Hey Kids! Jack Chick Comix! #1 in a series: Collect them all! - "Wordless Gospel"

Chick Thread #1 - Wordless Gospel

As I mentioned in another post, my best friend, as a gag gift, gave me a box of 150 or so Chick Tracts (including some out-of-print ones and some foreign ones (which are truly bizarre). I’m gonna do posts on 'em until I get bored.

The first one I wanna deal with is something called The Silent Gospel: it’s a wordless picture book for the backward savages (judging by the artwork) of New Guinea.

I can just see a plane loaded with these, dropping 'em all over the island. It’s so poorly done that without a knowledge of Christianity, the story becomes bizarre gibberish. (not that knowledge of Christianity helps, really)

Let’s pretend that we are the backward savages of New Guinea who’ve never heard of Christ and see how we interpret the Wordless Gospel

The cover shows a bunch of tie-wearing natives peeking through bamboo(?) at a figure in the distance. They’re armed and dangerous and not gonna take it any more!

Page 1: The backwards savages of New Guinea (who, inexplicably wear skirts and ties, but no shirts) capture a noble white man (who also wears no shirt. I also feel compelled to point out that no-one has nipples. This is significant. I’m sure of it.) They force him at arrowpoint into the village.

Page 2: The local shaman (he wears a beret along with a tie and skirt) has his hands in a “siddown” position, while his though/word balloon shows a picture of two slope-browed savages with arrows.) In the next panel, Our White Hero in his thought/word balloon tells the locals to kneel.

Page 3: They do. Our White Hero starts talking and begins to tell his story: On a cloud, or maybe a rock cliff. Or a large sheep. But on something stands The Man In A Dress. Next to The Man In A Dress is Glowing No-Face-Guy. Take a manikin, erase all features, but leave it humanoid and put a 40-watt bulb inside. He stands next to DressMan throughout, but does nothing but remains on the back of the sheep next to DressMan. There’s also, if you look REAAAAALLLLL close a tiny white bird, perhaps a dove, maybe a chicken flying around. These three will be our main focus.

**Page 4: ** DressMan throws some stars, a sun and a crescent moon off the back of the sheep. (Why a crescent moon? There’s nothing to eclipse it. It’s bigger than the damned sun!). Then he throws a tree into a desert. It becomes obvious that the sheep is, in fact a cloud.

Page 5: DressMan throws a human off the cloud and into the desert so hard that the poor guy is actually buried in the sand up to his waist! Fear DressMan, GlowGuy and the Bird for they are vengeful and angry! After digging himself out of the sand, the guy reaches up to DressMan, wanting go return to the back of the cloud. DressMan reaches down, apparently sorry for throwing the guy off. (Note that the guy is a savage New Guinean while DressMan is Caucasian. This is relevant too, somehow).

Page 6: DressMan, GlowGuy and the Bird watch as the guy sees SmokeMan, who’s just appeared (he’s sort of like GlowGuy, only instead of having a 40-watt bulb inside, he’s got thick black smoke. And he either has horns or Spock ears. SmokeMan holds out his arms as if to say “I’d never throw you off a cloud. C’mere and let me give you a hug.” The guy runs to SmokeMan, and now, of course, DressMan and GlowGuy are upset and on their knees (but still on the cloud).

Page 7: Our hero “salaams” in front of SmokeGuy. DressMan and GlowGuy are pissed. Images of our hero protecting himself from others (stabbing them with spears and suchlike) all revolving around SmokeGuy fill his head.

Page 8: Our hero, who’s grown a beard, cuts his wrists and lets SHOCKING RED BLOOD into a bowl which he offers (on his knees, yet) to DressMan, GlowGuy and the Bird as SmokeGuy laughs. Apparently even this isn’t enough as DressMan holds out his hand looking for all the world like a white Diana Ross impersonator doing “Stop! In the Name of Love!”. Will nothing satisfy DressMan? SmokeGuy gives hugs, but nothing, not even blood can appease DressMan!

Page 9: GlowGuy finally does something. He tells DressMan to jump off the cloud and land on top of a woman who’s prostrating herself. He does (The Bird goes with him).

Page 10: There’s a tremendous explosion around the woman. In the next panel, her top half is a woman holding a baby, but mermaid-like, her bottom half is an arrow in front of a kid and DressMan. This is surreal.

Page 11: SmokeGuy tells a bunch of natives to put DressMan on a big wooden + sign. They do and he bleeds rivers of SHOCKING RED BLOOD all over. SmokeGuy laughs. He’s so perky! Much more fun to be with than DressMan.

Page 12: They carry the now-sleeping DressMan to a cave (Hey, slitting his wrists didn’t kill the guy who offered a bowl of blood to DressMan and GlowGuy, so you have to assume he’s sleeping.) But, “Cask of Amontillado”-like, they toss him into a cave and roll a boulder in front of the opening. This strikes me as being a remarkably good idea. Sneer at us from clouds, will he?

Page 13: DressMan has, for some reason, set himself on fire and with the desperate strength that comes from being burned alive, shoves the rock aside and GlowGuy brings him back to the Cloud.

Page 14: SmokeGuy shakes his fist at GlowGuy and DressMan. The story stops as the White Guy (remember him? Wearing shorts, no nipples? Captured back on page 1?) holds up his hands up and pints at both SmokeGuy and DressMan. He’s indicating to the tie-wearing natives that they have a choice: SmokeGuy, holding out his arms to give them big hugs, or DressMan nailed to the big +, looking pissed. The tie-wearing savages point straight up.

Page 15: Unfortunately, the picture of DressMan on the + was right above where they were pointing and now White Guy’s word balloon is raining a deluge of SHOCKING RED BLOOD all over them so hard they’re driven to their knees! White guy kneels with the savages and they smile at each other. Nothing like shared hardship to bring diverse cultures together, eh?

Page 16: White Guy leaves. The tie-wearing savages kneel and get another shower of SHOCKING RED BLOOD all over them from DressMan. Is this gonna happen every time we bend over? But wait! Behind all the SHOCKING RED BLOOD is a non-tie-wearing savage pointing an arrow at them!

Page 17: The tie-wearing tribe is murdered. THIS is the consequence of getting bled upon by DressMan??? In the next panel, a duplicate set of bodies sit up (while the original set lays there looking like a shish-kabob party gone horribly wrong…but not bleeding).

Page 18: The White Guy has grown wings and flies the duplicate dead tie-wearing savages up to the Cloud where they can be with DressMan, GlowGuy and the Bird while their carcasses rot in the desert (wait…weren’t they in a jungle before? ARE there deserts in New Guinea? What’s going on? Has DressMan’s blood destroyed the lush rainforest?).

Page 19: All the duplicate dead people hug DressMan, who just stands there. He doesn’t hug back or anything. What an unfeeling jerk! GlowGuy and the Bird stay aloof. Back on Earth, the rainforest is back and non-tie wearing savage shows the prowess with a bow that let him slaughter an entire village: he sees a boar and drops his bow.

Page 20: The boar charges. Non-tie wearing savage lays on the ground bleeding SHOCKING RED BLOOD and the winged version of White Guy creates a duplicate of Non-tie-wearing savage for SmokeMan.

Page 21: Winged White Guy flies the doppelganger down to a firepit and throws non-tie-wearing savage in. Someone already in the pit gives a wave of “Hello!”. It’s already proving to be a friendlier place than the back of the Cloud!

Page 22: A giant SmokeGuy has a huge grin and is holding his arms out for all of us to come to him to get a big hug. Meanwhile, a grim DressMan holds out his hands down and to the sides, palm out as if to say “I’m broke! See? No money!”. The murdered tie-wearing savages stand behind him in the same position. They’re broke too.

Join SmokeGuy for hugs or be with GlowGuy, DressMan and the Bird, unemployed…in Cloudland.

I think the choice is clear.


:: shakes head ::

How in the world is this supposed to convince someone to convert. It’s scary, cryptic and very, very unfriendly. I’d ask “What the hell is Chick thinking?” but I’m afraid I know the answer.

Fenris

Oops: Typo. It’s Wordless Gospel, not The Silent Gospel. I thought I’d caught all of those.

Sounds fascinating, Fenris, do please keeping posting descriptions. I find Chick tracts to have the same repellant attraction as a car accident. You know you shouldn’t look, you know it’s wrong to look…but you look.

I take it that Dressman is supposed to be Jesus, and Glowguy is supposed to God. Smoky is obviously Satan, but what the hell is the chicken? Is there a holy chicken in Chick’s Trinity?

Also, is the tract as patently racist as it sounds?

BTW, I’d love to see a “wordless” tract on homosexuality. He would actually have to depict some man-on-man action to get the point across wouldn’t he?

I suggest we make Fenris “Most High Pope of the Church of the Silent Glowguy.”

Services are Sundays at 9 and 11 a.m. with ritual sacrifices and lots of SHOCKING RED BLOOD.

Coffee and cookies to follow in the basement.

“The Wordless Gospel”.

How unintentionally ironic.

Is it available online?

After reading your description again, I can’t see how the “savages” would want anything at all to do with that asshole in the dress or that glowy guy, but maybe they would want to eat the chicken. Also maybe they would want the Smoky dude to teach them how to cut their wrists without dying. I truely would love to know where Jack Chick buys his grass, it’s pretty damn selfish of him to keep a connection to such kind shit away from the rest of us.

Ask and you shall receive.

Is it just me, or does the white guy look like Ronal Reagan?

That’s exactly how I feel about 'em. :slight_smile:

I thought that the bird (actually sort of a seagull) was supposed to be the Father and the GlowGuy was the Holy Spirit.

And, in all fairness, it’s not quite as racist as it sounds (my pal, who gave 'em to me, is looking at this tract right now and he doesn’t think they’re slope-browed). It’s not good though.

Fenris

My guess is the chicken is meant to represent the Holy Ghost/Spirit, which is sometimes depicted as a dove, if my blurrily distant memory of such things is accurate.

“Go, Colonel! Go, Colonel!”

I might note that I have been inspired to convert by the lovely description that Fenris has provided us. Now if only I could figure out what to convert to…

The SHOCKING RED METRIC SYSTEM, I’m thinking.

Wow, that’s a good 'un, Fenris. But after seeing Diogenes’s link, I see that you left out the very best part: the disembodied head of Ronald Reagan that provides the narrating thought balloons for the bulk of the story. It also, when necessary, provides emotional cues: when Our Hero turns to the warm, mesquite-y embrace of SmokeGuy, Ronnie sheds a single tear. This is to symbolize the joy he feels now that Our Hero has found the love and acceptance from SmokeGuy that he never got back home on the cloud. Or maybe SmokeGuy is just irritating his eyes and sinuses.

The scariest thing about it is learning that Ronnie Reagan will personally come to get the bad people.

::: validates Dijon Warlock’s interpretation – on the (possibly debatable) presumption that a Chick tract is using any standard Christian imagery :::

Hilarious description, Fenris! I’m not sure whether to laugh or cry – because it’s my faith that is being made a mockery of – not by Fenris; he’s just describing the booklet; but by Chick. :frowning: :mad: :frowning: :mad: :frowning: :mad:

Polycarp, I don’t feel like my faith is being mocked, so much as being mangled! I thought Fenris was just telling it badly, because it was incomprehensible, but the link shows it’s incomprehensible in the original. We’ve got thought bubbles within thought bubbles within thought bubbles - what a mess.

If I didn’t know that Jesus was crucified on a cross, I wouldn’t even be able to keep the characters straight.

Some ideas are not so simple that they can be conveyed by pictograms. What a maroon.

Fenris, you must never get bored with this, till you’ve shared all 150!

[QUOTE]
*Originally posted by Polycarp *
**

Nah. Your faith isn’t being mocked.

This drivel may use some of the same imagry, but it’s no more Christianity than say, the Aryan Nation types and their dreadful “serpent seed” doctrine* is Judaism, despite them swiping some of our source material.

Fenris

*“serpent seed doctrine”: God created Adam and Eve, both young Hitler Youth-esqe Aryans. But Eve boinked (or was raped by) the serpent and gave birth to “mud people” like Jews and blacks. It’s dumb, it’s racist and it’s inconsistant (fer instance: genetics aside, how’d the ‘mud people’ stay alive during the Flood?) : the triple threat. :rolleyes:

Huh. He did another version for Haiti: better artwork and a few notable changes.

  1. DressMan goes bowling with the planets and stars, rather than the casual way he tosses them in the New Guinea version.

  2. Cuddly SmokeMan has been changed to hideous snake-tounged demon-thing. Obviously the price of not paying a really good PR guy.

  3. He hints that DressMan has vaguely black features. To his credit, I might add.

  4. But DressMan is still a putz: after the human sacrifices a chicken (rather than cutting his wrists) and pleads for forgiveness, DressMan turns his back on the human in a really snotty pose.

  5. The whole virgin birth thing is still incomprehensible.

You can see the alternate version here

There’s also a version with captions (which, given that it’s the Wordless Gospel, seems pretty oxymoronic).

Fenris

PS: I disagree with ** Diogenes**: I think White Guy in the New Guinea version) looks more like a young Richard Nixon. Lookit the nose.

Wait, I thought we all knew that.

asterion: :smiley:

:That sounds like the biggest pile of Shocking Red Suckage that ever a Chick tract sucked.

That’s fucking hilarious. Even with knowledge of the Christian mythos I have no idea what that’s all about.