Some interesting replies…
I don’t see how the fossil record proves anything regarding evolution (I’m certainly open to specifics).
Further, after hearing/reading examples, such as the peppered moth, I don’t see much credence as to the case for evolution, either. In regards to this example, a simple change in “the air,” so to speak, was the cause. Both moths existed already, so what’s amazing about the example?
In any event, I’m not out to down evolution, in spite of the above comment.
I wanted to comment on the shroud of turin (which is how I came to register here), so I guess I’ll do it here and now:
While I will say that he certainly went a long way in his explaination, I don’t feel that a few paragraphs could possibly sum up this particular artifact. Further, I’d like to point out that, among all of the scientists that studied the shroud, I’m not surprised that he gave the comment(s) of only one, McCrone. The reason for THAT is simple…He, among all of that team of scientists, was the only one to come to the conclusion that it was a painting. One of the scientists in that group (whose name I can’t remember), who studied the supposed blood on the cloth came to the conclusion that yes, indeed, that is blood on the shroud. This scientist wrote a book on the study, and I found his comments on that study much more enlightening than Mr. McCrone.
McCrone studied all of the samples taken from the shroud first. He took an incredibly long time on them. He also tampered with the samples to make them (or attempt to make them) useles for study by the rest of the scientists. This was the opinion of the scientist who studied the blood. He had written a book on the entire study (I don’t recall the title, but you may find it at your local library).
His conclusion:
Not even one of the rest of the scientists studying the shroud agreed with McCone. This is notable, because they were all out to prove the cloth as being a mock up. Further, they all agreed that he was attempting to make sure that no one else could do a thorough study of the examples. Considering the age of the shroud, and the fact that not much more studying will ever be done on it, he did try to ruin the study.
Yes indeed, they knew what the image on the shroud was composed of, but they had no idea how it got on the cloth.
IMHO, I don’t think he gave a complete answer on that subject, but, then again, how complete can you be in a few paragraphs?