Wilco: A.M. can be enjoyable to listen to, as long as you don’t try to compare it to Yankee Hotel Foxtrot, but it’s clearly their worst album. “Casino Queen” is my favorite song.
OutKast: ATLiens has three fantastic songs, then a bunch of boring stuff. “Two Dope Boyz In A Cadillac” is quite possibly their best song ever.
Sonic Youth: I bought A Thousand Leaves the day it came it out (in 1998) and I’ve listened to it all the way through maybe four or five times. “Sunday” is the best song, but I prefer the version from the Suburbia soundtrack.
The Afghan Whigs: There is a direct relationship between how miserable Greg Dulli was and how good the Whigs’ music was. He was way too happy when they made 1965 but “John The Baptist” is still a pretty good song. Although it probably would have been the worst on any of their preceding three albums.
Yep, that’s the one. The only reason I ever even listened to it was that it appeared on a 20 years collection. I really liked it, then went out to get the Under Wraps album thinking I’d find more great songs. :smack: I really would have been better off getting the Shatner Poetry Album instead.
Band: Tears For Fears
Album: Everybody Loves A Happy Ending
Song: Quiet Ones
Band: Mesh
Album: We Collide
Song: No Place Like Home
Band: Radiohead
Album: Pablo Honey
Song: Good lord, this album sucks. Do I have to pick one? Fine…“Anyone Can Play Guitar”, because at least it’s amusing in its crapulence.
Some of you may have noticed that my first two “least favorite albums” have been the latest releases by those artists. This seems to be the decade for bands I like to decide they don’t care anymore and create doofy, “boppin’ along” simplistic music. Radiohead’s gearing up for a new one, too…and the photos from the recent live preview gigs show such promising evidence as Jonny Greenwood holding a banjo (a banjo!) while Thom Yorke plays the drums. This does not inspire hope.
Still, they’re gonna have to try hard to beat Pablo Honey. Ugh.
A damn fine song, but I also think it’s a damn fine album. I find “In this place forever” to be much weaker. And “Original 91-93”, but I don’t really count that one since it’s a compilation of old demos.
Yeah, I wasn’t counting the Originals as an album, but even if I were, I tend to be softer on first releases. Besides, what more intense guilty pleasure can there be than turning the stereo up to 11, blasting Time Enough and jumping around like an idiot?
I hasten to add that I don’t actually dislike “We Collide”. It’s just that, by this point, I’m well aware that Mesh is capable of making smooth, spit-and-polish shiny club tracks, which is what half of the album is. The other half is “Four Walls”, which I had enough of when they made “Four Walls”. “No Place Like Home” is my favorite because it seems to be the album’s exception to this rule; it takes a few turns in different directions from the rest of the tracks. All in all, I was hoping for either something new, or more of the same but better, but it seemed like they decided to play it safe with this one. YMM clearly V.
Band: U2
Album: October
Song: October
(assuming that Passengers: Original Soundtracks doesn’t count as a U2 album)
Band: Ten Mile Tide
Album: Midnight Is Early
Song: Hurricane
Check them out!