Memento: A terrific movie with far more going on in it than just the gimmick. One of the best movies of the last decade.
Lost Highway: Fascinating flick, but don’t even attempt to watch it until you’ve seen Blue Velvet and Mulholland Drive.
Blade Runner: Extremely influential visually, and worth seeing for that reason, but it’s dramatically inert for most of the running time. And Harrison Ford is wooden and dull. Yeah, it’s intentional, but that doesn’t make it any more interesting to watch. As usual, The Book Was Better (and much funnier.)
Unbreakable: Essentially a big shaggy dog story: the ending will either make you smile or make you scream with frustration. Only see it if a) you’ve seen and liked The Sixth Sense and b) you’re into superheroes.
The others: Another gimmick movie, and the gimmick is fairly easy to spot in advance if you’re looking. Still, it’s worth seeing even if you figure out the gimmick. It’s a good spooky movie (as opposed to a horror flick) and those are rare these days.
Equilibrium: This movie reduced me to giggling fits at least three times, which is bad because it takes itself very seriously indeed. Do yourself a favor: instead read 1984 and Farenheit 451, then watch the Matrix. Those are the models this movie is trying in vain to emulate. Sean Bean is good, though. (Sean Bean is always good.) Just thinking of the phrase “Grammaton Cleric” makes me laugh, hee hee.
Gosford Park: If you like Robert Altman movies, old fashioned murder mysteries and historical documentaries on PBS, then you will probably like this movie. If you do not like any of the above things, you will hate hate hate this movie. I liked it, but be warned the mystery angle is weak, since the movie really cares more more about depicting the mechanics of an English country manor than who killed whom. Features roughly one million great British actors, each of whom gets five seconds of screen time.
The Conversation: A great little paranoid thriller whose edge has been dulled by being copied so many times over the years. Has a very 70s vibe to it, meaning it’s slower paced and more loosly constructed than modern thrillers. A fine movie, but I don’t want to overhype it because most of what’s in it has been turned into thriller cliches by now.
Matchstick Men: One of the more underrated movies of this year. A nice little conman tale with a good performance by Nicholas Cage and a great one by Alison Lohman. Not great art but an above average movie.