Was watching Tarzan today and thinking to myself that this is the tightest, best soundtrack slash score to any Disney animated movie. Phil Collins really nailed it with the theme song. Of course Elton John kind of changed the game with Lion King, bringing legitimacy to animated movie soundtracks.
Clearly Phil Collins wins this but which Disney animated movie has the best soundtrack?
Also, Gnomeo & Juliet, but that’s essentially a bunch of Elton John songs with a couple of new ones tossed in. I was a bit surprised a year ago or so when I was in the car singling along with Saturday Night’s Alright For Fighting and my daughter said “Daddy this is the song from Gnomeo And Juliet”.
A much, much lesser offering, but I am very fond of “The Rescuers” and both the opening music (following the message in a bottle) and the trip cross-country aboard Orville. Very nice music.
I grew up on Mary Poppins. Whatever you may feel about what the Disney crew did to Travers’ story, The brothers Sherman produced one fine soundtrack, with “Chim Chiminee”, “A Spoonful of Sugar”, “The Old Bird Woman”, and “Let’s Go Fly a Kite”, among others. I don’t think I’ve liked a higher proportion of songs from any other Disney film.
That said, I really do like a lot of the songs from the more recent Disney featires – ever since the Little Mermaid, there’s been more than one good song from Lion King, Beauty and the Beast, andAladdin
Mary Poppins is primarily live action, so out of the realm of the OP.
I can’t think of a single Disney movie where the soundtrack as a whole stuck with me. Alice in Wonderland, Aladdin and the Little Mermaid win for the most songs I could sing if asked (2 each*). Tangled, Alice in Wonderland, Lady and the Tramp, and Lion King for single songs I really love**.
Alice: The Unbirthday Song, I’m Late
Aladdin: Arabian Nights, A Whole New World
Little Mermaid: Kiss the Girl, Under the Sea (I may be able to hum along with Poor Unfortunate Souls, but that’s it.)
** Mother Knows Best, The Unbirthday Song, The Siamese Cat Song (even with it’s slight racist aspects, it’s fun), Hakuna Matata.
I like the soundtracks of Beauty and the Beast, Tarzan, and Lion King. But the best song in the whole of Disney animation is Hellfire from Hunchback of Notre Dame.
Hands down, Pinocchio, not just because of the terrific songs, but the underscore through the rest of the film (especially the Pleasure Island sequences) is magnificent.
Props to Dumbo, which won the score Oscar and Jerry Goldsmith’s incredible work on Mulan (note: again, talking about the score; the songs are only so-so).
I’ve gotta go with “The Incredibles.” The final credits perfectly capture the sort of 60s/70s brass-heavy themes the cartoon is set in. My favorite, and the only soundtrack I liked enough to buy.
The Little Mermaid marked an era-shift. It was kind of a rebirth of sorts after about a decade of floundering (ha!) in the dissipating wake of the Nine Old Men era.
Considering that the Nine Old Men era lasted for 50 years, it’s not so out of place to call The Little Mermaid one of the “newer” films. I think many people do count from that starting point when discussing the newer era.