…and who later was at least complicit in, and probably helped orchestrate, the sending of soldiers into Parliament to drive out MPs who wouldn’t vote the right way in 1649; dissolved the Rump Parliament by force in 1653 by marching in to the chamber with a squad of musketeers; used his crypto-monarchic powers as Lord Protector to dissolve the first Protectorate Parliament in 1655 because it had its own ideas about political reform; and attempted to set up direct military rule, bypassing Parliament altogether.
Having a statue of that guy outside Parliament is, frankly, a bit weird. As Novelty Bobble said, he’s a complicated historical figure. And as a method of communicating historical complications, statues suck.
This is where I disagree, although I’d like not to. The obvious implication of erecting a statue is “We think this guy was great”. The obvious implication of maintaining a statue is “We still think this guy was great”. What is far less obvious is: who “We” are exactly; why “We” thought this guys is great; whether “We” is the same “We” in both instances; whether “We” really do still think this guy is great or just haven’t thought about it much lately; and most importantly why this guy’s claim to greatness might be wrong.
What statues don’t clearly communicate is “We think this guy was great for these specific reasons, but acknowledge that there also many good reasons for thinking he was not great.” How could they?
On preview - just seen NB’s latest post.
If you already know why people are complicated, then statues do act as a salutary reminder. But if you don’t, they don’t really tell you anything other than “This person is worth celebrating”. For example, you say that we have statues of military figures to represent the dirty business of killing people. That might be true for post WWI statuary. But the statues of e.g. Havelock and Napier in Trafalgar Square weren’t put up to acknowledge the horror of bloodshed. They were straight up celebrations of British conquest and empire-building, given pride of place in the centre of the capital because conquering territories and putting down rebellions was what Britain was about. That was the story they were put up to tell. Attitudes to Empire have shifted somewhat since, but these statues do not now tell a story about the moral complications of Empire. They say that, insofar as we ever think of Havelock and Napier, we still think they’re worth honouring.
None of which is to say that we shouldn’t have statues in our public places. But it is worth thinking about what role we want them to play, who we want to honour and why, and to what extent the statues we do have are telling the story we want to tell. And if they don’t tell our story the way we want, it’s probably OK to move them, or put up new ones, or write more informative plaques.