I have long considered this to be one of the most hilarious lines in cinema history. Not just because his paintings are awful, but because it’s just such a ridiculous thing to say.
I also laugh when Deb gets hit by the car. Bwahahahahah.
Chewbacca can understand and speak the standard language, but he doesn’t like to speak it because his vocal equipment gives him some kind of serious speech impediment. That’s the explanation I read somewhere or another…makes sense, I have a friend who can speak Spanish but doesn’t because she can’t roll her Rs, which is a fairly noticeable speech impediment in Spanish.
The whole movie was filled with dumb stunts. For instance, one guy shoots and kills 3 cops in a police station, no less, and then casually strolls out. No cop comes to investigate the gunshots and nobody tries to stop him from walking out.
Then there’s the finale where our hero chases a jet (he’s on foot) down the runway and manages to grab hold of a wing as it is taking off with the bad guys. So, there he is, hanging off the wing as the jet climbs over New York harbor. What will he do now (we wondered)? Well, he just took a grenade out of his pocket and lobbed it into the engine. Gee, won’t he die when the plane blows up? Not in this movie. Oh no, he just drops harmlessly about 1,500 feet down into the harbor. Next scene has him swimming ashore at LaGuardia Airport to reunite with his buddy. And he’s not even out of breath after this ten mile swim.
My husband and I were rolling in the aisle by the end of this flick. Didn’t anybody watch this movie before they released it?
A couple of years later, a coworker of ours said he had rented a video the night before and couldn’t decide if it was a really good movie or a really bad one. You guessed it…Shakedown. His comment was a perfect description for this movie experience.
I highly recommend you rent this video and view it with your most sarcastic friends. A good time will be had by all.
Godfather III. I had serious problems with Mike accepting Vincent to be his side kick, partner and protege out of nowhere. Especially when Mike is trying to distance himself from the violence of the Mafia and become completely legit. In the trilogy Mike is the guy who is level-headed and doesn’t rush into bonehead plays. Why he would grab a guy, who is a typical hood, and make him a Don in a month is the hook I didn’t bite at the film’s beginning.
I was pleasantly surprised to find this video on the public library’s shelves. I’m a big Fritz Lang fan and have a tremendous respect for him as a film maker. I got the video home, popped in the VCR and sat down eagerly expecting a cinematic treat. Edward G. Robinson, playing a shy, quiet man, gets romantically involved with an exciting but mysterious woman. Before he knows it, he is drawn into intrigue and is running from the police, accused of a murder he did not commit. He flees to his paramour’s home, sits in an overstuffed chair, nods off to sleep and … and… HE WAKES UP AND IT WAS ALL A DREAM!!! AAAAAAAAAAAAAAAAAAAGGGGGGGGGGGGHHHHHHHHHHHHHHH!!!
I was so pissed off I threw a can of diet Coke at the TV before I realized what I was doing. (Fortunately it was almost empty.) This particular dumb stunt got to me because, as I said, I have a great respect for Fritz Lang as a director. If he’d never made anything but Metropolis and M he would still be one of the most important directors in film history. For someone of his brilliance to have pulled a cheap trick like that – ! Sometimes I can get royally pissed just thinking about it.
I was pleasantly surprised to find this video on the public library’s shelves. I’m a big Fritz Lang fan and have a tremendous respect for him as a film maker. I got the video home, popped in the VCR and sat down eagerly expecting a cinematic treat. Edward G. Robinson, playing a shy, quiet man, gets romantically involved with an exciting but mysterious woman. Before he knows it, he is drawn into intrigue and is running from the police, accused of a murder he did not commit. He flees to his paramour’s home, sits in an overstuffed chair, nods off to sleep and … and… HE WAKES UP AND IT WAS ALL A DREAM!!! AAAAAAAAAAAAAAAAAAAGGGGGGGGGGGGHHHHHHHHHHHHHHH!!!
I was so pissed off I threw a can of diet Coke at the TV before I realized what I was doing. (Fortunately it was almost empty.) This particular dumb stunt got to me because, as I said, I have a great respect for Fritz Lang as a director. If he’d never made anything but Metropolis and M he would still be one of the most important directors in film history. For someone of his brilliance to have pulled a cheap trick like that – ! Sometimes I can get royally pissed just thinking about it.
Thank you. As for me, in the The Mummy (the new version, and yes, I know…), the opening shot is the Pyramids, followed by a pan to the temple of Karnak and a narrator: “Thebes, city of the living.” THE PYRAMIDS AREN’T IN THEBES!
Ok - I know in the book multiple people (8?) made the trip - therefore it was (less) likely to be a trick/hallucination; but I REALLY wish the movie would have left it up to the viewers to decide what happened, instead of referring to the hours of of empty (video? audio) tape.
I disagree. I think in III Michael finally committed to going legit, but, as such, he needed to connect with somebody to run the old family – he wasn’t going to let it devolve into chaos, and he sure wasn’t going to let that prick Joey Zasa turn the old neighborhood into a haven for junkies.
And anyway, I don’t think Michael is particularly level-headed, he’s just calculating. But he’s often done imprudent things to people who he sees as harming his family, even poor dumb Freido.
There are probably so many things we could mention here, but the one that I’m thinking of now is the episode Court Martial, where the big guy was on trial for culpable negligence in the death of a subordinate. At one point, to prove that the supposedly dead officer is actually still alive and aboard, they use a sound amplification device that amplifies the sound of everyone’s heartbeat to the level of…1 to the 4th power! Hey, I sucked at math big time, but even I know that’s exactly equal to one!
Here’s one: the premise behind the movie Double Jeopardy. A woman is found guilty of murdering her husband. She is eventually paroled and finds out that her husband was not killed at all and, in fact, had framed her for the crime. So she goes after him under the looney belief that if she kills him, it isn’t murder because it would be the same crime she was convicted of earlier.
WRONG!!! That’s NOT what “double jeopardy” means. It means that she cannot be tried again for the ORIGINAL attempt. If she kills her husband THIS time, it’s a brand-new crime and she most certainly CAN be tried and convicted of it.
The presmise was so stupid, I never even saw the damned movie. What a waste of talented actors (Tommy Lee Jones and Ashley Judd).
[QUOTE]
*Originally posted by jab1 *
**It means that she cannot be tried again for the ORIGINAL attempt.**Whoops! She CAN be tried again if new evidence turns up that can show she was actually innocent. (The fact that her husband is still alive would certainly qualify!)
I’ve played the games, read the books, and a parsec is a measure of distance. The Kessel run is littered with black holes that threaten to pull you out of hyperspace and kill you. The faster one’s ship is, the closer you can get to the holes without being pulled in. Going straight through would obviously get you killed in anything but the fastest ship, so the shorter the distance, the faster your ship has to be to make it through and leave the authorities in your spacedust.
Oh, and Han can speak Wookie, but it sounds really dumb, so he lets Chewbacca speak it for him. And Wookies are physically incapable of speaking Standard, their vocal chords don’t allow it.
Air Force One, when that plane “took a bullet” for Air Force One, I just about walked out of the theater, staying only because I knew the TRUE end was near. Man, those were terrible effects and a preposterous scene.
I liked the ending. It was about his insecurities with her sexual experience/his lack of, and I would say his insecurities about not being a part of a single sex that gives him a place in life. I think a lot of men struggle with that, now that women do pretty much everything men do, and yet have the extra role of creating, carrying, nurturing children. Men just sport around sperm, and in a way, are not needed to continue the human race when cloning and all that shit come about. (right?)
So if this man can’t be a part of specific gender that she finds attractive/loveing, he has really not a whole lot of identity. He is who he is, but I’m sure it’s important to be a part of something in general. I myself am a mutt, so St. Patrick’s Day has no special meaning, nor does black history month. I know there’s only one “me” but I think people also need to be a part of something.
Him sleeping with a man as well would even things out, it would give him experience and show her that men can be seen as “attractive” too by other men. I know this sounds silly, but it may, sort of, make him feel… sexy? AS A MAN. Men are not usually considered THE symbol of sex of the two.
OK, bring on the criticism! I can take it! I know that this might very well be an unlikely idea of the movie that’s way over analyzed and made up. However when Kevin Smith was promoting the film, he DID mention some of these things. I am also learning about this SAME EXACT THING in Sociology. The SAME THING, in fact, I just had to work on a group paper containing the same things I mentioned.
I actually think you might just have a good point. I know at least 2 men exactly like that. It may not be what Kevin Smith was thinking… but nice theory!
I don’t think people will make fun of you. It may be hard for some to understand, that’s all.