I’ve thought of adding to this thread as things have developed, but it always seemed like attention whoring. So instead I’ll just update with a synopsis of the last few months. Which is still attention whoring, but it’s spread out a little . . .
Anyway.
So where were we? Our intrepid hero was cast out into the street, like a little matchgirl, clutching only what he could carry and leaning into the howling wind. Or something like that.
With the help of my friend Matt and his pickup, I salvaged a truckbed full of the most important things that were left, chief among which was my collection of over 200 neckties. These had been passed over by the cleaning locusts because they were in one of those red-lidded plastic boxes you can get at Home Depot for like five bucks, tucked away in my storage area in the basement of the building. This collection included such reminders of happier financial times as about a dozen Hermes ties, including one that I rashly paid more than $300 for and that I’ve seen on eBay for as much as $500, and several for which I paid more than $200.
Matt took everything but what I had on my back and in my bag to store at his place until I could figure out a plan, and I started sleeping at the video store. On the floor. Between Suspense and Martial Arts. A couple days into this one of my regular customers–a guy with whom I’d had a weekly conversation about movies for three years, and who complained to me about his divorce and introduced me to his fiancee and then his new wife, who also came to be a retail friend–he loves old westerns, she loves schlocky horror; very difficult to satisfy them both but we usually came up with something–anyway, I haven’t seen him in the store for a few weeks–Tahiti, don’t you know; Microsoft millionaire–and I eye-rollingly tell him what’s up: that I lost my apartment and I’m sleeping the store floor until I can get another couple paychecks under my belt and get a new place. He insists that I come and stay in his guest room. I refuse. He insists. I refuse. He reluctantly goes home.
Closing time, his wife pulls up in the parking lot. She comes in the store, insists that I’m coming to their place. I refuse. She sees my bag, picks it up, says she’ll wait for me in the car. I’m going to stay at their place. Awk. Ward. But, still. The floor again? These people are millionaires, both of them. They probably have a jacuzzi and a live in maid just for the guest room, right? So, I stay at their place that night. In the morning, we make coffee–she owns a local chain of gourmet coffeeshops–and have a nice little visit. The plan, I’m told, is I’m to stay in their guest room as long as I need. No arguments. Their guest room is actually a mother-in-law apartment in the basement: there are TWO guest rooms; a kitchen; a bathroom; and a separate entrance. So fine, that night I bring my bird from the store, where he’d been languishing in the back office, and move into their basement.
A couple weeks later, my boss tells us he’s closing his other store, throwing in the towel, and that staff–which has more seniority with him than the staff of my store–will be coming over here. My co-manager Eric will go to part time, and I will go. Whatever: you want to replace a team that works–our store is the flagship store, we have the best customer base and all of the new “creative” stuff comes out of our store: the newsletter, the monthly feature, etc.: all products of me and my comanager’s efforts. He’s going to replace us with the staff of a store that did NOT work: their store lost money and had to be closed. And they never had any featured sections, or anything beyond their permanent sections and new releases. Plus one of them drinks on the job, and the other one was horrified when she saw that I had photoshopped Queen Latifah into the cast of Lost. Whatever; you want it to be just like Blockbuster only more expensive, have at it. I extracted from my boss a promise that he would not erase the music I had on the computer–my home machine had crashed so I was holding 60 gigs of music on one of his computers–and I grabbed three years worth of evidence that I existed and went to my basement guest room and slept for a couple days.
Payday, I stop by my store for my final paycheck, cash it on the way to Best Buy, pick up a 500 gig drive, and head back to the store to retrieve my music. Which has all been wiped. Gone. Clean gone: all the CDs that I brought with my from Chicago ten years ago and subsequently ripped and sold; all the CDs I’d bought since I had been in Seattle, ripped, sold; all the music I’d bought from iTunes over the years; all the CDs I’d ripped from coworker exchanges and customer loans; all the music I’d downloaded illegally over the last couple years. Twenty years of music collecting, music that would easily cost $10,000 for me to replace (not counting the probably irreplaceable rarities): Gone. Gone gone gone gone gone. Defeated and deflated I go back to my basement room and sleep for a couple days.
So then I get up and really begin looking for a place in earnest: I don’t want to be a burden to my hosts for any longer than I have to. (They’re customers for cryssakes!) I answer a craigslist ad for the perfect place, at the perfect price, in the perfect location. “Your application has been accepted. Please to wire your deposit to Nigeria whereupon I will send you the lease and a keys via the FEDEX.” I find another perfect place. “Your application has been accepted. Please to wire your deposit to Nigeria whereupon I will send you the lease and a keys via the FEDEX.”
I begin looking for less-than-perfect places. I go to look at a studio that is just barely in my price range. There is graffiti on the walls. The windows are held together by crazy criss-crosses of duct tape. The entire carpet smells like cat pee. At least, I HOPE it’s cat pee. And the bathroom is down the hall. The community bathroom. Which is obviously a point of contention among the tenants: it’s apparently NO one’s turn to clean it this year. I retreat, defeated, deflated, and nap for another couple days.
I give myself to Monday find a place, or I get on the train and put myself, in a basket with a bow, on my sister’s doorstep. “Please to take in . . .”
I go to view an affordable apartment in the University District. Cleaner, but still with a community bathroom. W? T? F? I’m too old for this shit. I’m not sharing my bathroom with a bunch of strangers. No. I find another place, on the fringe of the U district, not quite as affordable, but it has a bathroom. Shared kitchen, but still. I can cook ramen in a rice cooker on the back of the toilet for now. Six month lease.
I call Matt, he comes to get me from the guest room with his truck full of my stuff. I wax profusely, profoundly grateful, and I’m out of the basement. I hope I didn’t leave them with too much of a cloud of my depressive bullshit. I did cook them a couple of spectacular dinners. But still. I took some pictures of her 17-year-old cat, who is the center of her life–trust me, wherever you are, you will hear the wailing when he finally makes it up to the heaviside layer–and I’ll do a drawing of him for her. It will never repay their generosity (they’re customers, for cryssakes!), but I think it will be a gesture that they will appreciate.
I move into my new place. Picture the smallest apartment you can think of. Now, cut it in half. Mine is smaller. If I put a kingsize bed in the corner, I’d have a margin of around two and a half feet on two sides of the bed. You think I’m exaggerating. I’m not exaggerting. I literally have to move furniture to go to the bathroom.
Matt unloads all my stuff, I get things stacked in the closet, under the bed, turned into furniture, etc. Sigh. Relief. It’s over. It’s tiny, it makes “tiny” look huge, but it’s over: I’m through losing things. I have a place to sleep. My bird has a place to sleep. With visions of eBay dancing in my head, I decide to sort through my no-longer justifiable collection of neckties. I’ve been thinking about it as an investment, of which I will now divest myself. I pull out the plastic bin, open the clamlike red lead, and my senses are assaulted by a sickly, moist puff of mushroom. It smells like mushroom. Like fungus and decay. I reach into the box–a roiling bin of gaudy silk eels, snapshot motionless–but smelling like the underside of a long-toppled log. I reach into a clammy, wet, slimy tub of Pacific Northwest rainwatered fungus. Matt–god love him, all my stuff would be gone if he hadn’t stored it for me–assumed that “plastic” meant “waterproof,” and had left my treasure chest of silken artworks out on his deck. As the months waxed autumnal, and the rain came down, my ties melded, and gelled, and became a mushroom loaf, impossible to disentangle, and utterly, wholly, irrecoverable. Whether due to some chemical action of the fungus, or just month of trickle down Seattle weather, all the dyes had osmoted from tie to tie, and not a single tie retained a thumbprint of unbled color.
I sat down and cried. I had not yet cried through all of this, but I dropped to the floor on my knees, sat back on my feet and cried. And cried and cried and cried. I thought I had come through, I was done losing things–all my stuff, art, my sweaters, my montblanc, my music–it was over, I had a floor and a roof and my box of ties, and I was done losing things.
And so.
The next day, over it–sad, but over it–I found a job. It’s temporary; they created a position for me that hadn’t existed before, and technically it’s not in this quarter’s budget, but if it goes well, it will be next quarter. I’m a Marketing Programmer (title to probably be refined) for IndieFlix,** an online distributor of independent films. Initially, my job will be to watch hundreds and hundreds of movies and put together recommendation packages; thematic groupings of movies to be featured monthly in their subscriber service. Subscribers to the site get all-you-can-eat streaming films, but they also get a handful of DVDs mailed to them monthly, and I’ll be programming those subscriber packages. I’ll also participate in local “filmfest” promotions, programming films to be shown at local venues by way of promoting the catalog. And I’ll be doing a lot of work on their real-live recommendations; instead of an algorithm that recommends based on download patterns, I’ll be blurbing each film in the library and associating it with other films they may or may not like. I may also eventually be building their library of classic films, which will initially be largely Public Domain titles, but may include (depending on licensing costs on a film-by-film basis) other classics which are not currently being distributed. And for now, I’m overseeing a call for submissions of independent films with a Holiday theme, for a December promotion on the website. And I’ll be paid to spend as much time as I can just surfing the web seeking out independent films that haven’t got an online distributor, contacting filmmakers, and asking them to submit their films to IndieFlix for consideration.
The pay is meager but survivable, and I can do most of the work from home. Though the office–which I’ll visit at least a couple days a week–is a great environment, with movie geeks and all around cool people. Oh and it has a view of the water.
So, although this is a temporary position until the end of the quarter, which is pretty anxiety-making, it’s still a huge relief for now, and it will allow me to politely decline the offer from WalMart, where I dropped off a resume last week, my most desperate week of job searching. Ever.
*Too Long Didn’t Proofread
**I checked with mods before dropping the name of the company, which I do only by way of full disclosure: inevitably I’ll be discussing some of these movies in CS, and I wanted to disclose beforehand that I work for the company that distributes them