Films/shows with truly alien aliens (open spoilers)

In most film/TV sci-fi, aliens are often stand-ins for humans with one trait or culture amplified. If we were to actually encounter aliens, it’s extremely unlikely they’re going to be bipedal humanoids that more or less think like us, where communication and interaction is relatively easy. But this view of aliens dominates aliens in our popular media, both because it makes portraying them more practical (just a human in some prosthetics) and because it makes storytelling easier.

Instead, it’s likely that they’ve been subjected to a totally different environment, with a different evolutionary path. They may look entirely differently from us, perceive reality differently from us, and think differently from us, in a way that we may not even have imagined.

Attempts to describe legitimately alien aliens are much more common in sci fi novels than in film/tv, so I decided not to include them here. Instead, I’m interested in finding examples of alien aliens in film/tv.

Spoilers will be open since it’s a lot easier, but I would like to try to have one rule: state the name of the film/show up front before you describe it, that way if anyone is planning on seeing that movie, they can avoid that section.

Here goes are a few off the top of my head.

Annihilation.
The entity seems to learn by using some sort of indistinguishable-from-magic force that changes and combines all living things near it. Not only are animal and plant life hybridized and altered in bizarre ways, but traits that aren’t simple biology are mixed up too. A tattoo moves around several people. Her husband picks up and speaks with the accent of one of his team members.

It’s never clear what the entity’s purpose is, or if it even has a purpose. It’s unclear if it’s malicious or even aware of what it’s doing.

Under the skin.
This movie is essentially told from the perspective of an alien alien. We observe it being created, or born, or changed to pass for human. The opening sequence sees it biologically developing and doing vocal exercises to seemingly calibrate itself to use its vocal cords. It’s unclear if it’s a normal alien (normal for their race) that is essentially wearing a human suit to help its infiltration, or if it was a purpose-created fake human that awoke with innate programming to serve its purpose.

We’re never told what their goal is, just that they see that they target people who probably won’t be noticed too much if they’re gone for the apparent purpose of harvesting them in some way. We never see them communicate (or rather, the scenes that feature communication are very alien), it’s never narrated what they’re doing, and you can only infer their motivations or goals. I know it’s based on a novel, and the novel goes into a lot more detail, but from what I gather it’s very loosely adapted from the novel and more or less stands on its own. The explanation in the novel seems a bit on the mundane side, so I prefer the mystery of the film.
Arrival
Not as inscrutable as the other aliens on this list, because we can see their intentions. They want to communicate with us and they’ve prepared for it and are doing their best. But the movie focuses on the barriers that we’d face if we tried to communicate with alien aliens. The big sci-fi idea in this one is that the aliens in this case perceive time differently than we do, and their writing system and method of communication reflect that. The leap is ultimately made by one human transcending their limitations and being able to perceive how they perceive.

Of Course there was the Horta from the Star Trek episode The Devil in the Dark.

2001 Space Odyssey, Solaris*, possibly Stalker**.

Solaris: If I remember right, it’s about the crew of a ship approaching a planet and something that resides there being aware of and messing with them.

Stalker: A zone that was visited by extraterrestrials gets all weird as a result.
Sunshine too with that third act but let’s not think about that further.
Aliens often symbolically represent something; They’re a plausible version of the ancient gods and spirits of mythology. Are there differences between the humanoid aliens and the non-humanoid aliens in terms of what they tend to symbolize?
*Solaris (1972 film) - Wikipedia
** Stalker (1979 film) - Wikipedia

I like (and would like to see more of) the Benzians on The Orville.
For movies, the first one that comes to mind is The Thing.

Star Trek (TOS) “Catspaw” – Korob and Sylvia are beings from another galaxy, and at the end are revealed to be nothing at all like a humanoid shape. It’s about as alien as the Original Series got (The “Medusan” from Is There in Truth on Beauty were clearly non-humanoid, as well. But we didn’t get to see what one looked like. Probably just as well, or we’d have gone mad, apparently.)

Babylon Five – N’grath and the other Gaim are large, intelligent insectoids, represented on the show by puppets. Giant Highly Intelligent Insect Aliens are common in literary science fiction, but rare in visual SF. (Another example are the SElenites in First Men in the Moon, animasted by Ray Harryhausen.)

The Whisperer in Darkness – H.P. Lovecraft’s crab-like Fungi from Yuggoth are t least mentioned in several LOvecraft works, but they’re center stage in the 2011 film adaptation done by the Lovecraft Historical Society. Instead of puppets, they’re respresented by stop-motion animated creatures, ecept for a few full-size porops.

The War of the Worlds – George Pal didn’t give us G.G. Wells’ slug-like octopoid tentacle Martians, but at least we got extremely non-human things with tri-lobed eyes.

The Puppet Masters – The 1994 adaptation of Heinlein’s novel is alternately great and terrible, but their depiction of the invading “Puppet Masters”, while not fitting Heinlein’s description, are convincingly real. And done without any CGI.

Invasion of the Body Snatchers – having mentioned Puppet Masters, I have to bring in the Body Snatchers, in their many film incarnations. I think of them as humanoid, since they really are played by people, and the original plant forms are only there are a sort of source of “infection”. You could say the same about several Zombie films, too. But then, you could argue that Puppet Masters do the same thing. But at least they had a separate, non-human existence, which they could revert to at will.

The Outer Limits, although generally using bipedal, at least mostly humanoid aliens, still managed a few non-human ones.

ETA: I don’t know how I forgot The Thing.

Behold, Eck! From The Outer Limits

Am I remembering the original “The Thing” correctly in that it was a plant like pod like thing?
On review, nope, I’m thinking of some other 1950s black and white movie.

MiB, the scene from space-customs,

ETA, also from MiB, the giving birth in the car scene, bouncing baby squid

It’s arguable whether they are really aliens or just objects, but the Monolith Monsters were certainly very nonhuman.

Are you thinking of The Triffids?

The aliens in the three original Quatermass series:

  1. A creature that absorbs the bodies and incorporates elements of whatever living beings it touches–men, cactuses. It ends up as a prickly octopus, spider thing retaining some humanity from the unfortunate astronauts who first encountered it.

  2. Little methane-breathers who land on Earth in football-sized pods, take over people’s minds so they can build factories to create a hospitable environment to grow into larger beings (which look kind of like floppy carpets when glimpsed through the methane mists), and subject non-possessed, human factory workers to light jazz during the night shift.

  3. My favorites–the giant, tripodal, fascist grasshoppers from Mars. Since they had a part in diverting our development from apes into humans, their motives are at least comprehensible and they seem almost cousinly when compared to the aliens in Q1 and Q2.

I doubt it’s a spoiler to say that the EDGE OF TOMORROW/LIVE-DIE-REPEAT aliens aren’t at all humanoid, and that we never really find out why they came here, and that their battle tactics are built around — well, burrowing through the ground the way mankind doesn’t, sure; but, also, around a whole time-travel strategy.

No, the one scene that I remember is of the scientist walking down a narrow hallway, then into a lab with a bunch of the plants growing in starter trays. They had these roughly bell pepper sized pods that pulsated, then the scene switches to someone being chased down the hall by a mature version of the plant pod. It was released in the 50s, in black and white not color.
Huh! Whaddaya know, I watched the original movie version of “Invasion of The Body Snatchers” as a kid. I’m pretty sure that’s the movie I’m thinking of.

The creature in the oroiginal The Thing was plant based, but it was portrayed by James Arness with some prosthetics. There is a scene where a scientist is growing more of the alien in a bunch of trays in his lab, and the movie ends with the creature being lured into an electrified trap in a hallway, so that might still be the movie you’re thinking of.

In The Thing from Another World (1951) the alien was humanoid-shaped. Analysis of its cells showed that it was an advanced form of plant life. It tried to grow seedlings to reproduce itself using blood from its victims, and one of the scientists also grew some seedlings using blood plasma. I don’t think it counts as a truly alien alien, since as an adult it was a bipedal humanoid and any alien aspects of its mentality weren’t shown.

In The Thing (1982) I don’t think the alien’s true form was ever seen, since as in the original story Who Goes There? it was a shape shifter. That one counts as an alien alien.

There’s also the little blob crew member voiced by Norm MacDonald.

The British have a thing about grotesque aliens. All the beasties in the 1950s “Quatermass” episodes are pretty non-human.

It’s not clear what the alien things in The Quatermass Xperiment/ The Creeping Unknown look like originally, but after interacting with and absorbing human, cactus, and random other life forms, it looks like a real mess.

The Puppet Master-like things in Quatermass II/ Enemy from Space originally look like sort of black starfish, but at the end, the amalgamated THing in the Dome looks like a sort of blobby mess.

At least the Nartians in Quatermass and the Pit/ Five Million Years to Earth don’t look like blobs – they’re definitely insect-like.
Another TV serial-turned-movie, The Trollenberg Teror / The Crawling Eye look like one-eyed really cold octopedes.

One of my objections to most of these is that, for extremely non-human-looking aliens, it’s kinda hard to them manipulating and controlling even simple technology, let alone a space ship. What the hell kind of civilization did The Thing have, for instance? Did the Quatermass things in Quatermass II only live through host bodies? Big insects, of course, ought to have serious problems withy the square-cube law, but they’re easy to imagine, so they keep getting done.
I agree, by the way, that The Monolith Monsters aren’t human, but I submit that they aren’t really “alien” beings, either. They’re more of an undesirable chemical reaction run amok.

Ender’s Game

Who says it has a civilization?

I feel like gross monsters are only barely addressing the OP. If humans are a 0/10 on the alien scale, and rummer-masked humanoids on Star Trek are a 1/10, then giant insects or whatever are still only a 2-3.

One question I think about regarding aliens is: where does it live? I don’t mean the physical location in space–I mean questions like is physical location even a meaningful concept here?

In movies like *Annihilation *and Solaris, it’s not obvious that the aliens have any perception of the physical world that matches our own. They can affect it, surely, but it seems that these are side effects to some inscrutable behavior of their own.

Humans live in a very small slice of the universe: we exist only at the 1-meter scale, even though there are interesting things at dozens of orders of magnitude (up or down); we perceive a thin sliver of the electromagnetic spectrum (and almost nothing else, like neutrinos or gravitational waves); a short range of timescales; 3+1 dimensions; etc.

And even that hardly covers the possible range of aliens, because it assumes we’re all living in the same physical universe. But take *Solaris *for instance–a sorta sentient ocean that can communicate with other sentient beings. Maybe it’s a self-contained universe; a computational substrate that runs a universe of its own, with completely different rules. The minds living in it can occasionally perceive subtle outside influences, but these things are as alien to them as they are to us.

*The Thing *isn’t a bad example, despite it taking over recognizable hosts. Its universe seems to be one of biology, as it can move from host to host with no real effort. It probably has no recognition of the damage it causes, because as far as it’s concerned it’s just walking around the landscape. It would be like if we were told that subtle interactions between vortices in the air were actually intelligent beings, and that simply *breathing *killed or wounded them. There’s nothing we could do about it.

So far, I think Annihilation, Solaris, Stalker, and The Thing are the best examples of actually alien aliens. The rest are too physical and have too obvious motives. Though I agree with the OP that *Arrival *earns a runner up.