Everyone gets this wrong

I thought that the Grail acquired the powers only after being used to catch Jesus’ blood as he was hanging from the cross? So it was not magical during the Last Supper.

29 posts were merged into an existing topic: Time Travel in fiction

I hate to step on a cherished memory, but I think it was Sam Sheepdog. It’s not unknown for cartoon characters to go through some minor changes early on, before they settle in to their established forms, so maybe he was Frank at some point. The joke was lampshaded once on Newsradio.

As to The Coyote, there may be some reference to his name that we haven’t discovered yet. Was he ever shown standing by his mailbox waiting for a package from Acme? I know that sort of gag was used in other WB cartoons. What name is in the mailbox?

Why do people assume the name is Wile E Coyote and not Wiley Coyote?

I always wondered a) where the computer was getting the diagrams and data it was displaying on the monitor, and b) how Scotty learned how to use the mouse to get that information so quickly after having not known how to use it at all.

What’s this in reference to?

Thank you. Now I want to get similar business cards.

Here you go…

This thread reminded me of a horror comic I read years ago. It was an EC horror knockoff made by DC or Charleston, really low budget. Anyway, it followed the trope of “Down on his luck guy discovers some kind of life hack, uses it to gain riches, then loses it all in an ironic twist.”

I only remember it took place in Russia, and a gambler named Sergei discovered he had the uncanny ability to fill an inside straight at poker. He’d be in a game of Draw, have 4 of the cards, ask for 1 card, and manage to get the straight and win the round. The dialogue went something like this:

Sergei: Give me… one card!
Poker player 1: So, you wish to fill an inside straight do you?
Poker player 2: Sergei, if you accomplish this, you will win all the wagers!

Next panel: Sergei stands and flamboyantly fans his cards out on the tabletop.
Sergei: Behold… a STRAIGHT!
Poker player 1: He’s done it. Sergei is now the champion!

A player asking for one card isn’t always looking to fill an inside straight. He could have been dealt two pair and wanted to get a Full House. He could have been dealt 4 of a suit and wanted to get a 5th for a Flush.

How does Poker player 2 know Sergei’s straight will beat all the other hands? Somebody else could have a higher hand. It’s not like anybody is required to continue playing and adding to the pot if they think Sergei got the straight.

Plus, if Sergei always manages to fill a straight, he’s going to be suspected of cheating and not allowed to play, and possibly get his legs broken in the process.

Ah, the “Somewhere in Time” pocket watch paradox.

Maybe not established on-screen in the cartoons, but canon now.

I have no idea. I don’t think the movie suggested this.

Here is the script. I guess that is the emphasis in it.

This is a common problem with lots of shows/movies. I’m rewatching Buffy the Vampire Slayer, and in it, it’s made very clear that Christian crosses and holy water work against vampires, which kind of suggests that Christianity is correct. But then they have Willow, who is (at least early in the series) quite Jewish, and then, later, Wiccan. And no one ever seems to address this issue.

Fellahs! It should be Dew E. Finn, Super Genius.

I believe this was definitively addressed in The Fearless Vampire Killers.

That’s pretty much what I’m planning. Except on the back, it’s going to say
Dewey Finn
Complete Doofus
Still willing to travel but no promises

Frodo Baggins
Have ring will travel.

Jaws.

(What, everyone doesn’t immediately know who Hooper and Ben Gardner are?)

I think it’s much simpler than that. After Vizzini switches cups, they both raise their cups to drink. Watch closely; Vizzini waits for the Man in Black to start drinking first. MiB wouldn’t knowingly drink from the poisoned cup, but having sneakily switched them, that’s Vizzini’s clue that the cup he’s now holding is safe to drink from.

Remember, Indy never had a normal relationship with his father. Everything was filtered through Henry’s work. Indy’s whole career is motivated in part by trying to live up to his father’s expectations.

After he rescues him from the Nazis, they begin to connect on an actual human, father/son level for the first time ever.

So Indy makes the decision to save his father, who he finally realizes he actually wants to have a relationship with. It might not be the rational decision, but it’s a very human one.