Lines in a song that anchor it or cause it to turn a corner for you

As an example, Rod Stewart’s You Wear It Well. Like a million other songs, it seems like the ‘speaker’ is just nebulously pouring out his feelings. Then somewhere near the end there’s the line:

"Anyway, my coffee’s cold and I’m getting told
That I gotta get back to work"

Now all of sudden I see a guy sitting on a loading dock, taking a break from work, writing to his ex. Not a huge turn, but that line has always anchored the song for me.

‘Memphis, Tennessee’ by Chuck Berry is more of an intentional twist. But still the line…

“Marie is only six years old, information please.”

… does frame the conversation differently in my mind.

There are a few clues along the way, but it’s spelled out in the last verse of ‘Lola’ by the Kinks:

Well, I’m not the world’s most masculine man
But I know what I am and I’m glad I’m a man
And so is Lola

Yes, Lola is glad he (the singer) is a man. Because Lola is a straight woman. Nothing surprising there.

Led Zeppelin has a couple song twists where you think it’s a romantic love song but it turns out to be something else. Similar to ‘Memphis, Tennessee’, the Zep Song ‘The Ocean’ has the line toward the end:

Now I’m singing all my songs to the girl who won my heart
She is only three years old and it’s a real fine way to start

Awww, he’s really singing about his daughter!

Zep’s ‘Bron-Y-Aur Stomp’ also sounds like a romantic love song, until:

Ain’t no companion like a blue-eyed Merle

If that line goes over your head, a bit later there’s:

Yeah, ain’t but one thing to do, spend my natural life with you
You’re the finest dog I knew, so fine

I can’t even start typing this without a tear in my eye.

Atmosphere’s song Yesterday is a standard “missing a lost love” song. Until the last line:

I thought I saw you yesterday
But I know it wasn’t you,
‘cause you passed away, Dad…

.

(btw, it’s from an album with a great title: When Life Gives You Lemons, You Paint That Shit Gold.)

Paradise by the Dashboard Light has a nice twist where the two teenage lovers are getting hot and heavy in the car, until she pulls the classic ‘Will you love me forever and make me your wife?’, at which he replies 'I will love you ‘till the end of time’.

The coda begins:

So now I’m prayin’ for the End of Time
To hurry up and arrive
'Cause if I’ve got to spend another minute with you
I don’t think that I can really survive

Lyle Lovett’s “Nobody’s Knows Me” sounds like a sweet love song, but halfway through you discover it’s really about the singer’s affair that ends the marriage.

Similarly, his “I Married Her Just Because She Looks Like You” completely contradicts the title as the song unfolds.

Nick Cave and Kylie Minogue’s Where the Wild Roses Grow;

On the third day he took me to the river
He showed me the roses and we kissed
And the last thing I heard was a muttered word
As he knelt above me with a rock in his fist

Keep your drawers on, girl, it ain’t worth the fightin
By the time you drop them I’ll be gone
And you’ll be right where they fall the rest of your life

Zip City- Drive-By Truckers

And as he handed me a drink
He began to hum a song
And all the boys there at the bar
Began to sing along

Little Feat - “Dixie Chicken”

He Stopped Loving Her Today drops all kinds of hints, then:

He stopped loving her today
They placed a wreath upon his door
And soon they’ll carry him away
He stopped loving her today

Er, no, Lola was a man. Ray Davies spoke of doing research on drag queens related to the writing of the song.

mmm

Seriously, Lola. “That ain’t no woman! It’s a man, man!”

Well, I’m not dumb but I can’t understand
Why she walked like a woman but talked like a man

Girls will be boys and boys will be girls
It’s a mixed up, muddled up, shook up world, except for Lola

It’s as obvious as it can be, in the time of the crazy repressed 60s. They’re being clever.

The Doors’ ‘Moonlight Drive’ is a sweet little romantic song about a couple who park beside the ocean and go for a little night swim…

…until the outro:

Come on baby, gonna take a little ride
Down, down by the ocean side
Gonna get real close
Get real tight
Baby gonna drown tonight
Goin’ down, down, down

I’ve heard this song forever but interestingly, my wife and I were watching it a couple of weeks ago on YouTube (big screen TV) and for the first time that line hit me.

So now I’m prayin’ for the End of Time

I thought @Saint_Cad was just being silly, but perhaps I was wooshed.

Could be either.

Yes, the lyric was supposed to have two interpretations, given Davies penchant for word play. But Lola is a man.

Parchman Farm by Mose Allison.

It’s about a prisoner singing about his life in prison

Sittin’ down here on Parchman Farm
Lord I ain’t never done no man no harm

Until you get to the final line

Gonna be down here for the rest of my life
All I did was shoot my wife

That first line is cleverly misleading.

Interesting… the only version of Parchman Farm I’m familiar with is the John Mayall & Bluesbreakers cover, and he doesn’t sing that verse at the end. Now I need to go dig up the original and have a listen.