The Flash: The Fastest Man Alive #13: Friends! Romans! Comic Book Geeks! Lend me your ears! [spoiler]I come not to praise Bart Allen, but to bury him.
When we first met Bart, he was kind of a brat. He quickly mellowed, and turned into a charicature of a hyperactive underachiever. The kind of kid who meant well, and was obvious really smart, but didn’t have the attention span to really pull it off. It was a hoot. I mean, Impulse was almost a comedy title, but it had quite a few touching moments, and it was great to see a kid character acting like a kid. In this capacity Bart also complimented Young Justice extremely well, playing the fun little brother to Superboy’s superhormones and Robin’s batsmarts.
The Bart’s solo title was canceled, and Young Justice gave way to Teen Titans. As far as I can tell, Geoff Johns was either uninterested or didn’t know what to do with Bart. So he shot him, and had him become Kid Flash for some reason (Wally was right, it just came off as Bart trying way too hard). He got better, and the “read every book in the library” thing was kind of cool, but lots of the things I loved about Impulse were gone.
But that’s okay! I mean, real people change. And I certainly don;t want to be that guy, who refuses to understand that different writers write people differently. So I went along for the ride.
The Flash ended and Infinite Crisis happened, and Wally, with wife and infant children, just up and vanished. Bart vanished too, and when he came back, he ahd suddenly grown up. His character growth and development, if any, literally happened off-screen. The kid was gone.
So it was Bart’s turn to be the Flash. And he sucked at it. Ok, to be fair, his writers sucked and by extension he came off as pretty damn whiny. And virtually every trace of Impulse was now erased. They tried to have a new wrinkle on the thing by having Bart contain the Speed Force inside of him, but they did absolutely nothing with it before undoing it this issue. Bart wasn’t ready to be the Flash. Retiring Wally was simply unnecessary, and in his stead we were given a stranger with Bart Allen’s name.
And now it’s over. Bart’s dead. Blasted and beaten to death by the Rogues. A victim of Infinite Crisis (It’s a Crisis! Gotta do something to the Flash!), One Year Later (All New Flash!), and Countdown (Well, that didn’t work, maybe we can do something with the Rogues, at least). A rather inglorious death for a Flash, but then, he wasn’t a very good Flash.
I see it more as the inevitable end of Bart’s decline. They took a teen character and aged him Off-Panel and four years in three months. What came out was a guy with Barry’s intellect and Wally’s issues with proving himself, but with the personality of neither. It was all ground that had been covered before, and better.
But what are you going to do about? Kid grew up and got laid. You can’t unring that narrative bell. I mean, you probably could, but it’s a pretty big cop out. And you can’t just keep him around once a more interesting Flash (most likely Wally but also possibly Barry) returns in Waid’s new run. Now he’s just superfluous. Now, no character is completely without hope. A good enough writer could have built Adult Bart into something more interesting to read about (Simone rehabilitated Catman, for crap’s sake!), but why bother? You’d pretty much have to start from the ground up, and do you really think Waid wants to take time to build something out of the corpse of a character he already created?
Poor bastard either had to die or just fade away into comic limbo. And dying let’s you explore Piper’s reaction to it (yes, he was there, btw, but he tried to get the Rogues to go after Inertia instead, he failed, and is still accessory to the murder of a Flash) in Countdown.
The whole thing was a tragic inevitability to it. In a metatextual sense, I mean. The actual text is pretty much garbage.
Au revoir, Bart. Well, at least we get Mark Waid back.
And where the hell did the Rogues go at the end? Did the politely stop kicking Bart to death simply so he could have a moment with his girlfriend?
And what the hell is this crap I hear about Wally returning in JLoA? That’s just not fucking fair! Give us Flash fans a heads up![/spoiler]
Madame Mirage #1: It has a decent premise, but it’s simply not grabbing my interest. It jumps into the plot too fast, and the mysteries are simply not that compelling. Madame Mirage herself smacks of the Spoken Attribute: we’re told taht she’s all cool and badass, but not shown it. Plus she just looks kind of silly in that getup. If everyone was wearing film noir costumes, it might work, but it just is conspicuous and impractical.
Checkmate #15: A little bit of the torture-porn, but at least we got a clear explanation of Shasha’s powers, and some juicy political intrigue.
Aquamen: Sword of Atlantis #53: If the art was better (specifically if the faces were better), I’d quite enjoy this. As it is, it’s only marginally acceptable.
The Brave and the Bold #4: A lot of fun. A LOT of fun. A wonderful showcase for the length and breadth of the DCU. Although LoSH continuity makes my head hurt.
Countdown #45: 52’s slacker brother continues to limp along. I read it because I feel it’s at the cusp of becoming good, and because I fear I’ll lose track of the entire DC line if I don’t. The two motivate me equally, which is pretty pathetic.