Could it be “Taurus” by Spirit, the song that Led Zep’s “Stairway to Heaven” was said to rip off?
[quote=“Aeschines, post:41, topic:777401”]
Could it be “Taurus” by Spirit, the song that Led Zep’s “Stairway to Heaven” was said to rip off?
[/QUOTE]That’s another one I thought of, but it’s fairly short
Kind of stabbing in the dark … but could it be either of these?
“Git Fiddler” by Jefferson Starship
“Song for America” by Kansas
Yes, this is a mystery. If it’s truly a deep cut, it could be anything by a large number of bands.
Yes.
Yes.
Medium fast.
no.
BTW the melody I defined are played by the violins, not the guitar.
Yeah, I thought of this…but then I remembered times when I’ve heard just the end of a familiar song, or just the solo - and out of context it’s hard to recognize even a familiar classic.
Do we know that the song has no vocals, is an instrumental? If there were vocals, how would you describe them?
Actually, it looks upon re-reading the OP that we don’t know for sure whether it was an instrumental, just that at least from the point they heard the song it was, and that it was several minutes long from the point they heard it.
Also, one question about the contour of the melody, when you say:
GFECDEA
FEDBCDG
EDCABCE
That “A” and that “G” – is that final note LOWER from the preceding notes or HIGHER? I’m interpreting it as G down to F down to E down to C up to D up to E DOWN to A, but it might be UP to A. Similarly with the last two.
Are the notes even, except for the last note in the phrase drawn out, or are the other notes of varying lengths?
I played the given notes on the piano, and they sound a bit like “Strong Enough” by Sheryl Crow… but that can’t be it, dangit.
Lower.
Even,'cept for last note.
Okay, that makes me think that the song may be in 6/8 or 3/4 (or some multiple), as the groupings of the notes seem to follow naturally in 3s. No guarantees, but that’s how I’m hearing it in my head (GFE)(CDE)A… (FED)(BCD)G…(EDC)(ABC)E …
No idea if that help or obfuscates for others.
Maybe somebody can make a midi (or whatever) of the melody, post a link to it, and that will jog some memories.
After thinking about it a little, they might actually be 16th notes in 4/4 times. I now vaguely remember some song with a repeated theme that’s something like:
1 . . . 2 . . . 3 . . . 4 . . .
E . . . | . . . G F E C D E a .
| . . . | . . . F E D b C D g .
| . . . | . . . E D C a b C e .
| . . . | . . . | . . . | . . .
(lower case notes being an octave below the upper-case notes and all the notes at the end of a phrase being drawn out)
In my head, those 4 measures take 11 seconds, so that’s 16 beats / 11 seconds = ~90 bpm. After doing the math, though, that might be too slow.
Is that how it goes, Enola Straight?
Don’t know, not a musician.

FWIW, the song is apparently recorded some time from the late 60s to the late 70s.
I keep wanting to make it something from Kansas — something akin to “Opus Insert” or “Magnum Opus” from Leftoverture for instance — but I can’t place it.
Bumping in case these suggestions were missed on pg 1 ![]()
Nope…too up-beat.
My song was much more laid-back.
Oh, that’s a good thought, and would much better fit into a rock context. The way I was hearing it in my head was much more classical, with accents on the first note of every three-note grouping instead of on the first and fifth.
Sea of Joy by Blind Faith?