This week’s NEW YORKER includes a “Talk of the Town” piece on jazz wunderkind James Carter, and how he drops by the 48th Street music shops every other day to see what kind of new saxophones are in, and how he tests them out and buys them up.
The other day he ran into his pal Joshua Redman, another burgeoning superstar of jazz, who good-naturedly jested with him about all those gosh-darn saxophones he owns.
We are allowed to follow Mr. Carter through his extensive collection, as he points out his “rare F-mezzo Conn saxophone from 1928,” and his first Selmer tenor, which he calls “Lady T,” and the saxophones he has named “Geisha Noir,” “Bubba,” “Baby Bubba,” and “Mahalia,” the last being one of only five made by a Swiss company called Das Blashaus.
Now, I’m of the opinion that James Carter plays jazz like my ass chews gum (and Redman is a few steps further down the ladder of talent, but we won’t discuss him now).
I’m also a guy who owns one saxophone, a tenor, and stands out in front of those same shops on 48th Street looking at all those shiny baritones and altos with eyes like a Powerpuff Girl because I can’t afford to own them.
So I’m fucking offended by this article, and by Carter in general. This is like running a piece by Jerry Seinfeld where he “shares” his collection of sports cars with you. “Aren’t these nice? YOU’LL never have anything as nice as this!!!”
I’m sure some of you will say “Okay, but at least he plays them…it’s not like some millionaire buying a Stradivarius and locking it up in a safe-deposit box as a collector’s item.”
Well, fuck you. Sonny Rollins is still playing the fuckin’ beater horn he’s had since the 1950s. And Carter ain’t fit to empty Rollins’s bedpans. No fucking way would Sonny own three dozen saxes and give 'em all stupid fucking names, to boot.
James Carter. Prick. I’ll bet he votes for Republicans, too.