While “Needles and Pins” momentarily holds the top spot in one of the polls, this is an opportunity to link to a fascinating essay from Andrew Hickey (a transcript from his A History of Rock in 500 Songs) who credits that (Mersey Beat) record as the origin of the jangling folk rock sound identified with Los Angeles bands like The Byrds, Love, and The Bangles.
For once, I don’t have a long list of omitted songs. The only one I considered that wasn’t nominated comes with questions. It is definitely a song and their is a single singer to meet that criteria. It is even a unique rendition in a sea of “covers”.
But…I’m not sure what the correct title is.
If I had submitted it, it would have been submitted as:
The National Anthem - Marvin Gaye (1983 NBA All Star Game)
Thanks for the link, that’s indeed a fascinating read (or podcast). Though it’s very detailed, I think the author misses one step in the evolution of the jangle guitar sound from the Searchers to the Byrds and beyond, and of course that were the Beatles. As I remember it, George Harrison was inspired by “Needles And Pins” to buy a 12-string Rickenbacher he then prominently used on the songs for “A Hard Day’s Night” (film and album). And in LA theater, the Byrds in their embryonic stage watched the movie, and Roger McGuinn had the blueprint for the sound the Byrds got famous for. What I never knew before reading this article was the fact that it wasn’t a 12-string Rickenbacher in “Needles And Pins”, but two 6-strings played in unison.
And I learned that the Searchers were active into the 2010s, with the original guitarist (John McNally) and the nearly-original - since 1964 - bassist (Frank Allen).
That said, I cringe every time I hear them pronounce it Needles and Pin-za.
“#9 Dream” already appeared in the “numeral or a symbol” thread.
Mine that didn’t make the cut:
Nuts For You - The 77s
Number Three - They Might Be Giants
Nowhere Else - The 77s
Not Deaad Yet - The Bad Examples
Night Boat To Cairo - Madness
Now and Then - The Beatles
Never Going Back - Beat Farmers
New Song - The Who
Not Fade Away - Grateful Dead (the Rockplast version with the super-wasted guest star)
Nice Nice Very Nice - Ambrosia
[sidetrack] To be totally wasted seemed to be a requirement for Rockpalast, just watch the legendary performances by Mitch Ryder and Patti Smith. The backstage interviews gave it all away. Though there was a reason for this: those were long concerts with three or four bands on one bill, and it could happen that the main act entered the stage as late as 2 AM. Of course at this time everybody was wasted after waiting endless hours for their gig. (including the audience, of course) [/st]
No More Mr Nice Guy - Alice Cooper
Nathan Jones - Supremes
Neat Neat Neat - The Damned
Never Wear Mascara (When You Love A Married Man) - Hank Wangford
No Xmas For John Quays - The Fall
Nobody Hurts You - Graham Parker