IGNFF: I can understand relationships tend not to work, but couldn’t one relationship work?
WHEDON: Well, Willow and Kennedy worked. Maybe you weren’t invested in that in the last one, but they were hanging at the end … One of my characters will still have a girlfriend when they cancelled the show, and it was Willow.
IGNFF: The Kennedy thing almost seemed more of a predatory relationship.
WHEDON: Kennedy is, as she herself said, a bit of a brat. What I wanted was an anti-Tara. I wanted somebody who was as different from Tara as possible. Tara was very reticent, and she was somebody that Willow caused to blossom. What I wanted was somebody who was further on down in dealing with her sexuality than Willow ever was. Somebody who was totally confident, who was totally not earthy-crunchy, who was a completely different person. What I wanted to explore was the concept of Willow moving on. We did that with the first kiss, that turned her into Warren. The first time they had sex, the things that Willow has to deal with emotionally, her fear of her power and stuff, and Kennedy’s kind of involvement in that. That’s what Kennedy was for.
IGNFF: In execution, it almost seemed like it was a predatory, stalker type, “I’m always here, you’re going to give in to me. You’re going to give in to me – I’m in your bed!” kind of relationship…
WHEDON: Well, it didn’t seem like that to me. It was more like, “I’m really cute. I think you’re cute and let’s get it on.” People are always like, “Oh, they didn’t even have a relationship.” They had a long talk about, “When did you come out?” and this whole thing at the Bronze that we had never done with Tara, that we very deliberately saying, “Okay, they’re starting a relationship.” What I was interested in was Willow’s guilt, that her life could go on, that her love life could go on after Tara, because that’s a part of living. Quite frankly, that was not plan A. Plan A was to bring Tara back.
IGNFF: I heard there were some failed discussions about that.
WHEDON: Amber didn’t want to do it. She wanted to do other things. I had a whole – I used to tell people, “Here’s what we’re going to do. We’re going to have her in a couple of flashbacks, keep her alive, and then at the end …” I had a whole show figured out that ended with the return of Tara. I used to cry every time I pitched it. It was going to be Tara’s her one true love, people are going to be blown away, they’ll never see it coming – except on the Internet – and it’s going to be just about the biggest thing. Quite frankly, Amber just didn’t want to do it – which is her decision. I was like, “Okay, the thing where I cried, and we all cried, and I told you about? That’s gone. So, instead, we’re going to go out and find somebody really hot, and we’re going to make this about moving on, because that’s the only option we have. I don’t want Willow stuck in typical gay celibacy on TV. I’m interested in where her heart will go once she’s lost her true love, so let’s do that instead.” So, you know, hence Kennedy.