JOSEPH (frequently written in all caps like that) is pretty much the Biblical story of the Joseph of the Old Testament.
SPOILERS LIE BEYOND
To expand on Tengu’s post: Joseph is the youngest son of 12, and the most-loved of his father, who gives him a flashy coat. His brothers sell him to some slave traders and tell his father that he was killed by a wild animal, tearing the coat to shreds and dipping it in goat blood for evidence. The slave traders sell Joseph to Potiphar, a high-ranking official. Joseph does a good job, but Potiphar’s wife tries (and fails) to seduce him, though Potiphar catches her doing this and, misinterpreting the situation, throws Joseph in jail. While there, Joseph interprets the dreams of Pharoh’s butler and baker. He tells the butler that soon he will be “buttling once more.” This comes true, and when the Pharoah starts having odd dreams, the butler remembers and recommends Joseph. The Pharoah summons Joseph and Joseph interprets Pharoah’s dreams, saying a famine will occur in Egypt. The Pharoah hires Joseph as the guy who will stockpile the food. Joseph’s brothers and father, meanwhile, begin to suffer from the famine. The brothers go to Egypt to get some food. While there, they meet Joseph but don’t recognize him. Wanting to see if his brothers have changed, Joseph sets it up to look like the youngest, Benjamin, stole a golden cup. As he’s about to throw his brother in jail, the other brothers stick up for him. Then Joseph reveals himself for who he is and all is well.
The draw here is the varying song styles. There’s a huge variety of them, from typical “showtunes” to country, to Elvis-like (the Pharoah is generally a parody of Elvis), to disco-ish and more. Another interesting feature is the use of a narrator who sings the backstory and sometimes interacts on stage with the characters.
To expand on lissener’s post about the Fantasticks:
Fathers forbid the children to marry and hire the villain El Gallo (also the narrator) to “rape” (i.e. abduct) the girl. The boy and girl are singing in a glen (no, really, they’re in a glen) and El Gallo and his two actors storm in to abduct the girl. The boy defends her and fake-kills El Gallo in a swordfight, winning the girl forever. Or until Act Two, at least.
Act Two opens after the happiness of the new relationship has worn off. Everyone begins to fight, the girl slaps the boy and, in song, he vows to leave her and see the world. In the meantime, El Gallo seduces the girl, who also wants to see the world. He takes her on a whirlwind tour, and they just happen to meet the boy in various locales being mistreated by El Gallo’s assistants (he’s set on fire, beaten with whips and shoved onto a bed of nails, at least). After the girl and El Gallo return home, and the girl has fallen for El Gallo, she asks stay with him (or something…I wasn’t on stage at this point…) and he tells her to get ready but asks for her prized necklace to show her devotion. She gives it to him as he promises to return. He gets ready to leave her, but the boy comes in and has a non-choreographed fight with him, but loses. The girl comes in, gets depressed that El Gallo isn’t there, then sees the boy and rushes to him. They sing and make up and then everything really is ok. The end.
Two good shows that I have fond memories of acting in.