The Trump Administration hopes to remove all funding for the National Endowment for the Arts.
The total amount of money spent by government on all NEA programs is dwarfed by the amounts taxpayers spend building stadiums for major league sports, so it’s not about protecting the taxpayer from financing citizen luxuries. The government spends money on science, security, space exploration and many things that could be fully private, so it’s not just about “free markets.” The Republicans must have other specific hatreds or cynical purposes for defunding public TV and the arts. I think much of it is the same reason they oppose education in liberal arts or humanities and educational programs like Head Start. They want a citizenry that gets its news from Twitter and educates itself at trade schools, not one inspired by the progressive thinking of academics or fine artists.
[QUOTE=Eve L. Ewing]
The NEA operates with a budget of about $150 million a year … about 0.004 percent of the federal budget, making the move a fairly inefficient approach to trimming government spending. Many Americans have been protesting the cuts by pointing out the many ways that art enriches our lives — as they should. The arts bring us joy and entertainment; they can offer a reprieve from the trials of life or a way to understand them.
But as Hitler understood, artists play a distinctive role in challenging authoritarianism. Art creates pathways for subversion, for political understanding and solidarity among coalition builders. Art teaches us that lives other than our own have value. Like the proverbial court jester who can openly mock the king in his own court, artists who occupy marginalized social positions can use their art to challenge structures of power in ways that would otherwise be dangerous or impossible.
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When Augusto Pinochet took power in Chile in 1973, muralists were arrested, tortured and exiled…
… In its last round of grants, the NEA gave $10,000 to a music festival in Oregon to commission a dance performance by people in wheelchairs and dance classes for people who use mobility devices. A cultural center in California received $10,000 to host workshops led by Muslim artists, including a hip-hop artist, a comedian and filmmakers. A chorus in Minnesota was granted $10,000 to create a concert highlighting the experiences of LGBTQ youth, to be performed in St. Paul public schools. Each of these grants supports the voices of the very people the current presidential administration has mocked, dismissed and outright harmed. Young people, queer people, immigrants, and minorities have long used art as a means of dismantling the institutions that would silence us first and kill us later, and the NEA is one of the few wide-reaching institutions that support that work.
… But closer to home, it is imperative that we understand what Trump’s attack on the arts is really about. … this move signals something broader and more threatening than the inability of one group of people to do their work. It’s about control. It’s about creating a society where propaganda reigns and dissent is silenced.
We need the arts because they make us full human beings. But we also need the arts as a protective factor against authoritarianism. In saving the arts, we save ourselves from a society where creative production is permissible only insofar as it serves the instruments of power. When the canary in the coal mine goes silent, we should be very afraid — not only because its song was so beautiful, but also because it was the only sign that we still had a chance to see daylight again.
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The phrasing* “Art creates pathways for subversion, for political understanding … Like the proverbial court jester who can openly mock the king in his own court …”* reminds us of Pence being lectured at a Broadway play. Could that “humiliation” be part of the motive for this hateful Republican attack against fine arts?