I’ve never understood how the group that wrote I Am The Walrus and other… Uh, oddities
Created some of the greatest piano ballads of all time. Let It Be, Hey Jude, Yesterday, and rock ballads like Long and Winding Road, Here Comes the Sun, Hello Goodbye.
How did they get out of their psychedelic period and create such masterpieces?
Strangely enough, I can’t recall Paul writing similar piano pieces for Wings.
It’s like he wrote a few wonderful ballads and then backed away. He did some great keyboard collaboration with Stevie Wonder.
I don’t think there was a “ballad period” per se either. Paul always liked that stuff, and in general they always pushed the limits a bit on the musical styles appropriate for a “guitar group.”
I tell my students what to study for the final, and I always add “…and for the extra credit section, Beatles trivia.”
I always ask about Pete Best, just so I can use him as an example (and talk about Ringo’s reliability). And something about Hamburg, so I can talk about Malcolm Gladwell’s 10,000 hours.
And the answer to “When did Paul McCartney write Silly Love Songs?” … [spoiler]Survey says…
I think Maybe I’m amazed was on that solo album McCartney did that has a bowl of cherries on the cover and in which he played all the parts himself? Great song. Great album.
As Wikipedia notes, he wrote it in '69 (when he was still in the Beatles), and originally recorded it for his 1970 solo album, McCartney – so, yes, technically, before Wings.
But, the live version, recorded in 1976 with Wings, was the version that was actually released as a single, and is the version with which I suspect most people are familiar.
I thought the timing seemed off. Maybe I’m Amazed and Let E’m In were played constantly when I entered high school. Wings was a big part of my school years.
Paul is great, a phenomenal musician and tunesmith. But some of his songs are a little too sappy, saccharine or overwrought. Eleanor Rigby comes to mind. Blech. Good lord, what dreck. Some of his Wings stuff is fantastic, and really brings back that 70s vibe.
Amen! Sir Paul and Stevie Wonder (and maybe throw Elton in this mix) are musical geniuses but occasionally get mired in sentimentality. (Eboneeee and Ivoreeee…)('nuff said)
I’ve had a saying for decades: “Every McCartney needs a Lennon.”
Back when I was in a band my best mate was a tough, critical guy. He’d keep us from getting too bouncy/sappy, I’d keep us from getting too raw/cynical.