I’ve always had a fondness for old fashioned murder mystery stories. My favourite sub genre is the ‘locked room’ mystery. You know the thing. The victim is found murdered in a locked room with the key in his pocket, and the killer has seemingly vanished in a puff of smoke and you have to work out how he did it, as well as who he is.
Anyway, I work shifts (three weeks days, one week nights) and on the night shift, there’s not much to do except read, surf the net, and think about stuff, and today I had an idea for a locked room mystery which (as far as I know) hasn’t been done before. Here’s the set-up. Tell me what you think.
So, it’s set in the 1930s or 40s and the victim is this rich Uncle Pennybags type who has made a lot of enemies in his business dealings over the years and has recently been speculating about changing the beneficiaries of his absurdly enormous will. He lives in a big fancy mansion just like the one in every old murder mystery ever, and on the day of the crime, his house is full of family and business associates, all of whom have a reason to do him in. The last time he is seen alive is when he goes into his study to take a call on his private phone from his solicitor to discuss the aforementioned will and, due to the delicate nature of the call, he locks the door behind him.
About an hour later, there’s a big old kerfuffle in the study. Shouting, furniture being knocked about, “HELP! HELP!”, you know the drill. A few people in nearby rooms rush out and find the door locked. One of them grabs a spare key and unlocks the door but it still won’t open. The old man’s bolted the door as well. Anyway, they knock the door down and find the room in disarray, and Pennybags sat behind his desk with a big old samurai sword sticking out of his chest and a very annoyed look on his face. One of them calls the police from the study phone while the others look behind the curtains, under the desk, inside the old man’s magnificent ornate weapons chest that he brought home from the orient as a souvenir (because, like any self-respecting old Colonial, he obviously has one of those) and anywhere else a murderer might be hiding, and they don’t find anyone. The windows are locked, and, when the police arrive, they find the key in the old man’s pocket. Curiously, further investigation shows that, even though the caller identified himself to the family butler as the old man’s solicitor, the telephone company can’t find any record of a call made from the solicitor’s office on the day of the murder.
So…whodunnit?
The answer is…well, who cares? It could be anyone. The important thing is how he did it. The murderer had a simple, ten step plan.
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Step 1: Phone the study from any other phone in the house (remember, the study phone is on its own private line) and pretend to be the lawyer. Wait for the Butler to answer it and then wait for him to leave to summon the old man. This is just to get the old man in the study.
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Step 2: Put the phone down and, while the study is empty, sneak in and hide in the weapons chest. Incidentally, the chest is behind the desk. Probably should’ve mentioned that.
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Step 3: Wait until the old man has arrived and locked the door behind him, and then kill him, ninja style, with the big old samurai sword in the weapons chest.
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Step 4: Quietly dismantle the room. Turn the chairs over, scatter the papers on the desk, take the books off the shelves and place them on the floor, that kind of thing.
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Step 5: Unlock the study door from the inside and put the key in the old man’s pocket.
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Step 6: Replace the wooden bolt with an identically shaped metal bolt.
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Step 7: Put a record on the gramophone. This is a specially made record which is 30 minutes of absolute silence, and 30 seconds of a pre-recorded struggle.
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Step 8: Check the coast is clear, sneak out. Lock the door from the outside with a duplicate copy of the key and then use a very strong magnet to draw the bolt into place through the door from the outside. Snap the wooden bolt in half.
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Go away, meet someone nearby and establish an alibi. Wait for the record to play the “struggle” and wait to be summoned by whomever gets to the door first.
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After knocking down the door, tell everyone else who happens to be there to check to see if the murderer is still in the room and, while they’re distracted, steal the metal bolt and throw the broken wooden bolt on the floor.
And there you have it. Now, bear in mind I’m terrifically sleep deprived at the minute so there could be a billion reasons why this idea is totally stupid, but if they exist I can’t see them in my present state. My two questions are:
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Does it make sense (and I mean ‘Agatha Christie style murder mystery novel sense’, not ‘Homicide, life on the Streets’ sense.)?
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Has anyone done it before? I know recordings are a tried and tested way to establish alibis in murder mystery novels, but I can’t recall any where the killer lured the victim into his desired location in this manner, or used a magnet to lock the door from the outside. Have I actually come up with a (semi)-original idea?
By the way, if anyone wants to use this idea have at it. I’m never going to do anything with it. All I ask is a free autographed copy if you ever get it published