I assumed that they “got him” via some remote-triggering machinery hidden in that cardboard box we specifically saw someone place in the committee room and then take away.
I don’t think they “got him” via technology. I thought the point was that, despite knowing his marriage was fake, he decided he’d rather be an unknowing pawn and ditch all the people he’d been trying to help, than retain the memory of killing his handler. Also, it’s nicer and simpler for him to be who they made him into than to struggle with the fact that his base personality was so contemptible, while also realizing that the personality he’s using to make that judgment is artificial! So he told Echo to take a hike and voluntarily went back to the badder bad guys.
It’s along the lines of what Sierra decided to do after committing murder, but a lot more selfish.
I thought maybe he just realized the Dollhouse/Rossum was too big a fish to fry, and the only way he would be left alone would be to do what they wanted him to do. I think that’s what he and Echo were talking about before that. The senator didn’t want to go back to his old screwup self, but he didn’t want to go back to being a mindless pawn either. He wanted to continue his life as he currently was (the better version of himself), retaining the knowledge of what he really is but free to live his own life.
I think they were trying to show that the tech behind the Dollhouse could be used for good, in making people better. It doesn’t just have to be used to enslave them.
What was interesting to me was that the senator denied the existence of all the dollhouses. At the begining of the episode, Adel was worried at Rossum would reveal the LA dollhouse in order to save the rest.
Yeah, and that sort of bugged me from a logical standpoint. Assuming this was put in motion by Rossum to begin with, why burn down one of the houses, with all the attendant financial losses and risks? Once, say, the FBI or police went in with search warrants, would there be no records whatever of communication with the other houses, or back to Rossum HQ? What about evidence, which clearly must exist, of payments by some front entity to Mellie/November? The actual outcome, in which the Senator implied a plot by competing companies to smear Rossum, made a bit more sense.
For that matter, doesn’t seem like having a congressional hearing would have been necessary to get the feds swarming over the LA house anyway, given that the very same address had been reported previously. OK, by Ballard, who was in disgrace, but still.
Doesn’t really spoil my enjoyment of a couple of fine episodes, but still seems a bit of a mess, plotwise.
Just caught up on DVR - man what an excellent two hours. All the reasons you stated above. Summer Glau was excellent, although the comment about how Actives are pretty (meaning she is not) seemed false, as did the switcheroo where Senator Bush, erm, Doll ended up doing Rossum’s bidding…
…Victor / Ghokaj is like Meryl frickin’ Streep - he should be famous as hell…
Yeah, his Dominic was amazing, as was his Topher. He’s phenomenal – if I’d closed my eyes, I wouldn’t have been able to tell his imitation from the original in either case.
Rossum’s goal with the Dollhouse isn’t to make money - they have plenty already. It is to operate for long enough to get the experience to put the immortality plan into action. Sacrificing one Dollhouse doesn’t matter, as long as it allows them to keep working on immortality. Now they are above reproach, and they can pass the laws they want.
I had another thought on the apparent “conversion” of the senator at the end. What if he is still fully in control of his faculties, and decided that the smarter move wasn’t to expose Rossum right now, as a junior senator, but play along with them? Make them think that he was back in the fold. And then when he becomes president (as is the apparent plan), he’ll finally have enough power to take them down for good.
I’d guess he wants to go on to ‘serious acting’ after this show, and he’d be amazing at it. But I bet he’d also be welcome at SNL, where they always need versatile impressionists.
Agreed. The arcs that Joss seems to wait to dive into til the second half of the season are far more interesting than the engagements-of-the-week. I think Pushing Daisies and Wonderfalls both suffered from the same syndrome, as has the current season of Supernatural.
The more I think about how great these episodes have been, the more I’m disappointed that it’s been canceled. This episode set up a lot for the future, with Rossum getting more power. And I think the combo of Topher and Bennett (with some inspiration of Alpha) will lead to the mind wiping future.
I normally don’t read comics, but if he decides to continue Dollhouse in the form, I will definitely pick it up.
Dollhouse belongs to Fox. I recently read that Whedon does not want to do more work on their franchise. He was being polite, in fact–he did say it wasn’t “just Fox”.
Just watched this ep… With the senator now in place, it really seems like the stage is set for the lead-up to Epitaph One, with the technology for remote imprinting looking closer to being realized and the political climate being set for it to fall into far too many hands. Here comes the apocalypse!..
And of course, just as these intriguing events are turning, the show gets canceled. BLARGH!
I apologize for being almost a year late to this. The season 2 DVDs just recently came out. I really love these two episodes. I think I’m in love with River^h^h^h^h^hBennett. She and Topher were also just perfect for each other. Victor as Topher just cracked me up. I’m also amused by the not-so-subtle Bush reference.