What Historical Events Do You Think Would Make for Good Morality Plays?

The title really says it all: I was indulging in gently thumbing my nose as some people in mangeorge’s “I hate musicals” thread by listening to my collection of musical theatre cast albums. One of the musicals I was paying deliberate attention to was Titanic. I got to thinking just how perfectly the history of that ship, and disaster, fits for the setting for a morality play on the cost of hubris, and other human foibles.

(Just as an aside here, the thing I can’t forgive about the recent Titanic movie was how it took that wonderful scenario and while still trying to hit all the obvious points made it into nothing more than the backdrop for a really cheesy romance.)

I got to thinking, what other historical events can Dopers look at, and say, “Yes, that would make for a great story or play, to illustrate this or that theme.” To my view of things a good candidate would be an event that is large enough to be well known, and have some immediacy for a general audience, but also small enough that it can still feel intimate. So, for me, while WWI, and especially the trench warfare, seems tailor made for such a work, it would take a good deal of fictionalizing to make it into the sort of story I’m contemplating. I admit, Eric Maria Remarque managed, but I think that he managed to take something so large as the trench warfare and make it so immediate and personal is one of the reasons his work is rightly hailed as a great work.

Some of my suggestions, based more on my own interests than anything else:

The loss of the Challenger

Shakleton’s last expedition

I’d like to suggest the loss of the HMS Victoria - but I don’t think it’s well known enough. For all that the visuals would be stunning.

An honest look at the things that lead to the Charge of the Light Brigade.

What other events can you think of?

Good Lord, the entirety of the Civil War.

You’ve got your

Doomed cause (Confederacy)
Misled heroes (Lee)
Failures achieving greatness (Grant)
Avoidance of issues leading to it (Buchanan)
Hubris (McClellan)
Characters with tragic flaws (Davis, Hooker, Meade)
The bad man who does good (Benjamin Butler)
The good man who does bad (Sherman)
Brother against brother, father against son
Leader’s death after victory (Lincoln)
High leaders who could have been for either side should political winds blow (Longstreet)

and so forth and so on

CIA Director resisted fixing the intelligence to make the case for war. The pressure was incredible. When forced to prepare an NIE (in just two weeks) he made a mostly-fair judgement. In a meeting the president asked him, is that it? Is the case for war really so weak. He said the case for war was “A slam dunk.”

Despite selling out, he was still tossed away by those who pressured him.

Ought to be an opera.