I just saw Rocky - spoilers

Cinemark movie theaters are running their special promotion where they show classic movies on the big screen again. This week was Rocky, the classic Sylvester Stallone flick. I recall having watched this movie as a kid when it ran on TV, but don’t really remember much about it. Mainly that the first half is slow and draggy. I think I kinda skipped some of the middle. I figured I’m an adult, I’d like to contemplate this movie anew, and I had a free Wed evening.

First thing that sticks out to me, this is definitely not an action movie. The boxing that occurs is there, but it really only serves the purpose of providing the challenge to the hero. This movie is a drama, a story of a guy.

Rocky is a neighborhood guy from Philidelphia, a knockabout with little education. He wanted to be a boxer, but never really had an opportunity, nobody to develop him or train him or push him or give him a shot. He’s a southpaw - a lefty - and that apparently was an obstacle because some fighters didn’t want to face him since that throws off their timing. He’s in a local league doing whatever basement bouts he can get, because it’s what he wants to be, but he isn’t a great boxer. He can hit hard, but doesn’t have footwork or balance and not great at blocking. But he does have determination.

He’s 30 years old, a never made it on the tail of his career, not likely to ever go anywhere with it now. He mostly makes his living as muscle for a neighborhood loan shark, making collections on the local gamblers and such. He doesn’t really want to hurt people, but it’s work he can get.

His parents are dead, he lives alone. He’s got a buddy that he hangs out with, and a girl that he likes but she is terminally shy. He’s been flirting with her at her job for months, but not getting any response from her. He’s just getting by, living.

And then a miracle happens. Apollo Creed is the heavyweight champion of the world. He has a special match he’s arranged in Philidelphia for the BiCentennial, but when he shows up he finds out his opponent is injured and can’t fight. The match is 6 weeks away (it is Thanksgiving), no real boxers want to sign up for it (other commitments, 6 weeks is too short to train), but he’s sunk money into the deal already, so Apollo Creed wants a way to salvage the deal. He comes up with the idea of a promotional fight. He’ll pick a local boxer and give him a shot at the title. The match becomes a big show for Apollo Creed, primarily just a way for him to show off, mostly sell tickets to recoup his costs and perhaps make a buck.

He’s running down a catalogue of local boxers, and sees Rocky’s name, “the Italian Stallion”. This strikes his fancy. He sees the promotional angle of a nickname like that. He doesn’t care about Rocky or his style or merit, he just likes the name and thinks it will fit the spectacle he wants to create. So he has the local agent make Rocky an offer.

When Rocky gets the notice, he thinks it’s just to be a sparring dummy with the Champ, then when he hears the offer he initially turns it down, because he knows he is nowhere near Creed’s level. But he’s talked into it. He’ll make a big chunk of cash for the event.

But Rocky, you see he always wanted to be someone, it just never happened. Suddenly this opportunity is in his lap, when he’s past his prime and not ready. But he wants so bad to make it, he starts training.

This is where Mickey (Burgess Meredith) comes in. Mickey is the owner of the boxing gym where Rocky trains. After six years of stagnation, Mickey booted him from his locker and they have words. Mickey thinks Rocky wasted his potential all these years. Anyway, when he hears Rocky got the offer, he goes to Rocky to offer to be his manager and train him. Rocky rejects him because he feels let down that Mickey never made the offer to train him, to make him better, when he really could have used it. But eventually he realizes he needs help, and they make up. So Mickey starts helping Rocky train.

Rocky is out of shape. He starts running hard, training hard. His buddy works in a meat-packing plant, and one day he has an argument with his buddy and ends up punching on a side of beef. He decides he likes it, and starts using it for training.

All along with his prepping for the fight, we see his life play out. The girl he likes is his buddy’s sister, and with some tough love the buddy gets the sister to go out with Rocky. Rocky is no smooth talker, he just yammers away whatever is in his head, but he has to yammer away because the sister, Adrian, is a quiet shy girl who doesn’t say much. But Rocky persists, and through his efforts finally persuades Adrian that he thinks she is pretty and they start dating.

Anyway, the day of the fight approaches, and Rocky has trained hard, dropped 10 lbs, runs farther and faster, and Mickey has coached him on his footwork and balance and such. So he’s the best he’s ever been. But he’s standing in the ring the night before in an empty room, and he realizes it isn’t enough. He just can’t beat Apollo Creed.

So Rocky decides he has one goal. He just wants to prove that he isn’t a nobody. He knows he can’t win, he just wants to last the match, all 15 rounds. Nobody has done that with Apollo Creed before. Creed has a 14-0 record, all by knockout. Rocky just wants to make it to the end of the fight.

So the match sets up. Rocky’s buddy swings a deal to get Rocky a nice fancy boxing robe rather than the ratty thing he’s been wearing. The robe has a logo from the meatcompany on the back - advertising. The buddy gets some cash out of the deal, so it’s a win all around.

Meanwhile Apollo Creed shows up being pulled in on a float made to look up like George Washington crossing the Delaware. He’s got pomp and showmanship down. This is all performance art for Creed. He is just putting on a good show so the people will feel they’ve got a good deal for the money they paid, and he’ll come out ahead on the deal. In his mind, it’s an exhibition match. He never took the match seriously.

But Rocky doesn’t realize this, he’s got something to prove. So the match begins, Apollo is throwing some jabs and playing around. Then suddenly Rocky starts throwing some hits in. Out of nowhere, Rocky knocks Apollo down and almost out. Apollo struggles to his feet before the count is over. This is his first realization that Rocky isn’t playing, he has to take it seriously.

Fine, this is still a grossly unmatched pair, the Heavyweight Champion of the World against some club knockabout. It should be easy, right? Well Rocky has worked hard, and it shows. They start trading blows. Apollo puts Rocky down a couple times, too, but Rocky manages to get back up.

This was interesting, we’re at the dramatic fight, the culmination of the movie, you might expect this to play out a little more. But the fight skips directly from the secound round to round 13. We’re given the tiniest montage as if to say, they’re working each other and getting what they’re taking, but there’s a huge jump here. Interesting in my mind.

So both are showing signs of a long match getting pounded. Apollo is probably the worst off he’s ever been, because he’s likely never had to go this long without knocking out his opponent. Both are worked over hard. Rocky gets his eye swollen up and can’t see, so he calls for his corner man to cut the eyelid and let out blood so he can see on that side, because Creed was using it against him.

The do down to the wire. Rocky gets some good late hits on Apollos ribs and probably cracks them. They’re both fighting to the last second, each with something to prove, desperate to keep their own managers from throwing in the towel. To Rocky, he he just wants to prove he is somebody, so he can’t surrender. To Apollo, his title belt is on the line and he can’t have some nobody come in and strip him of everything he earned.

Anyway, the match finally ends, with Creed telling Rocky he won’t get a rematch, and Rocky saying he doesn’t want one. Since both fighters made it to the end, it comes down to the judges, a split decision. The finale has Creed win by decision, but it’s a close one.

So in the end, Rocky did far better than he could have anticipated. He actually lasted the whole 15 rounds, and he made Apollo Creed work to win, and it was actually a close match. So even though he doesn’t win the match, it’s far better outcome than he could have hoped for.

My overall perspective: the beginning is still slow, but serves the purpose of establishing who Rocky is, his hopes, his dreams, his life. The fight is the big opportunity Rocky gets to be something more than a neighborhood guy and loan shark muscle man. The ending is exciting and yet believable.

The original movie was good. Stop now.

thanks for the synopsis

Hey, thanks! I love hearing about these obscure little films. Anyway, was there any cool music?

Stallone is/was actually a good actor.

And writer! Being able to play Rocky was a condition in selling his script.

Indeed. That scene in Prisoner of Second Avenue where he gets beat up by Jack Lemmon is quite convincing.

So that’s what inspired the horse scene in “Kate and Leopold!”

Seeing the sequels made me forget how good the first one was. I saw it a few months ago. He certainly made a mess of the character. The whole point is that Rocky is a loser. But he gets that one shining moment. Making him the world champion negates all that.

The last one was actually pretty decent too, a lot closer to the first than to the crappy sequels.

I dunno–I liked II and III. It was a nice progression…to see how he could possibly become world champion, and then to see how he’d handle it once he did and what he’d do if he found out his successes may have been engineered. III started tipping over into over-Hollywoodism (the fight with Hulk Hogan, the character of Clubber Lang), but it didn’t seem too obtrusive. And as easy as it can be to make fun of Mr. T, he did do a good job of portraying a vicious young fighter.

And I gotta say–I was prepared to like Rocky Balboa, but I’m surprised by just how much I did. I liked the fact that they didn’t go the cliche route of making Marie into a love interest, or of making Mason into a villain. (Mason, despite his wealth and fame, seemed to be in a position rather similar to Rocky in the first movie–needing to win respect more than anything else. He even had his own “Mickey” in Martin.) And I liked the fact that the ending gave BOTH men what they wanted. Rocky needed to get rid of the “stuff in the basement”, and it didn’t matter to him that he didn’t win the exhibition. Mason needed to win his audience’s respect, and by going the distance, even with a broken hand, he did so.

(And I liked the new arrangement of “Gonna Fly Now,” with the horn section.)

He had the Eye of the Tiger, you know.

Rocky, at the end of the match only cares about Adrien.

ADRIEN!

That most human cry and her struggling to get to the ring is climax of the film.

II and III were fun but really took a dump on the character. The whole point is that Rocky was a schlub. A loser who was going no where. But he had heart. Even heart isn’t enough to make a loser club fighter into a champion. But it let him stand in the same ring as one and not get knocked down. The ending worked because he didn’t win, he was never going to get that chance again and he was happy.

Yep. Good enough to win Oscars for best picture, best director, and best editing. As well as best & best supporting nominations for 4 of the main characters (sorry Apollo).

Have there been any other movies that won multiple Oscars & other major awards, then worked its way down to Rocky 5 level of dreck?

Talia Shire sitting waiting on him during the match, refusing to watch it — then struggling to get to the ring at the end is one of the most heartwrenching things in all of cinema. It really is a good movie. The story of hard work paying off — maybe not in the way that you think — appeals to absolutely everyone.

I can’t decide whether Talia Shire’s constant mumbling was annoying or brilliant characterisation or both!

II was a complete waste, a transparent excuse to rewrite the ending of I and make it “happy” (in the Hollywood sense). It was created for fans who didn’t appreciate the concept of dramatic irony (i.e. that sometimes you win by losing).

There wasn’t a natural evolution for the character’s story after II, so they went for a cartoon villain. That itself was fine–the movie was clearly going for a comic/lightweight mood as opposed to the intense character drama of I–but it weakens the dramatic value of the redemption theme and turns Apollo Creed into an unbelievable figure. Still, it’s the best of the sequels and a fairly decent movie on its own. IV tried to follow the same path as III by one-upping the villiain and raising the stakes with an early character death, but this doesn’t necessarily make things better, and IMO it’s easy comparison with III highlights it’s shortcomings.

V was just sad; a rushed and confusing attempt to recall the spirit of I, I had the feeling they were building for one specific ending but that Stallone chickened out. By far the worst of the series. And to be honest, I thought VI wasn’t that bad considering what they had to work with (Stallone was 60, and yes the climax has him in a big prizefight); a film where it feels like the story is moving on its own without much help from nostalgia for the previous movies.

Schindler’s List 2: The Reckoning

We’re still waiting for Titanic 2.