Bosa Di’Chi of Tricor: Tsk. Such anti-negativity negativity
.
I argued a bit with Fenris about including MZB’s work on the list of books for the “well-read” sci-fi fan, since IMHO the Darkover stuff is not quite classic SF literature in either terms of quality or theme. I finally conceeded because her very significant historical importance as a seminal female voice in the field ( that didn’t obscure her gender ) and because she was one of the first to approach gender and sexual issues in an open way. But it was a reluctant relent
.
That said, I enjoyed the Darkover books ( even some of the inferior ones ) for what they are. “Planetary Romances” as the ole’ Encyclopedia of SF call them. They’re heavy on a sort of romantic ( not necessarily romance ) tragedy, 'tis true. But she does intersperse enough happiness, hope, and the occasional happy ending in there to keep things floating along. And they’re generally fun reads, IMHO
.
Also, although I don’t know enough about MZB’s own philosophical views to know whether she was making a comment about society in general ( I do know somebody who did know her reasonably well, though - Maybe I should ask ), I myself never got that impression. I think she was just fascinated with the concept of a society in deep decline ( after a long, mostly unexplored by her, run of success ), trying to come to accomodation with a much more powerful, vigorous, remotely connected, but culturally distinct society. In the end, despite all the heartbreak, I think her vision was one of reluctant, but eventually harmonious, amalgamation. Not my preferred outcome if I had been writing these stories, either
. But not an awful outcome.
And I have to say, I find that “culture-clash concept” that she thrived on, as interesting one for me. It’s much of the reason I like Cherryh’s work ( a superior writer to MZB - IMHO of course ). She explores similar themes in a lot of her novels. “Anthropological science-fiction”, as it were.
Podkayne: By the way, the reason MZB’s later books are often better, is that she literally started writing in her teens and her output spanned multiple decades. Her early stuff shows her inexperience.