We are currently watching an episode a night. Gotten to early season 4.
The low bar for acting was set by Ed Marinaro in his early episodes.
For it’s time, it had a huge cast with a lot of stuff going on. I think this might have lead to corners being cut which affected the acting.
Take one of my favorites: Charles Haid/Renko.
Haid is the highlight of my favorite scene from one of my favorite movies: Altered States. The rant he gives when backed into a corner and ends up reciting his resume is classic. (NSFW language)
One of the weak points we noticed early on is the character of Fay, Frank’s ex.
She shows up at the wrong time, whines, annoys Frank, etc. And her subplot rarely connects to anything else. Seemed like a nearly pointless character with no real purpose.
Then I looked on IMDb. Oh … Bochco’s then-wife. So her scenes do have a purpose: get the missus on screen and throw some salary her way.
He also had his son on twice as Frank Jr. and his daughter on once.
Don’t make casting and story decisions based on family. (Ozzie and Harriet would have been much better if a real actress played Harriet.:))
Bochco cast her again in his next series, Hooperman, a comedy-drama police series starring John Ritter. Bosson played the precinct captain. It was a different character than she played in Hill Street Blues and, as I recall, she handled it well.
I always felt that was the purpose of the character; that sometimes your non-work life intrudes in seemingly non plot advancing ways in your work life. The opposite of the usual tv trope of work life intruding in the home life.
Don’t forget that she was also in Cop Rock. Wow, that was a real stinker of a show. I actually liked the first 1 or 2 episodes I saw, but the break-into-song routine grated after a while. If I want to watch a musical, I’ll watch something by Rogers & Hammerstein, thankyouverymuch.
I loved HSB back in the day! A great gritty cop drama with a terrific ensemble cast. It definitely got better as it went on.
My favorite is when Belker busts him for stealing some skiis. The detective rolls the arrest report into his battered old typewriter, glares at the perp and snarls, “Name?”
The perp says unconcernedly, “Killy, Jean-Claude.”
I have been known to mutter, when disgusted, “Judas Priest, Frank…”
I couldn’t begin to do the scene justice, but it’s on youtube, although someone cropped it (presumably to avoid detection for copyright infringement) and the scene suffers for it. Belker is undercover in a chicken costume trying to attract customers into a restaurant, and a mime has been mocking him all day.
I recently watched an episode, and I think it holds up well. In fact, I would call it one of the best shows ever. I was a young party animal back in the '80’s, yet I was always home on Thursday nights to watch that show.
Bear with Fay for a couple of seasons until they finally give her character something to do other than nag Frank. At some point Joyce encourages Frank to see things from Fay’s point of view, and his relationship with her gets a little more civil. Finally, Joyce and Fay will find a moment to bond.
That doesn’t mean I think either Veronica Hamel or Barbara Bosson was a great actor. The two most consistently good performance in the show were Travanti and James B. Sikking.
And anytime Barbara Babcock shows up, you’re in for a real treat!