[QUOTE=Rubystreak]
Don’s kids are kind of bratty, eh? The daughter was inappropriate with both Joan and Paul, dropped gum on the floor, and then got drunk and passed out. The son is obviously trying Betty’s patience, breaking things and lying, but being sweet to Dad, a tried and true tactic.
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I didn’t see them as particularly bratty. I saw them as being in need of attention.
Yes, the daughter said inappropriate things to Joan and Paul, but her father just dumped her on Joan and didn’t seem to pay any attention to her once they were at the office. Would she have said those things if her dad had been around? Also, kids do say outrageous things sometimes just because they’re kids. The getting drunk thing could be seen as an attempt to emulate adult behavior and/or a ploy for attention.
The son’s behavior is even more clearly linked to not getting enough attention, and not getting the right kind of attention. His parents are setting him up for failure by ignoring him. They’re abdicating their responsibilities by not guiding him toward behavior that won’t have bad results. They’re punishing him for being bad, but not showing him how to be good.
There were three obvious examples right in the episode. First–the robot at the dinner table. By telling him to stop playing with it but not removing it from him, they pretty much ensured he would “misbehave.” A kid that age has very little impulse control. Second–when they were letting him mess around at the stereo. You can’t let a kid that age play around with a hi-fi (much more fragile than today’s units) and expect him not to mess something up. Third–when he was jumping on the bed. They didn’t tell him to stop, and then got mad when something broke.
In all three cases, they could have given him a little more attention–taking away the robot, moving him away from the stereo, telling him to stop jumping on the bed. In all three cases, they didn’t, and then blamed the kid. Yes he lied, but kids do lie at that age. You have to teach them to tell the truth.
I think that the point being made is, in part, that even under the old housewife/breadwinner model, kids didn’t necessarily get the attention that they needed. I’d think that things are better these days, because a. it’s a woman’s choice whether she wants to be a housewife or not, b. even “breadwinner” fathers are expected to be more involved as parents than they were, and c. it’s now widely acknowledged that being a suburban housewife and mother isn’t necessarily all that’s needed for a woman’s fulfillment, and that a woman who feels stifled in such a situation isn’t necessarily maladjusted.
Note that Betty Friedan’s revolutionary The Feminine Mystique came out in 1963. Betty Draper is a perfect example of what it addressed. So much so that I’m quite confident that whoever is writing her character lifted it straight out of the book. Everything’s in there, from her psychiatric experiences to her husbands comments like “she has everything that she could ever want or need, so how could she be unhappy?” And I don’t mean that as an accusation of lazy writing. Just the opposite. The reason that Friedan was so influential was that the problems that she discussed were rampant in the American middle class. (And I predict that Betty Draper will read the book next year. Can’t wait to see what happens!)