Abusive, absolutely. The other two sentences are probably wrong.
The Other Hollywood, by Legs McNeil & Jennifer Osborne, has a chapter on Deep Throat, all of quotes by participants, some from their interviews, some from older newspapers or books.
Gerard Damiano, Deep Throat’s director, says flatly that “In Chuck’s mind, anybody who did look at her was grounds for taking Linda back to the hotel and beating the shit out of her… The next day she’s appear on the set black-and-blue.”
If there’s any doubt, Chuck Traynor himself says: “Did I beat her up? Well, yeah, I wouldn’t bullshit anybody.”
That she was in an abusive relationship with her husband isn’t the same thing as saying that any sex she had on camera was rape. The testimony from everybody else is that she enjoyed making the movie, liked Harry Reems, and was more comfortable on set doing sex than speaking lines. Reems says this was true in earlier loops she did with him as well.
It’s probably not true when she was forced to give blow jobs to the Mafia guy that financed the movie to show him what deepthroating was. A new variation on the casting couch.
It’s also not true that Traynor “was not involved in the film in any manner.” He worked the mafia connection to get the money for the movie and pimped out Lovelace when Butchie Peraino wanted a blonde with big tits to star. They drove down from New York to Miami in the same car. Traynor was the production manager for the movie. Everybody hated him and the director kept sending him on errands to get him away from the set so that Lovelace could relax, but he was intimately involved in every way but intimately. (He couldn’t get it up on set, says Damiano.)
A number of people also give opinions for why *Deep Throat * took off. Al Goldstein claims credit for publishing a review in his *Screw * magazine that called it the best porn film ever made. Other more mainstream papers reviewed it favorably. One person says that it was only doing so-so until Mayor Lindsay did a porn crack down and confiscated the print. That made it a media sensation, and everybody lined up to see it after an injunction got the print released. Sammy Davis Jr. takes credit because he rented out a sleazy theater in Santa Monica, cleaned it up, and hired limos to take all his show biz friends there.
My favorite theory is from an FBI agent who was investigating the organized crime/porn connection. He says it’s because J. Edgar Hoover died in 1972. If he had been alive he would have gone berserk and made sure that every theater was prosecuted.
Linda Lovelace, curiously, says it was because it was a comedy, but another early porn filmmaker says she’s an idiot for thinking it was because of anything but the deepthroating.
I still say it was the right film at the right time. Deepthroating and comedy, both.