Sometimes you find yourself in a situation that tells you more about yourself as a person than you really wanted to know. Me, I love comics; always have. I’m not a “collector” so much as I am a hoarder. My affection is a deeply personal one, dating back to the weekends spent at my grandmother’s house in Pittsburgh. Grandma was an inveterate dimestore patron who purchased used comics for me whenever she ran across them; Gold Keys, Whitmans, Superman Family 80-Page Giants. These were the sort of distressed, fatigued comics that you only find these days shoved down at the very back of the quarter bins, all coverless, crumpled and acid-yellowed. I didn’t care, and still don’t; I buy my comics to read, and set aside, and then read again. That original collection is many years lost now, but sometimes I have dreams in which I am a child again, and I look inside a dusty cardboard box in some shadowed attic, and there they are, in all their dog-eared glory.
So. Lately I’ve been jonesing for Carl Barks duck comics. The aforementioned Pittsburgh collection had a few early Gladstone reprints to its credit, and I thought I’d see if I could track some down. Armed with a list of Barks story reprints, I went shopping. And so late this evening I found myself browsing a comic store with which I am not terribly familiar, poking idly through their one 50-cent bin twenty minutes before closing time. The clerk asked me if I was looking for anything in particular.
“**Uncle Scrooge ** comics,” I replied, and he shook his head reluctantly. “We mostly carry superhero stuff,” he said.
“Well, it was worth a–hey!” I exclaimed, plucking a disintegrating Gold Key **Boris Karloff Tales of Mystery ** from the 50-cent longbox. “Are you sure you only have superhero comics?”
“Oh, you’re talking about older stuff,” he said. “Hang on, I’ll go take a peek in the back.” A few minutes later, he returned with a small stack of books. “Found these in among the new stuff. Let me know what you think.”
They were **Donald Duck ** reprints, similar to the type handed out during Free Comic Day, with the slightly inferior cover stock. I flipped through them; all Barks, of course, no surprise there. “How much?”
He frowned. “I’m not sure. They haven’t been sorted yet. Let me get you a price,” he said, and retreated to the checkout counter. As he fussed with the price catalog, I continued to admire the artwork.
The books were really very well-made reprints, even down to the 10-cent cover price… interesting. I glanced at the indicia, puzzled, then looked the books over again. I began to get a very cold feeling, because I was starting to realize that these were not reprints after all.
**“The Old Castle’s Secret.” ** 1948.
**“Luck of the North.” ** 1949.
**“Ghost of the Grotto.” ** 1947.
**“Christmas on Bear Mountain.” ** 1947.
I looked at that last cover for a long time. As one might expect from my prefatory remarks, I have no expertise regarding comics grading, but this cover looked just about perfect. The colors were bright and vivid, with no obvious chips or creases. There were comics sitting on the New Release rack that looked worse for wear.
Very gently, I lifted back the cover, and there was Uncle Scrooge McDuck glowering the lower right corner. *“Everybody hates me, and I hate everybody!” * he snarled unrepentantly at me, from his five-decades-past debut appearance.
“Jeez… I can’t figure these prices out,” the clerk’s voice broke in. “This catalog gives a price of five dollars for a book in that condition. Does that sound right to you?”
“Umm…” I murmured, and every neuron in my brain began to clamor at once. I suddenly realized that this guy had *no idea at all * what he had. I had never found myself in anything approaching a situation like this before. I glanced to my left, and there was Scrooge himself hovering above my shoulder.
*“Bah!” * he snorted. "This fellow has no business savvy! He doesn’t realize the value of his own stock! What are you waiting for? Do you seriously think an opportunity like this is ever going to come around again? You want those books!"
I looked around helplessly. Over my right shoulder, Huey, Dewey and Louie gazed at me anxiously.
*“You’re not,” * asked Huey.
“Going to try and” asked Dewey.
*“Cheat him, are you?” * asked Louie.
I winced. “Umm… five bucks seems… er, a little low,” I said at last, gritting my teeth. “You’ve got new comics published this month that cost more than that.”
“Well, the pricing on the Disney stuff is confusing. The comic has a cover price of ten cents, but the catalog lists a price of twenty cents… Do you know anything about older comics?”
*Christ, he was asking me to help him price them?! * I averted my eyes. “Not really… I don’t even have any Golden Age comics… well, that’s not true, I do have a couple funny animal comics without covers, and a war comic from 1946 with interior art by Alex Toth…” I was babbling.
“Well, I’m sorry this is taking so long. Do you mind if I take a quick peek online here?” he asked.
Scrooge clouted me over the ear with his cane. *“The store’s about to close! Tell him you’re in a hurry! You’ve got a hundred bucks in your wallet; get him to haggle with you! He’s got no idea what these comics are worth! He’ll bite!” *
Helplessly I looked at a poster of Superman on the wall for moral support, but it was the Frank Quitely cover art from Grant Morrison’s **All-Star Superman ** and provided no solace. *“Take him, sailor,” * he whispered seductively, leering at me. “Take him while you can.”
Minutes spun out while the guy flailed about online, trying to track down the titles. Meanwhile, feeling sick and unclean, I leafed absently through Boris Karloff Tales of Mystery. The cover story was a harrowing tale of sand sculpting gone awry; I’d guess that Karloff didn’t sign off personally on these stories. I also tend to doubt that the world of sand sculpture competition was ever this viciously high-stakes. Nonetheless, our hero the disenchanted Nepalese sand sculptor Gino, accompanied as always by his apprentice Dodo, journeys to a remote South Sea island with volcanic sands that–
“*Jesus! * It says here that this one comic is worth, like, six hundred dollars!”
Catharsis. Redemption. All my pent-up tension drained away at once in a peculiar mixture of regret and relief. “No kidding!” I said. “That’s pretty amazing! Well… I certainly don’t have that kind of cash on me. I guess I’ll just take these others from the 50-cent box…”
And so I came away with the Boris Karloff #17 (Gold Key), Necromancer #1 (Top Cow), **8th Wonder ** (Dark Horse), **GLX-Mas Special ** (Marvel), and a signed copy of Hero Happy Hour #5 (Geekpunk).
I’m happy.