Hm, much of the Stainless Steel Rat series is both dystopic and funny if you like that sort of humor, as is theRetief series [the earlier books in both series], another Harry Harrison, Bill the Galactic Hero. Hm, again Harry Harrison - Deathworld trilogy.
Not sure if you consider intergalactic spy sabotage funny, but Wasp really has its moments if you realize the author was responsible for WW2 dirty tricks as well.
I thought about mentioning the Deathworld series, but IIRC the dystopian part was on one planet in a much larger “federation” of worlds, most of which were doing fine. IMO, the movie Avatar stole most of its plot from this series.
Likewise, I don’t think either the Retief or Stainless Steel Rat series are paarticularly dystopian. Particularly Retief, who is basically the one smart and effective operative in what amounts to a galactic State Department. Eh, maybe you’re right about the Rat, it’s been so long since I read it.
But excellent choice Bill the Galactic Hero. A great dystopia, very black as midnight humor.
Which reminds me of the movie Hospital. If you can consider one small hospital in a big city a dystopia, then this would be a good choice.
Don’t know if it was really that funny, but who can forget Woops! on Fox?
According to IMDB, the tagline was, “At Fox, we believe there are some things you just can’t joke about. Fortunately, the end of the world is not one of them.” Talk about a laugh riot.
Which reminds me of A Blast From the Past – a movie where a family shuts itself into an underground bunker for decades because they think there’s been an apocalypse. Eventually some crisis leads them to unseal and send out their son (I can’t remember why), and humor ensues.
Paranoia is, at least, great fun to read, and is definitely dystopian.
I wonder how many people, like me, would only read the rulebooks and modules, and had no interest in playing the game?
Not dystopic (but then again lots of the above suggestions aren’t either – the Zombie Apocalypse is no Dystopia) but relevant is the 1980 anthology Robert Sheckley edited, After the Fall. It’s a collection of “upbeat end-of-the-world stories”, which is the kind of thing you’d expect from Sheckley.
As I’ve mentioned many times before on this Board, my favorite is Philip Jose Farmer’s entry, The Making of Revelation, Part 1, wherein God appoints Cecil B/. DeMille to produce and direct Armageddon, using all the Dead as his staff (rather like his Riverworld stories). DeMille gets Harlan Ellison to write the script, because Ellison is the only one who isn’t afraid to argue with God. Eventually even God gets pissed off at him, and he’s replaced by “a hack from Peoria”
There’s also The Bed-Sitting Room, which, despite a great cast and a first-class director of comedies, is not actually as funny as the description would indicate.
“Serve the Computer! The Computer is your friend!”
“Stay alert! Trust no-one! Keep your laser handy!”
“Excuse me, citizen… is there a tank-bot on our requisition form?”
Paranoia was great fun.
Getting back to the OP, I would nominate Will Self’s The Book of Dave. Part of the book takes place in the present, and tells the story of a mentally-unhinged cab driver named Dave who’s dealing with a rough divorce.
Flash forward 500 years to a post-apocalyptic England that has been largely flooded, where society centers around a religion based on a found transcript of Dave’s psychotic ravings.
A valid point, so- category broadened to include apocalyptic, zombie or otherwise, in addition to dystopic; basically “Funny but with really bad things having happened”.
I love Good Omens but I’m not sure I’d count it as the apocalypse never actually happens (at least not the worst parts). Ditto Supernatural.