What creative work of your own are you most proud of?

Like a number of those who have already posted, I’ve worked in multiple creative fields (not always exclusively) for a long, long time. It’s hard to point to one, or even a list.

Right now, my town is full of political signs, seventeen of which I created and had produced. It’s a thrill not only to see them at every turn, but hear people commenting how much more attractive they are than the usual template-and-silkscreen signs parties grind out. Getting people to notice and talk is what it’s all about. (That’s seventeen different signs, for 16 candidates and 1 issue, and about 1,000 instances in all.)

There are a couple of photos on the wall from my most recent urban spelunking. I’m working with a partial-color technique where one element is left natural color against an adjusted grayscale background.

I was not-quite-singlehandedly responsible for a 1,000-person event attended by people from all over the US and world, including most of the presentation, design, materials, etc. That’s probably the single biggest feather in my creative cap, and it ate two years of my life.

I’ve written a number of books. One was virtually a founding text for its field and while it’s quite outdated after almost 30 years, I know individuals, companies and a couple of sub-industries that were highly influenced by it. My jewel, though, is probably a book that has become a keystone in a significant scholarly field and established a cataloging system now in wide use, a la Herr Köchel.

And a few kids here and there, if they count.

I’m a singer and a sound engineer. In 2011, the jazz choir I sing in performed our own arrangement of the song “Galaxies” by Charlotte Martin at a choir competition in Denmark, since this was one of the required songs. Even though we didn’t win the competition, the arrangement was really well-received and I thought it deserved a little special attention. So I got all of the singers into the studio individually and in about 100 hours of work turned the song into this:

I’m really proud how it turned out. I used it as an example on my exam CD at the end of my studies, and everybody else loved it as well. I still listen to it fairly regularly, as opposed to most other stuff that I’ve recorded over the years.

Hey - that’s a good idea. I have my two Telecaster builds. I love how they turned out - I got rid of my vintage electrics because I was able to take the features I wanted and more.

This is a bit difficult for me to talk about, and I’m afraid I have nothing that I can present to you here in the form of a link to a picture, or video, or text. There are so many wonderful, inspiring, creative works here that I want to share my own small success. I just wish I could truly show it to you.

It’s always been my dream to be a writer, to write science fiction. For reasons typical and boring, I have not made much headway in pursuing my one dream. But at one point, not all that long ago, I made some efforts. I took a few writing classes, and I signed up for this mentorship project where I got to work in a small group with an award-winning science fiction author. I never thought I’d be accepted, but I got really lucky with a risky, but creative, application that caught the attention of the author in question. At the end of the mentorship, we were all supposed to do a public reading.

Now, the program was split up into several types, with spoken word poetry as one type, and another type was some sort of non-fiction that was really intense (led by a Gulf War veteran who was an award-winning journalist), and a couple of others, with science fiction tacked on at the end, as an outlier, and probably only because the particular author in question was involved with this organization by virtue of being in the LGBT community. When it came to a live reading of our work, we science fiction authors were clearly lacking. Everyone else had powerful rhythms and imagery; intense, self-contained stories that spoke of the human condition. The others in the science fiction group had only sections of our unfinished novels which, frankly, failed to produce the kind of energy the others had in the time alloted.

Except for mine. I decided to bend the rules, and chose a piece that I had written a few years before, instead of whatever I was working on during the project, because I felt it was more suitable for a live reading. It was a weird little set of puzzle pieces, with elements of science fiction, yes, but also of Spaulding Grey-esque spoken word energy, childhood reminiscence of magical realism, and onomatopoaeic bursts of sound. And it was a rare, brilliant moment of creative genius in how every piece came together, in a way that I was more witness to than creator of.

And I performed the hell out of that thing. I gave it my all, like nothing could go wrong. Tom Cruise in magnolia could have learned how to act with passion from me. Maya Angelou could have learned something about the beauty of spoken language from my utterances. Morgan Freeman could have learned how to make his voice resonate from the performance I gave. It was that high school football hero moment, that I will forever remember as the pinnacle of my creative life, surpassing and transcending my limitations and giving myself fully into the moment of true creativty.

And people applauded. And people stood up and applauded. No one else, that night, had received such a response. And my mentor, whom I had felt was uncomfortable with me, and whom I had felt was unsure about each piece of writing I submitted to her, looked upon me with awe. With awe. And pride. Because I was hers - if only because she had chosen me out of dozens of applicants and finally she was seeing that I was deserving of her esteem, and had exceeded her expectations.

I wish I could have the confidence in my ability to write, and be the next P.K. Dick or Ted Sturgeon, or at least make the attempt, and get a few worthy stories out there, that at least a few of you fine folks might find entertaining and thought-provoking, for a time. But if I can’t do that, at least I have this. I have this moment. And when the question is asked, I have this, for an answer.

A song I’ve loved since the 1960s anti-war demonstrations is “The Cruel War Is Raging.” There are about forty versions available on the Internet; incredibly, this one was my favorite:

Folk songs are supposed to change with the times, and Goddess knows we need more anti-war numbers these days! So I updated it, and gave it a more hopeful outlook:

ANOTHER WAR RAGES (to “The Cruel War Is Raging”—Traditional)
COPYRIGHT JA 2012 by Sam A. Robrin. Creative Commons, blah, blah, woof, woof. Go ahead and use it (hey, I lifted the melody), but if you make a little money on it, I want some!

Another war rages
In some foreign land.
My Jason’s been summoned
To join their command.
My Jason’s been summoned—
He could tell them No.
“Stay and build a life with me.”
“No, I must go.”

“They might call you ‘coward,’
May mock and accuse,
But it’s much more courageous
To stand and refuse.
It’s much more courageous
To buck the status quo—
Stay and build a life with me.”
“No, I must go.”

“There’s no direct threat,
No peace that you can win—
Politicians deceive you
To lure voters in.
The system deceived you—
This isn’t your fight!
Stay and build a life with me.”
“Maybe you’re right.”

“My Jason, dear Jason,
You’re gentle, kind, and wise.
Don’t risk your—no, our future
For their petty lies.
Resist for our future—
I feel your bravery grow!
Stay, and build a life with me.”
“Yes, I’ll say No.”

The grid’s no place for those
Who won’t be controlled.
I’ve heard their names mentioned
In tales rebels told.
I’ve heard their names mentioned—
Did they, do you suppose,
Build a free life together?
Nobody knows.

I’m a classical guitar player and teacher. One of my first students was also a great singer, so we sometimes played a few songs by John Dowland (english renaissance composer) just for fun. It was always a dream of mine to make a real project with her - concerts and all. This was about 15 years ago.
3 years ago i recieved a call from her (we held loose contact, maybe one or two telephone calls a year): ‘Let’s make some Dowland’. I started playing Lute, we picked a nice selection of various songs mostly by Dowland but also some other Elisabethan composers, rehearsed and are now playing several recitals per year with this program.
One of our favourite Dowland songs is ‘Clear or cloudy’, and although i played a lot of succesful solo-recitals with quite difficult pieces - this ‘Clear or cloudy’ is the one recording i am most proud of. I think we nailed it there, the tempo is just right, it swings without being rushed.

I really enjoyed that.

This shot.

Most delicious history at that. It’s been an honor to collaborate with you.

Very nice - thanks!

That’s amazing. Thank you for sharing that - what a beautiful, layered shot.

mustardseed - that is wonderful. Your playing is great - wish is was louder! :wink: - and her vocals are beautiful.

Very nice!

That is beautiful! Very, very nice.

Good work! Not only is it enjoyable but I can tell how much work went into it.

My first book, Medusa: Solving the Mystery of the Gorgon. I’m very pleased with how it turned out.

Not that I’m putting down my other stuff, you understand. Even the older stuff , which makes me cringe when I read it, still has excellent ideas in it. And my new stuff is nothing to be ashamed of. But a lot of things just came together right for Medusa.

My concerto for alto clarinet, the most successful of my compositions.

So many amazing works. I used to dabble in art and writing. There are days when I want to get back in. I really should. Your works inspire me to get going on that.

These days my creative energy is most often used in my sewing. My favorite garment was the dress I made for my girl for Prom. This one. I designed the dress and cobbled together the pattern from three different dress patterns and my own skirt pattern. It took hours and hours, but I’m very proud of it. this is my favorite photo from the senior pictures I did for her.

I know I answered already, but I’m really proud of this shot that I took this past Sunday.

http://www.thegracefulimage.com/photos/i-nNbqTZq/0/L/i-nNbqTZq-L.jpg

I have a fear of heights. It used to be much worse… at one time I couldn’t step on a chair to change a lightbulb without having major anxiety. I have been working on it and have gotten better at coping and managing my fears.

This Sunday, I took a trip upstate to shoot the fall foliage (as I do every year). This year I went up to the top of Bear Mountain and took this shot of the Bear Mountain Bridge from above.

To get this shot, I had to stand about two feet away from a fairly sheer drop. There was some anxiety on my part when standing out there taking the shot, but I managed to overcome my fears and get the shots I wanted.

Zev Steinhardt

That dress is gorgeous!!!

I have played guitar for nearly 50 years. In that time, I have composed exactly one song, and I composed it for SWMBO. She gets puddle-eyed every time I play it, so I consider it a rousing success.