From his start with Roxy Music where I think magic was made with him having to temper the weirdness, to his wonderful first two albums of deranged pop music(he is lieing when he says he picked random words for lyrics, there is sly humor).
But it seems everyone loves his later ambient stuff, or the almost ambient stuff. People extol it as genius.
I thought most people preferred his early work and only a few really like the ambient stuff. Certainly among people I know (and I’m a musician who knows many other musicians and a lot of music obsessives) that’s the case. I like both, but I only really got the ambient stuff later on, the earlier stuff is a lot more accessible.
I wasn’t even born when most of his stuff came out(at least the stuff he is famous for) so discovering his earlier stuff was a delight, after being well I wouldn’t say put off but under impressed with the ambient.
Taking Tiger Mountain and Warm Jets are two of the best albums ever. I was never super thrilled by his ambient stuff, but it’s pretty good for not listening to. I put “Music for Airports” on my headphones when I’m working and don’t want to actively listen to anything, just zone out.
Eno’s first couple of albums contain a number of great songs. After that, he apparently got it into his head that he had to produce Art, leading to a severe case of dullbore.
Am I the only one who thinks “not accessible” is synonymous with “lousy”?
I like his body of work. Baby’s on Fire is just amazing decades later. I remember he spoke at UC Davis in ~1982. Had a deck of cards that he wrote one liners on. One was “do nothing for as long as possible” and the buddy I had that actually bought the cards and drew that one came close to flunking out.
As I bing it, these are called “oblique strategy cards”
I think he’s so prodigious that you can pick up nuggets of brilliance throughout his career but I reckon 73-78 was his pinnacle.
And “by this river” is the clearest example of how you do more with less… genius. I once made the mistake of having my shuffled music play that track followed by “who knows where the time goes?” by fairport convention and “welcome to the machine” by Pink Floyd. I’d suggest it is physically impossible to be any more relaxed than I was then. I don’t do drugs but if I did I reckon it may have been a rabbit-hole I was never climbing out of.
He’s probably the most influential musical artist that the majority have never heard of. Of course they may not know him directly but you can’t exist in the modern world and not hear his work. Need a moody musical interlude? there’ll be a suitable Eno track for every occasion. Desert Landscape? that’ll be “sombre reptiles” then!
I’ve taken afternoon tea with Brian Eno, his brother Roger and a Scottish guy whose name I can’t recall, in his back garden in Woodbridge, Suffolk. (late eighties)
Now for the scandal…:eek:
He made the worst cup of tea I’ve ever had in my life. A bloody great china pot with one teabag in it. Pisswater. And one biscuit (McVities Fruit Shortcake, in case anyone’s interested). He then said “You’ve got to have a look at what I’ve got in the garage.” I was expecting to see an early Moog or a custom modular synth. He opened the doors and there were… two Sinclair C5s, which he and Roger rode round the garden for a bit. He said it was his preferred form of transport to and from the local pub.
Now for the confession…:o
I was only there as hired muscle to deliver a mixing console and a 24 track tape machine…
That said, I’ve been a longtime fan, I had quite a few of his records and quite a few of the releases on “Obscure Records” (75-78). I wouldn’t say any of them were my favourite tunes but, along with John Peel, they taught me to broaden my horizons.
Nice bloke. That still doesn’t make up for that shit cup of tea, though. One must have priorities in life.