TWDuke, I know what you mean about getting bogged down in minutiae, but I promise I won’t let that happen. There are so many names and facts mentioned here that I’m kinda bleeping over them until such time as I can really understand them fully, which I expect will be after or during the book read.
BigT, I admit the anal retentive completist in me balks a little at not going in Tolkien-published order, i.e. beginning with TH, but that’s really not a problem. Jumping right to the meat of the story would be fine too.
So. My thoughts on The Fellowship of the Ring, the second time 'round:
As I said earlier, seeing the film a second time was an incredibly richer experience, especially having seen the rest of the saga. Everything resonated with meaning in a way it couldn’t before. Looking back on my first viewing, I feel as if I’d seen it in a daze; there was so much mythology to take in, so many never-heard-before names and places and items to absorb. Watching it now, I didn’t feel overwhelmed. I understood what was going on … well, better than I had, anyway. In fact, I can’t believe I’ve already seen the EE. So much seemed clear and new to me, I felt as if I were seeing scenes for the first time.
For example, take the initial scene between Gandalf and Saruman. I do not remember their having mentioned the Palantir – indeed, I specifically asked what the hell a Palantir was when someone (I think it was Chronos?) mentioned it during the TTT discussion. Then during ROTK, you guys explained it much more thoroughly (and I saw its destructive qualities during the Pippin/Palantir scene in ROTK). Anyway, sure enough, watching the first film I now know what Gandalf was warning Saruman about, and just how dangerous/destructive the Palantir is, not just because of Pippin but especially knowing thanks to you guys that it is what caused Denethor’s madness.
As I said, the story and characters meant so much more to me now that I know how things end up. Frodo especially … his innocence, his happiness and his love for the Shire were all especially bittersweet. I found myself angrier with Bilbo than I was originally; I found his behavior highly selfish. Of course, he didn’t know just how deadly the ring was, so I guess it’s not fair to blame him for how Frodo suffers, but still.
I remember remarking originally that one of my favorite moments of FOTR was the regretful, concerned look on Gandalf’s face when Frodo steps forth during the Council meeting and volunteers to bear the ring to Mordor. Well, this time, you can multiply my reaction by ten: now I know just what Gandalf is dreading, now I know exactly the horrible burden that bastardly ring will place on Frodo’s wee shoulders. I feel like my own face mirrored Gandalf’s expression. Ian McKellan knocked this small but powerful moment right outta the ballpark.
Of course, the other character permanently affected by the journey is Boromir, and since I knew what to expect, his arc also meant more this time. Particularly the scene with Galadriel, as she apparently gives him a bit of a vision (of Gondor’s grim future? Of his own?). Sean Bean’s sudden gasp/sob of pain was eerily effective and almost difficult to watch since Boromir’s heading for such a grisly death.
Other moments that stood out more: Gandalf’s dismissive, irritated reactions to Pippin (in light of their relationship in ROTK and Pippin’s growth as a character); Boromir’s determination to bring the ring back to Gondor (much like his brother’s in TTT); Frodo’s stabbing (since it only later becomes clear how badly this wound will bother him); Elrond’s behavior toward Aragorn (now that I understand their relationship); and the initial teasing scenes of Gollum, considering how much we’ll be learning about his character in TTT and ROTK.
Some observations/questions that cropped up:
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One nitpicky thing: I don’t think Jackson did quite right was the hobbits’ size in relation to their animals. Seems like the cows and chickens all looked correctly proportioned next to the hobbits, but surely they should’ve been much bigger? Unless these are special, hobbit-sized creatures.
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Other nitpick. So there are different names for Earth and the oceans and eras and so on, but when it comes to months, Gandalf can still tell Frodo “oh it’s October _th, to be exact.” October? They couldn’t come up with new months not based on a Latin naming convention that actually is only relevant in a world with Caesar in it?
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Why does Galadriel call Aragorn “Elessar”? This guy has an awful lot of aliases.
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What exactly does Gimli (and presumably the rest of the dwarves) have against the elves?
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Is it me or should Sam and Frodo not know that Boromir is dead, much less how he died?
To conclude, I got so much more out of this viewing, it’s like a different picture entirely. This time, without feeling like I had to spend half the time translating the dialogue into English, I could feast my eyes on the gorgeous cinematography, and pay extra attention to the performances and characterizations, and really dive into the universe. It’s a stunning work that keeps improving on further scrutiny. Thanks to everyone here for giving me a much deeper understanding and appreciation for its art.
Can’t wait to dive into the other two films, since unlike FOTR, the two Extended Editions will definitely be new to me.