Yeah, I know the accurate term is “unscripted”, but everyone calls them “reality shows”. Whatever you call them, I’m always eager for any glimmer of hope that they might be on their way out.
I don’t watch them (except for this seasons AmericanIdol, before Frenchie was booted off); I just despise them. But right now, Mr. Rilch is downstairs, waiting to see if an Iraqi aircraft is going to be shot down, and there’s a level of tension in the room that I can’t imagine Survivor or Married by America has ever engendered. Do you think that, after this, people will be completely soured on the idea of “reality” TV, having been subjected to the real deal Holyfield?
Or, conversely, this could fuel a desire for more reality shows! Here’s a possible pitch: Let’s take ordinary Americans and ‘embed’ them with US military forces! Let’s see how they handle combat, what kinds of things they say about the US military, and how long before they request to be evacuted! Whomever stays the longest gets a million dollars and a street named after them in Baghdad!
I hope not. I like reality shows. I’ve just started watching them, and they’re hella fun.
I’m wondering why folks like Joe K say that they’re a waste of time. How are they more of a waste of time than any other pure-entertainment teevee shows? They’re just entertainment, just like Seinfeld or Law & Order.
I think your point about the real reality show is well-taken, but in an era of war, I only have MORE of an appetite to see what the latest exploits of Heidious and Jennatalia are.
I watch television for entertainment and education, neither of which these “reality” shows provide.
Obviously, I’m not in the majority because the only thing that drives what we watch on TV is viewers. If you and millions of other Americans watch them, then they will stay.
I don’t think this war will have a big impact on the “lets fix random people up” genre at all. Also I doubt the ‘lets see if random people can sing’ ones (which are nothing new at all) will be affected.
Perhaps the 'lets put some random people in a rough place" genre may hurt. I mean how can someone’s struggle over whether or not to eat a worm be compelling when a channel away, marines are fighting in Basra in real-time.
As for the “lets judge random people as hot or not” genre - it’s pretty much lame in times of war or times of piece…er…peace.
Exapno got here first with the comment I was going to make, which is that 9/11 didn’t change anything – if anything, the demand has been greater since then.
I think “reality” tv [which I watch to excess, by the way] is mostly about human relationships (with the notable exception of Fear Factor, and so it will continue to be popular for some time to come.
I hate them because they take work away from writers. They’re not creative. And I get the message already: people are dumb, they’ll do anything for money and to get on TV, and they’re easily manipulated once they’ve been given a chance at those goals.
I’m not entertained by people with poor diction stumbling around situations that are unfamiliar to them, and being goaded into behaving badly. The novelty is over. Let’s give real actors a chance again. And writers, and directors, and DPs/lighting crews, and editors…
I dunno. There isn’t a lot of reality in “reality TV”, as many have pointed out. So I guess it’ll still work as escapist entertainment for people who need a break from serious current events.
But I don’t think it’d be a good time to plug “Survivor XIII: Paintball in the Desert.”
You’re kidding! TV writers? Have you seen the utter dreck that passes for “writing” on TV these days? Not one show in twenty has any decent writing at all. Probably less.
Thinning their ranks a bit is a point in favor of reality shows, if you ask me.
Hey, I just had an idea! Let’s take all the TV writers who are (supposedly) out of work because of reality shows, put them on an island, and have them compete against each other for a fat writing contract!
One may argue that “reality” TV shows are as much a product of deliberate writing and studied production as any sitcom or drama. Sure, certain outcomes are unpredicated, but the set-ups and writers’ macchinations are as “creative” as the devices employed by truly fictional works. More, the deliberate and calculated development of “characters” in decent reality shows is as structured as in any drama or comedy.
Some would argue, therefore, that they are as valid and worthy of discussion as any piece of television.