(Spoilers) Firefly 1: Serenity

Welcome to episode one of the Firefly Film Festival!

As discussed here, we’ll be reviewing and talking about one Firefly episode each week.

In this thread, please remember the following as a warning to yourself and courtesy to other posters:

  • There will be unboxed spoilers about the current episode in this thread; you are forewarned.
  • Please use spoiler boxes if you want to bring up points from later episodes.
  • Please use spoiler warnings if you want to use info from the movie. Also be prepared for massive jealosy.
  • Label what the spoilers are about so that readers can decide whether to open the box.
  • We’ll be talking about both the episode and the DVD commentary here.

This week’s episode: Serenity. If you’ve seen the 2-hour first episode, and you’re ready to discuss it - you ain’t on the wrong ship.

In a first episode like this, you have to do three things: set up the characters; set up the setting; and have a good plot for the episode. It’s a rare show that manages to do all of these without shortchanging one (or two!) of these. Many pilots seem light on plot for dramas; others leave character for later.

Firefly is, as we know, a rare show. Each of the characters gets something told about them (probably Jayne and Inara the least, but still plenty). The setting is great - starts on a populated world, ends on a frontier world, and shows some space walks, and all around the ship. The plot is strong, and flows from the characters and the setting.

(And I’m using “world” in the general sense - not worrying about whether they’re planets or moons.)

I especially like the way that Mal shows his character. He’s a man of action, mostly; he doesn’t wait. Going in to the ship at the end where they have to take off, he shoots the mole without hesitation. When Patience is hiding behind the horse, he doesn’t wait, but just shoots the horse. He’s also a man of planning. At the beginning, they’ve set the fake beacon out for just the type of emergency they face. At the end, he puts Jayne on the assumed snipers, prepared for trouble. (When people really are out to get you, I guess it’s not paranoia, it’s good planning.)

There are a few things that seem crammed in. The battle at the beginning was good to set up Mal’s character, but doesn’t seem to fit well with the rest of this episode. The reaver ship, also, seems redundant. Space is big, and they just happen to come across a reaver ship? That could have been some type of Alliance vessel - following Serenity on purpose - and the episode would have played out roughly the same way, without the extra complication. But these are nitpicks.

There’s also good foreshadowing, and connections to other episodes. You can find several, but an obvious one to me is a spoiler for the episode “Out of Gas”:

Kaylee points out they need a new compression coil. Mal says it better not break, then. Later, he says if you rely on luck, you end up dead in the water. He’s relying on luck for the part not to break, it does, and (in “Out of Gas”) he is.

I really like the sense of humor - Whedon isn’t afraid of being funny within the show, without making the episode a comedy. I especially like Mal telling the doc that Kaylee was dead. “I’m a bad man…”

I guess since he never lets these passengers off, he never needs to take in new ones. I wonder if they’re paying by the leg, or if he stopped charging them?

Watching the first episode again… I had a good day.

Next week: The Train Job

Personally, I think this is a very well-structured pilot (then again, as bone fide browncoat, I might be slightly biased. I felt that the episode did a very good job of establishing the feel of the world, as well as setting up the character dynamics.

The beginning battle scenes are the only things that’re a little awkward about the epsiode. You have Badger’s comments about “that big war you failed to win,” but much of the background information isn’t explained until later.

Spoiler for the episode’s deleted scenes coming up, as well as a VERY minor spoiler for The Train Job…

The deleted scene which shows Simon looking up the battle of Serenity Valley really adds a lot to the episode, I think, and it’s a pity it wasn’t included, but I understand the reasoning behind the cut. Besides, much of it is explained expicitly in The Train Job’s opening scene, so it’s really not a big deal.

I originally saw Nathan Fillion as Caleb on BtVS, and I really didn’t like him in that role. After this episode, though, he was my captain. I think that says something.

(Warning–SPOILER FOR THE MOVIE, WHICH I HAVE SEEN)

I thought the reavers bit really was necessary in this episode. It added a level of non-governmental menace, and they prove to be very important in Serenity the movie.

Overall, I think this is one of the series’s best episodes. Solid through and through, good pacing, and some of the best lines. Very good at converting :).

I will never understand the network’s reason for switching order. As a Buffy and Angel fan, I was eager to see what Joss did with pure scifi and started to watch, just to stop watching after seeing the first episode air. It was just too confusing.

So the DVDs have converted me, and of course everything makes much more sense with the pilot to tell me what is what and who is who. I’ll take this opportunity to add that Morena Baccarin is the most beautiful woman alive.

It’s not totally clear from the pilot, maybe except for Captain Tightpants, but Wheadon’s hallmark of moral ambiguity is here and it’s one of the main reasons I’m so stuck in the Jossverse. The line between good and bad is often blurred and I could easily see the story told from an Alliance POV, where our hero is a bounty hunter, trying to chase down the villains in Serenity.

I’ve said this before in Firefly threads, but I think it bears repeating: I suspect JW read a lot of Heinlein when he was a kid. And I think Heinlein would’ve loved the show. And since I’m a Heinlein fan I think it’s a perfect mesh of these two verses.

I first saw this episode a year ago, when my friend dragged me into his dorm room and insisted that I check out “the best science fiction show EVER.” I must admit, I was one of the skeptics- never got into any other Whedon shows, and didn’t like the sound of the “cowboys in space” premise. Nonetheless, by the time the credits rolled on “Serenity,” I was hooked. I blazed through the rest of the DVDs in a few weeks, and then bought my own set.

So yeah. When it really comes down to it, the one thing that always comes to mind when I watch this episode is: Why the HELL did Fox decide to show “The Train Job” first?!

“Serenity” is, I think, as perfect a pilot as Firefly could have. The main problem with a series like this is establishing all the ground rules in a organic fashion, and in a way that intrigues the audience even as it informs them. This means you have to introduce the setting, characters, driving conflicts, and sketch the overall plot of the series, while maintaining a coherent story within the episode.

Given the above, it may have been better to include more exposition about the Battle of Serenity Valley, so that viewers really got the link between the battle and the ship that is its namesake. Nonetheless, I think *seeing *the Battle of Serenity Valley was a good decision. It’s a great action sequence that feels much grittier and war-like than you’d expect from television sci-fi. Plus, it establishes early on that the 'Verse is more than just space western elements; that the use of horses and dirty machinery later on is due to the economic hardship of the main characters rather than mere artistic license. The Firefly 'Verse contains plenty the glitzy, shiny gadgets that characterize Star Trek and Star Wars, but most of it is just too damned expensive and/or unreliable for use on Serenity.

The opening sequence also establishes two of the main characters, and does a particularly beautiful job of setting up Mal. You get the feeling that Malcolm Reynolds was, before (and during) the battle, an idealistic leader, the optimistic one who tried to keep his troops’ spirits up. Then the Alliance ships come down, the sounds fade as the violins rise, Bendis is shot, and Mal is left standing with that horrible, haunted expression of disbelief.

Pretty powerful stuff, IMO. :slight_smile:

More later… gotta get back to work for now!

What strikes me is how carefully all the character moments are planned. Simon is creepy at the beginning, which makes sense as he’s secretive. Then when he bargains with Kaylee’s life, you hate hate hate him. Well, obviously you can’t have that in a main character. Then Mal plays his practical joke, and Simon rushes to the infirmary, clearly in anguish about what he’s done to Kaylee. So while the prank serves as a shock and then humor, in hindsight it also serves to redeem Simon.

Similarly Dobson. As Whedon notes on the commentary, he’s a cop, chasing a fugitive. He’s the antagonist, but he’s not a bad guy. (Especially when you see his wedding ring so prominently displayed when he first arrests Simon.) So when he busts out of his room, they make him bludgeon Book gratuitously a couple extra times to make him a bad guy, as opposed to merely an opponent. It’s now excusable to the audience that Mal kills him. (Of course, Mal doesn’t know any of this at the time.)

I sure wish I’d seen this thing first instead of when FOX broadcast it. Knowing that Whedon kills characters, especially in first episodes, I would have plotzed when Kaylee got shot. Hell, I practically do anyway, and I knew she would make it. Great episode.

–Cliffy

One thing I want to mention somewhere, and this is a good segue for it. I’ve always been a big fan of Blake’s Seven. I wish they had continued or remade that. Since it didn’t happen, Firefly is the next best thing - or would be if it weren’t better in some ways.

I also can’t imagine the series starting with The Train Job. I’ll probably bitch more about that next week. Fortunately (or not), I never saw it on Fox, just on DVD.

I’m also chiming in with my amazement at the dumbassery of Fox for not airing the real pilot episode. Not only is it one of my favorite Firefly eps, “Serenity” is one of the best pilots I’ve ever seen.

You are right on, Cliffy. Another great grace note from this sequence, as pointed out in the commentary, is how Jayne reacts here – totally flipping out after Dobson shoots Kaylee, and then hiding outside the window of the infirmary, watching over her surgery. Thus is he redeemed for his behavior during the dinner scene, but not quite enough for us to be sure that he didn’t take Dobson’s offer once Kaylee looked to be stabilized.

Personally, I like the Reavers in the pilot as well – it established that this wasn’t going to be a show in which there was only one enemy (the Alliance) – in reality, the Alliance is usually the least of Mal’s troubles, since his contacts, his crew, and lunatic space cannibals might all be trying to kill him at any given moment – at least the Alliance only wants to give him paperwork and maybe arrest him. Also, given its perils, we’re given another insight into Mal, who chose this life rather than an infinitely safer existence to be had by kowtowing to the Alliance. (Alliance planets are so well-guarded that Reavers are a fairy tale!)

Oh, and what I guess is a spoiler for future episodes:

[SPOILER]Blue Sun sighting #1: as Jayne is calculating “nuthin out of nuthin, carry the nuthin” when they go to see Badger. Any more in this episode?

Should these be spoilered, do y’all think? [/SPOILER]

Yeah. While I was watching… I think the scene where Mal, Zoe, and Jayne were going out to meet with umm, the mayor woman, can’t remember her name at the moment, but I was struck by the thought… “Caleb the preacher, Jasmine, and Hamilton have teamed up… and they’re the guys I’m rooting for!” Of course, they were good guys in Firefly first chronologically speaking, but I didn’t see the show when it first came out and, oddly, I’m glad of it… that way the show is a treasure trove of undiscovered Joss-ness to me when I was badly jones-ing for a hit, rather than yet another Joss show at a time when, really, I was oversaturated with it.

So… just what is Jayne’s job, or jobs?? We find out how he joined the crew in a later episode, but let’s see. He’s a crack shot, an enthusiastic brawler, and an amateur interrogator. Does ‘resident lowlife’ cover it for now? :slight_smile:

Favorite moments:

  • Kaylee telling Book that ‘her ship’s the best’ while he’s wandering the docks.

  • “You know, I do believe she’s planning to shoot me again.”
    “Yeah, you’re right. If she was planning to pay, she’d have haggled you down a little.”

  • Jayne’s testing the radio reception while he’s standing right beside Mal.
    A few personal thoughts:
    I’m still not quite sure what I think of this ‘companion’ stuff.

Possibly because Book’s set up as such a mysterious character, we haven’t gotten to see much of what religion is like in the Firefly ‘verse’.
Okay, that’s all I can think of now. Will probably be posting again later.
PS: Oh, right. Who else was really, really, really mad at Jayne for teasing Kaylee about Simon at dinner?? :wink:

And in “Ariel”:a replacement coil is found in a salvage yard. Mal (or Wash, I don’t remember exactly) picks it up, grimaces at it, then throws it as far as he can.

It’s Wash, but I always thought that was a gag - Kaylee isn’t looking when he does it, and there’s no reason Wash would know what that part is or that they needed some extras, so he chucked it.

I’m one of the few that saw the Pilot first. I had managed to miss the entire show and just caught this show on Fox.

I was hooked I searched for months trying to find when this show was on. Only to have it dawn on me that it’d been cancelled before I’d even seen it.

I wasn’t going to buy the DVD set until I saw all the super high praise it recieved on here. I haven’t regretted my purchase for a min. Great show great pilot stupid FOX.

What’s up with Blue Sun?
I’ve seen all episodes but can’t attach any significance to it. Put in spoiler box if indeed it is a spoiler.

I think general muscle. He’s a huge guy (6’3" or 6’4" and probably about 250 lbs), so he’s physically intimidating. I think he and Zoe serve the same general purpose, with Zoe being the smarter and more sensible of the two and him being the stronger and bigger one.

From what I could tell, more or less like Earth, with a predominance of Christianity and Buddhism. Book, for example, seems to be Christian (crosses, a Bible, etc).

Spoiler box because I make contentions about Jayne’s motives that encompass the season.

Ooh, I was. That made his staring through the window in the infirmary all the more touching, though. I still contend that Jayne had a bit of a crush on Kaylee. He would easily make crude jokes/sexual passes to Zoe and Inara, but he never expected anything to come of them. He never said the same to Kaylee, and I think, despite his occasional rude remarks, that he liked her. I think his rude remark at the dinner table was because he was jealous of the attention she paid Simon. I also think much of his dislike of Simon was for the same reason.

Well I don’t think it really needs a spoiler box. Blue Sun has something to do with what was done with River. What exactly is never made clear. You’ll notice how she reacts well…badly to seeing the Blue Sun labels in a few eps.

Joss mentions in at least one of the commentaries that various signs and references to ‘blue sun’ were build-up for a plot thread that they never got a chance to really start… that the Blue Sun corporation owned everything, ran the Alliance, and was specifically responsible for the academy that River was sent to, and the ‘men with blue hands’ who were chasing her.

Based on the flashback scene in ‘out of gas’, Jayne is established as being a skilled tracker, and possibly having some useful criminal connections (fences, informants etcetera.) Taking him on as part of the team was also implicitly ‘buying him out’ of his position on the other gang that wanted to kill them or rob them or whatever.

There’s definitely some overlap between his skill set and Zoe’s… or Mal’s for that matter. Mostly that they’re all very good fighters, whether with guns or more hand-to-hand. But Mal and Zoe are both ex-army, while Jayne seems to have been a long-time hoodlum and criminal, so there will be some differences there.

Oh, that reminds me of something else. Going back to watch the pilot, I really appreciated the crowd scenes at the docks and such, everything that the producers added to give a sense of ‘east meets wild west’ to the civilized/frontier planet.

chrisk, please label your spoilers.

–Cliffy

(Hangs head in shame.) I’m a bad man.

Seriously, will pay more attention to that… remembered too late.

I didn’t get a chance to watch it this weekend (because there was an impromptu screening of all five Star Wars movies at my house), but I’ll hopefully get to it tonight. One thing I wanted to say is that if you haven’t watched it yet with the commentary by Joss Whedon and Nathan Fillion, I highly recommend doing so, just because they’re funny.

Every time I decide to go through and watch the whole series again, I keep meaning to keep track of how many times Mal suckerpunches somebody. It’s not always a punch per se, because I would definitely count shooting Dobson with no warning as a suckerpunch. All told, that is definitely my favorite thing about Mal’s character–he’s not too proud or too noble to resolve a situation any way he can, even if it includes punching somebody in the middle of a sentence. :slight_smile:

And, for those playing along at home, the official (in my house) Firefly drinking game counts two Buffy/Angel/Firefly hat-trick appearances–Dobson and the Alliance Commander Guy. Drink everything you have. :slight_smile: