This probably doesn’t qualify as obscure Pop/Rock, more like really obscure Folk/Weird, but my all time favorite, play at my funeral song is A Very Cellular Song by The Incredible String Band.
amoebas are very small…
“Electric Sailor” by Kak
“Fresh as a Daisy” by Emitt Rhodes
“Hush Hush” by the Siegel-Schwall Band
“Kings and Queens” by Renaissance (no, not that Renaissance. The other one.)
“21st Century Schizoid Man” by King Crimson
“Birdman” by Macdonald and Giles
“The Hedgehog Song” by the Incredible String Band (since koeeoaddi mentioned them.
Any song by the Bonzo Dog Band
“Licks Off of Records” by Martin Mull
“Mabel” by Procol Harum
“Mother’s Lament” by Cream
“Hey Bulldog” by the Beatles
“Apeman” by the Kinks
“Lather” by the Jefferson Airplane
“In a Broken Dream” by Python Lee Jackson, with guest vocalist Rod Stewart
“Whammer Jammer” by the J. Geils Band
“Hey, St. Peter” by Flash and the Pan (actually, anything by them, especially, “Make Your Own Cross,” “Media Man,” “Atlantis Calling,” “Captain Beware,” and “Welcome to the Universe.”)
“Song for America”: Kansas–their absolute best tune, released two albums before Leftoverture and went nowhere on the charts, and only Wheatheads know it.
“Unhappy Birthday” : The Smiths–kind of dark
“Flood”: Jars of Clay
My “Sleeping Bag” 's on Fire: Beck–Hard not to bust out laughing after even the 500th play. What makes it worse is that it rhymes.
“Besame Mucho:” The Beatles
Steely Dan: “Dirty Work”–the story of my younger sister’s life; very sad “King of the World,” “Rose Darling” and “Don’t Take me Alive”
Supertramp: “Crime of the Century” and “Another Man’s Woman”
Queen: “Sail Away Sweet Sister,” Theme to “Flash Gordon” and “The Wedding March,” a very tender screaming electric guitar solo
Since I mention Blues Traveler…“Whoops” comes to mind. Far too long for radio play, too many transitions for general consumption. Intricate and beautiful.
I really should hate this song, based on the way it sounds on a first listen – it’s straight-forward, meat-and-potatoes rock 'n roll, which ordinarily bores me to tears.
The things is, the lyrics are a brilliant, almost Joycean, paen to hermetic philosophy, which, if you’ve ever been around me when I’ve got a skinful of beer (or something else that starts life on amber waves of grain,) you’ll know is something that gets me pretty damned excited.
The very definition of obscure, perfectly camouflaged by simple power-chords.
And they get extra points for being from West Virginia.
In 1978 I heard the song on a local album rock station, but didn’t catch the name or artist.
In 1979 I caught the last half of the song on tape on an NBC Radio Network fill feed, so at least I had a piece of the song, even though I had no idea who or what is was.
1998, I posted on another message board some of the lyrics, and a poster came up with the answer, so I went out and found the album on CD.
20 years trying to find the song…and it’s a good one.
And Kansas has released at least 8 compilation albums featuring this tune :smack: : a (LIVE) album", two versions of their Greatest Hits, a boxed set, that London Symphony Orchestra collaboration and two other compilation albums released this year.
Weak explanation: some fans who will purchase every release in a band’s catalog containing all-new material but who aren’t quite completists will not purchase compilations, even those containing a couple of new (and oftentimes forgettable) songs. Ergo, Kansas compilations weren’t part of my consideration set.
Well, before they scored a few hits like “Spy in the House of Love” and “Walk the Dinosaur” (and before Don Was became a highly successful producer), Was (Not Was) put out a brilliantly eclectic album called “Born to Laugh at Tornadoes.” It featured a host of unexpected guest vocalists (from Mitch Ryder to Mel Torme to Ozzy Osbourne to Dougie Fieger of the Knack), playing every imaginable rock/pop genre.
Most people I know have never heard of the album… so I’d dsay every song on it qualifies as a favorite obscure song.