Discuss/review the last song by the previous poster

Jim Steinman - Bad For Good.

I’ve never been really sure of the value of song videos, suspicious that they are a cheap way to sell bad music. However despite having a high measured semantic fluency I am lost for words at the confluence of this ersatz Meatloaf epic and a visual experience for which I have no signifiers.
I think perhaps if I performed a Burrough’s cut up on a cultural theory textbook, and dropped the words “high school production” in there and stirred with a large spoon, and picked out a few bits, and taped them together, I may have an description of what I just saw.

8-bit transhumanism, anyone ?
Hazel o Connor - Eighth Day

You can sing along to the bouncing ball

In the beginning was a world
Man said, “Let there be more light”
Electric scenes a maze of beams
Neon brights to light our boring nights
On the second day he said, “Let’s have a gas”
Hydrogen and CO are of the past
Let’s make some germs, we’ll poison the worms
Man will never be suppressed
And he said, “Behold what I have done
I’ve made a better world for everyone
Nobody laugh, nobody cry
World without end, forever and ever”
Amen, amen, amen
On the third we get green and blue pill pie
On the fourth we send rockets to the sky
On the fifth make the beasts and submarines
On the sixth man prepares his final dream
In our image, let’s make robots for our slaves
Imagine all the time that we can save
Computers, machines, the silicon dream
Seventh he retired from the scene
And he said, “Behold what I have done
I’ve made a better world for everyone
Nobody laugh, nobody cry
World without end, forever and ever”
Amen, amen, amen
On the eighth day machine just got upset
A problem man had never seen as yet
No time for flight, a blinding light
And nothing but a void, forever night
He said, “Behold what man has done
There’s not a world for anyone
Nobody laughed, nobody cried
World’s at an end, everyone has died”
Forever amen, amen, amen
He said, “Behold what man has done
There’s not a world for anyone
Nobody laughed, nobody cried
World’s at an end, everyone has died”
Forever amen, amen, amen
Amen

Pretty solid New Wave, on the rock-heavy side of the spectrum with a fun cyberpunk feel to the lyrics. No real chorus to speak of, which gives it kind of a non-stop feel.

The Flaming Lips - Yoshimi Battles the Pink Robots.

A bit intriguing-a bit too quirky for my tastes tho with those found vocals in the background, and the trite subject matter (even as I root for the heroine in question).

The Sisters of Mercy, Flood II

The Flaming Lips - Yoshimi Battles the Pink Robots.

Not a melodic winner, but combining the undistinguished melody with a skewed rhythm sound pushes it effectively into left field, so the ordinariness of the melody becomes an effective counterpoint playing straight man to something rather strange, proggy and dreamy. I think this is a herbal smoke winner, and rather pretty. Approved.

Spacemen 3 - Honey

[ahem.]

[errm…]

Alright, alright, break it up.

Has a very INXS/Depeche Mode feel to it with the electric drums and the heavy, dark synth. Very apocalyptic feel to the lyrics - the singer is just some guy living in the present day, but he feels like he’s Noah and the waters are going to come rushing in any minute.

Definitely a more hippie-ish feel on this one. Lyrically it’s pretty simple, but it works well enough - I could almost imagine this having come out of George Harrison or Donovan or one of their contemporaries in the psychedelic era.

Jonathan Coulton - The Future Soon.

Jonathan Coulton - The Future Soon.

Within three minutes we travel from the socially induced envy pains of the monogamic Judeo-Christian interpersonal schema to the imagined heightened value of the sperm of a transhumanist Alpha male.
The abject boy has cleverly noted that despite being a weedy guy, Bill Gates has 90 billion dollars, and that kind of money makes women’s wombs burn with longing.
Nevertheless he maintains a strong sense of genetic inadequacy, and fears that Laura will not move with the times, will want to pick and choose between wealthy and healthy mates, and will still lust for the healthy DNA of the jock.
What he doesn’t realise is that with his new techno power he can manufacture Laura 2.0 to his own specifications. In fact he can manufacture several dozen, and she can take her mercenary little baby making dreams elsewhere.

The SLits - Typical Girls

A little too sloppy for my tastes, I’m afraid. There’s a fine line in punk between deliberately-induced musical chaos, and chaos that’s just the product of a lack of talent. While I’m not entirely sure that these musicians lack talent, they’re certainly doing a good job of sounding like it, and not in a good way. That is, I’m not sure whether they sound like crap because they’re trying to sound like crap, or because they arecrap.

The Cramps - Surfin’ Bird.

Unwilling to enter a tar-baby debate on the relevance of talent to punk, I scoot through to a brief review of a Cramps track, whilst simultaneously watching news reports about Ukrainian nazis. Hopefully this will provide a an almost psychedelic thought kaleidoscope as the loose and sleazy permissiveness of the Cramps shuffles itself with extreme reactionary Orthodox repression.
Pomo.

Tom Lehrer - Poisoning Pigeons In The Park

Typically inventive, wonderfully performed TL. If you can find one of his Greatest Hits CDs, knock down an old lady in your way to get it, he’ll appreciate the sentiment. (Good choice, MrQ)

Similarly:

Jim Stafford - A Real Good Time

A fun little country ballad based on an old cliché. I knew there was going to be some sort of twist ending, but I didn’t figure out what it was going to be until it came around, and it got a laugh out of me.

I don’t have anything of a really similar nature on hand, so here, have a country song by two people who you would never in a million years imagine recording a country song.

Lady Gaga w/ Brian May - You And I.

Lady Gaga w/ Brian May - You And I.

Definite flavours of Queen there,even in the arrangement. Problem is it’s an undistinguished tune and Gaga despite her star status hasn’t really got a distinctive voice. There’s not even a good Brian May solo to mark it out, just a bit of non descript blues twiddling. One strictly for the fans I’m afraid.

The Ruts - Secret Soldier

Someone’s on a punk rock kick lately. Little reminiscent of the Clash. The musicianship is good, but the lyrics aren’t that special. The one-note guitar riff is simple and impactful.

Jayne County - Are You Man Enough To Be A Woman?

Hmm, vocally it’s not exciting, and it’s not a mega interesting tune. It’s a two chorder for the most part and you have to do something special to make those work well, or make it very psychedelic. It is, however really well played and the band are good, good sound, atmospheric, plenty of flair and cool touches. So overall it works.
Tenpole Tudor - Swords of a Thousand Men

Arthurian rockabilly? I like it. The opening riff sounds like it was ripped from “One of These Days” by Pink Floyd, but it works here. The singer’s voice is accented just enough to be noticeable without being incomprehensibly thick, and the guitar work is fun. It has a bit of a drinking-song feel to it - I could see getting down to this with my brethren in the mead hall after a day of keeping the lord’s demesne safe from outlaws and rogues.

Powerwolf - Sanctified With Dynamite.

I hope these boys were all virgins when they married otherwise the Lord has bad things in store for them. Happily if it weren’t for the video I wouldn’t get what this was about at all. I still don’t get what it’s about, but I’m sure Jesus is involved somewhere. Other than the novelty value, got to say it doesn’t stand out.

Half Man Half Biscuit - God Gave us Life

How have I never heard of this band?! :eek: :smack:

I ate this right up. In the words and melody I hear shades of Billy Bragg and Jarvis Cocker, both of whom I love. I have a soft spot in my heart for British songwriters who clearly don’t give a shit whether Americans “get” them or not. It’s why I like The Kinks better than The Beatles, Pulp better than Oasis, and why this song kicks the shit out of anything by Mumford and Sons.

Next: Helmet, “Smart”

I remember Helmet from about 1991, one of a deluge of similar bands making dark abrasive indie grungoid noises. I taped them from John Peel, and they haven’t really changed much, it sounds like. I had expected all those bands to have packed it in or moved on by now but here they are. I always liked that they didn’t quite fit into the catchy riff and nice melody category, just disturbing, grinding noise like this.

Daisy Chainsaw - Love Your Money

I love the drumbeat. Aside from that, it’s just generic riot grrl stuff - doesn’t really do anything for me.

P!nk - Don’t Let Me Get Me.