I recently posted in my LJ about why I have the portrait of (not by) a serial killer hanging on my wall, so I’ll repost it here:
A sister-in-law of mine has been seeing this one guy for years now. He’s really nice, and an excellent painter. He’s shown his works at art shows, that sort of thing. He has an impressive range of styles that he’s worked in. He’s just really creative and does all of this interesting but not always easily “accessible” stuff, and does make some decent money selling it as well.
So my husband and I had gone to his place to help him out at one of these shows a number of years ago. We gave to him a stereo of ours that we’d just replaced, since we knew he just had a radio to play music on, and he was thrilled.
While we were hanging out with him, one of his pieces caught my eye. It was an old newsprint photograph of an older man, blown up and mounted on wood. Paint was smeared in places around the wood, and the photo itself was somewhat brightly “colorized” in an odd manner. Lips painted red, cheeks overly blushed, eyes with blue above them, etc. We discussed it for a while, then he explained it was part of a series he was doing on American “heroes and anti-heroes”. That happened to be one of the latter, Ed Gein. The colorization was to imitate inexpertly done makeup, as Gein was so fascinated by the “power” of women that he made a suit out of their skin (among other things). He offered us the painting, and though it didn’t exactly fit with our décor (such as it is), we accepted it, honored that he’d give away something like that to us. It went up on the living room wall.
Fast-forward to a year ago, and my father-in-law is selling off his little hunting lodge, so he’s cleaning out his possessions. He offers to my husband the three mounted deer heads that were from his (my husband’s) kills. He’s not a trophy hunter, hunting for meat, but those were just good heads to mount so they did it. I know it’s meaningful to him, so I say one can go in our living room and one in the stairwell. (The third went to his parents’ home.)
The perfect spot to hang it ended up being such that the deer head faces you as you enter the living room from the front hallway, as the deer’s neck curves slightly to its left. It is also right next to the Gein portrait. Considering Gein’s, erm, taxidermy efforts and that the police at first glimpse thought there was a deer carcass hanging in his house, I found that darkly amusing and think the pairing is perfect.