Everyone brags up The French Connection, but after re-watching it today…well, The Italian Job has a better chase, and pre-dates TFC by eight years.
This summer’s The Bourne Identity is my favorite, I think. But then there’s The Blues Brothers, which HAS to have the best chase scene EVER - unless you include Cannonball Run, which may or may not beat Jake and Elroy.
Blues Brothers is great.
To live and Die in L.A. has a fantastic chase scene also.
Is the Italian Job the one with the Austin Minis in the tunnals and the van haning off the end of the cliff? If not, anyone recognize that?
The one where Sheriff Coltrane tries to jump the ravine and lands in the middle of the lake, then as he gets out the car window, he takes off his hat and finds a fish in it
The Bourne Identity came to mind immediately when I read the thread title. Not only exciting, but almost believable. And the end of the chase was completely classic.
I’ll nominate the car chase from Who Am I , a Jackie Chan movie. It had acrobatic maneuvers, an amazing parking job, and the always entertaining fruit stand. Then again, I’m a sucker for the fruit stand…
Not the typical car chase, but worth mentioning here, Rendezvous by Claude Lelouch. A nine-minute film made by bolting a camera to the front of a Ferrari and driving balls-to-the-wall across Paris in the early morning. No stunt driver. No closed streets. No permission. If he wasn’t at top end on the Champs Elysees, he was pretty damn close. The first time the movie was shown, he was arrested.
Those are all great; I’m happy to hear The Italian Job is coming out on DVD. Love those Minis.
I thought there should be one vote for a James Bond movie. I really like the scene in Goldfinger where Bond is trying to get away from a miriad of henchmen in his tricked-out Astin Martin (please correct me if I got the car wrong). He uses the ejection seat (to get rid of an unwanted guest) and various other gadgets, but mostly uses the car’s agility and his own quick reflexes, only to be tricked himself into running head-on into a mirror.