Did you not see the distorted perspective on the cylinder or note the fact that the smiley face does not curve around with the can but is instead superposed on top? Clearly, lobstermobster is toying with our preconceived notions of space and opacity which still making a commentary on the decreasing level of intellectualism in our generation’s public libraries. Also at play is the integration of the cross with the door, a statement against the increasing role of religion in public life. Perhaps most striking, though, is the fact that the protagonist appears happy, but is counterpointed with legions of lonely people, who undoubtably represent the overall hostility and isolation that such volatile influences like religion and politics have on us as a society, ultimately alienating from each other and indeed ourselves.
And now a wry commentary on the malleability of language in a post-Internet world! It’s a rare artist who can move so fluidly between media. I salute you.
The OP reminds me of any one of a hundred nights I spent in Joe’s Bar on Back Street in St. Thomas back in the 70s: Hairspray Tom, Gar, Jackie the Bunny, Nicki, BJ the dynamiter, Moira, Margie Creque (aka Psycho Bitch), LD and Francis to name a few. What a collection of misfits, and what weird and wonderful nights. I wrote about it with the idea of submitting it somewhere, then realized it sounded almost exactly like a book I had read, but can’t remember the author or the name of the book; except mine was from actual experience and the book was fiction.