcerate a megalomaniacal supervillain with a large, bald, shiny, temptingly heat-vision-transparent head, year after year. Way to capture the essence of the character, there. Yep, given a choice, it’s entirely plausible that Earth-2 Superman would prefer to ally with Guy Gardner and the faux-Authority guys, because he was such a consistently reactionary asshole in his time, wasn’t he? [/spoiler]

I’d been curious about this crossover, interested to see how it would play out. I’d been holding out some hope that the whole “take over the universe” plotline would turn out to be some sort of red herring on Earth-2 Superman’s part, a kind of “Superman fools everyone into thinking he’s crazy by robbing banks while wearing funny hats” gambit writ cosmic. But it seems this is not to be the case, and suddenly I find that I’m not all that interested in following the current storyline anymore. I guess I’d just been hoping to see Superman back in top form again. But, yeah, I reckon I get the message at last. He’s never coming back.

Terrifel,

I didn’t get Action Comics, but I really don’t think that’s supposed to be the message of Infinite Crisis. For one thing, I don’t think Mark Waid or Grant Morrison (and probably not Geoff Johns) would be involved in the thing at all if it was. Waid said he’d bring back the pre-Crisis Superman outright, if he could, and over in All-Star Superman, Morrison is doing pretty much just that. They just don’t have the heart for that. These guys are Silver Age supremacists.

And frankly, you’re conflating the Golden Age and Silver Age treatments of Superman. The Golden Age Superman, as he was written in the earliest days, really was that much of a badass. I don’t know if he ever actually killed anyone, but he certainly threatened to. I don’t think he was bluffing, either. It was only later that the character got softened.

I got the first two issues of Hellblazer by new writer Denise Mena (#216-217, I believe), kicking off a new storyline where John Constantine, professional bastard, is cursed with a sense of empathy so powerful that he feels the pain and suffering of his fellow man to an extreme degree, and cannot filter it out. He may be forced to become selfless and do good now, whether he means to or not, out of a sense of righteousness or a need to alleviate the empathy he feels for others. It reminded me of a Futurama episode where a similar thing happened to Bender, only this was less funny, and there was more smoking and British slang in it.

I also got the new DC Direct Deadshot action figure, since Floyd Lawton is one of my favorite characters. Tthe paint apps are excellent and the joints are tight, so I am content. I think the proportions (inspired by the art of Michael Turner, NOT a favorite artist) suck, and I HATE the fact that his mask and shorts are white – they should have been silver to match the other silver parts of his costume. Even worse, Deadshot’s mask has a left eyehole (completely inaccurate), but like I said, ol’ Floyd is one of my favorite villain/antiheroes ever, and I’m glad to at least have it.

Even the Golden Age Superman was generally a remarkably restrained combatant, given his capabilities. In his very earliest appearances, before the roughest edges of his pulp heritage had been smoothed away, he infrequently used his super-strength to grim effect-- I recall one incident where he discovered an enemy soldier torturing some captives, and promptly hurled the guy over the horizon “like a javelin”-- but normally he’d courteously allow his amazed assailants to bounce a few slugs off his chest, before decking them with a single punch apiece. He didn’t even bother to strike Hitler while taking him into custody. And, really, it must take an unearthly level of restraint to pass up the opportunity to smack Hitler around.

So far, I am enjoying Alex Ross’ Justice series enormously. Six months ago, if someone had suggested to me that it was humanly possible to make the Superfriends look this cool, I would not have believed them. Even Aquaman being captured is cool. Yeah, for the Legion of Doom, capturing Aquaman is par for the course… but even so, I don’t recall him ever being quite *this * captured.

Justice #4: Ah, it’s starting to come together. It’s the Syndrome Syndrome. (Hey, wouldn’t it be cool to see Ross do the Incredibles?) But where does the visions of the end come into it? Also, I think Barry looks like a blonde Michael Keaton. Which is distracting, because Keaton is Batman (Have they taken out everyone but Batman? That’s step one to failure right there).

Birds of Prey #91: If you have time to kill between your last story arc and the big event, this is how you do it. Alexander does a good job for a temp, and even drops in the new RFG (yeah you know me).

Robin #147: Meh. A halfway decent adventure. I’m worried about what this means for Cassie. I did dig the revelation that this was secretly a teamup with Lex. This was a Titans story (which is what I came for). Do regular Robin readers feel cheated?

I picked up last week’s **Teen Titans ** (awesome) and last month’s Action Comics (haven’t gotten to it). She-Hulk #5 is out? When did #4 come out? Did I just miss it totally?

Batgirl #73: Last issue for the series, and the best one we’ve had in a while. I don’t really buy the end of the story, but at least we get an actual conclusion. After reading the solicit for Robin #150 I’d been afraid that they were going to string out Batgirl’s fate for a few more months.

Daredevil v2 #82: Brubaker’s first issue, and he’s off to a great start with a lot happening in this issue. He continues Bendis’ trend of reviving obscure characters (Dakota North?) and the issue has 10 more pages of story than usual. The only problem I have with the issue is that the corruption of prison officials is stretched past the point of incredibility… Foggy and Dakota are led down a dark hallway by a prison guard so they can be ambushed by prisoners. The prisoners stab Foggy, but leave Dakota untouched. Having corrupt guards willing to let things happen to prisoners is one thing… having them do stuff to their lawyers? What guard is likely to be that stupid?

JSA Classified 9 - Gotta admire how Wildcat got out of the situation. Almost too bad it looks like he can’t do it again. One does wonder What superhero health and life insurance costs…

Also, I just got ahold of the CoIE novelization… Barry’s introduction, talking about Jay’s origin cracked me up. Barry, hon…your origin hardly makes more sense.

Terrifel - I had some questions about that spoilered bit from Action as well, but -

Kal-L may be (arguably correctly, at the time) viewing Doomsday as a mindless beast. That’s what he means by “Monster”. You kill a Monster. You rehabilitate people. One thing I didn’t get was that he survived the fight - he could just choose to do that, then?

I’m not sure if that interpretation works either, since-- –his handling of Doomsday didn’t actually end up differing from the original version (other than him not dying, of course-- and I can’t fault him there either, really; I’d probably have made the same decision, given the chance). If Kal-L’s internal monologue at that point is supposed to refer to the battle with Doomsday, then it makes no sense, since in the first version of that battle Superman didn’t pause to debate the creature’s rights or consider its rehabilitation either. And beating a mindless beast to death is practically as out of character for Earth-2 Superman as it would have been for the Silver Age version. I may be wrong, but offhand I don’t recall any Golden Age stories where Superman deliberately killed a dumb animal. I could see him punching out a shark, maybe, but that’s about it.

I don’t know - I don’t remember the original battle well enough to know what was going through Kal-El’s head. I suppose I could dig out the issues.

As for the rest…

Superman can subdue a shark. A shark can’t level a city. I’m not sure Superman ever faced a mindless killing machine of Doomsday’s power level before.

Really?

Sure it can.

Notice I said ‘a’ and used a lower-case ‘s’. :stuck_out_tongue:

Yes, but he’s still a shark, right? :smiley:

Oh, I also picked up Planetary Brigade -a new super-team series by Giffen and DeMatteis. It’s not the wall-to-wall BwaHaHa I was hoping for, but it does amuse, and I’m eager to see where it goes.

A few more:

I <3 Marvel: Marvel Ai: The Marvel Romance books continue to entertain. Not the best of the lot, sure (That’s still Web of Romance), but it’s still good. The Scarlet Witch/Vision story had Wasp and Black Widow (at least, I THINK that’s who they are) a little out of character, but it’s a cute story. (And Bishie Vision is something to behold.) The Medusa/Black Bolt story was scant, but sad. And beautifully drawn. The Daredevil story was priceless, and the art fit it perfectly. The non-dialogue was wonderful, too.

Supermarket 1: It looks interresting, so far, but has the potential to take a dive, and was…ill-paced, maybe. Aimless, perhaps. The setting is unclear (near-future, for sure, although there’s suggestions of ‘Dystopia’ and ‘More of the Same’), and Penna’s characterization in the first half seems ill suited to work with the direction the book took in the second. Either she has more depth than she lets on for the first dozen pages, or this will be an unusual ride. Still…I’ll give it at least another issue to catch me before giving up on it.

What’s up with Supergirl? Why is she apparently beating the pants off of the JLA?

Lex Luthor brought out her evil side (supposedly…maybe just created an evil duplicate) with Black Kryptonite and…well…she’s bloody Supergirl, i’n’t she?