**Apos. ** This is probably my spring head cold congestion talking, or my sore throat medicine talking, and my irritation being inside on such a nice, bright spring day talking, but please, a favor. I find myself livid as fuck reading your post, which is odd because it’s not all that ire-raising. So, in the future, when you quote me, Apos, please do not edit my thoughts mid-sentence to bolster your own points. If you must do, please have the integrity to use an ellipses (…) or, better still, an ellipses with a [snip] sign. My fill, unexpurgated comment was (and is) as follows:
If I am bothering to actually watch the Chappelle/Lipton interview, and the Chappelle/Oprah interview, and listening to two seasons worth of his DVD commentaries, I suspect I’m gathering FAR more information, nuance and facts that allows more reasonable inductive behavioral insights than anything a “blackdar” scan would do. I agree my analysis is pretty amazing.
Nitpicking.
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It was a classroom set full of child actors and a fake teacher. An important difference.
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Visually, not really all that different from AIRPLANE! when the stewardess “blew” the deflating automatic pilot, 30 years before.
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The “effeminate” gay Klansman bit was never aired in full.
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The sissy boxing match was part of the same sketch and never aired in full.
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Where you saw a “quasi-pornographic spoof” I saw “fully-dressed actors at all times doing a fully-scatological humor-referenced music video spoof” of R. Kelly. When I see porn I think sex. That’s not what happened.
Yeah, but Loop: conspicuously missing from his fully aired skits this year, and only seen briefly during a greatest misses episode, was a “time travelling haters” episode where the Haters (from the Haters Ball episode) went back in time to diss a slavemaster… and then Dave’s character wound up killing the dude with a brought from the future semiautomatic rifle and setting the slaves free. There’s no way his core base of black fans wouldn’t have been happy with seeing a smart-mouthed pimp blowing away a slave driver.
Now, I don’t know about you, but that’s a comedy piece with a slice of real black edginess to it, yet for some odd reason, Comedy Central killed it. I know it would have been successful as hell (at least with a segment of his audience), and you have to wonder why. Hmm.
I agree with your first part of your analysis. “Come back, Dave. We’ll do anything. YOU can do anything!” They of course want Chappelle back. There’s just no way Comedy Central would give him free unfettered creative reign to do so. They didn’t for Parker and Stone, or for Mencia, Spade, Colbert or Stewart.
Cartooniverse. There’re undeserved, unfair and unsubstantiated judgments being made calling someone “deeply freaked out,” “loses his mind,” “goes wonky,” “truly stressed,” “wonky,” just because they walked away from a payday based on an increasing discomfort with expectations of their performance and “dancing like a coon.”
I don’t understand why these characterizations against Dave always have to be framed in good mental health terms. What, a nigger can’t just get tired of the shit? A nigger can’t be paranoid at the shadiness? Shit just can’t feel ill?
